so so wonderful work and amazing music my friend

great guitar work with the song is very good [via https://sc.repostexchange.com]

Very nice sounding guitar on this track. Great job on this one!

unexpected shift from the track before into something wondrous and ponderous. beautiful simplicity and use of reverb / delay generating a very cool soundscape you can escape into

Download: https://analoguetrance.bandcamp.com/album/forrest

Forrest -Trilogy

Instruments:
Mother 32
DFAM
Subharmonicon
Neutron
MS-20 mini

ForrestSun

rockon2021

eloise

The Last Voyage

COMBSTEAD sent me another genius level track and I added my stuff!
Thanks, Mark!
COMBSTEAD: @markcombs-928282858

Stompin' Grounds - COMBSTEAD / Robert Grigg

Composição: Lima Júnior e Octávio Ferro
Lima Júnior - Voz e Violão
Sandoval Filho - Piano

Fora Do Ar (Acoustic)

Only for a Season - Robert Grigg & Combstead

A part of my 'in parting' project based on an old melody I made in 1998. 

Movements

We Will Fight And Defeat These Bulbous Spheres With Their Tiny Little Crowns

The Lockdown Sessions is a conceptual instrumental Jazz EP composed and recorded during the covid-19 lockdown in April 2020.

The album reflects the perception of the artist before, during and his hope for the future.

SOHO
This is a song that represents past. A more relaxed and classic Jazz club take on experiencing live music. You can even hear people clapping together before social distancing was even a thing. At the end is noticeable that something happen. It all have been so abrupt. 

WHAT’S GOING ON? (INTERLUDE 1)
This short statement transition us from an unexpected situation to an emotional state. Uncertainty comes to mind.

QUARANTINE
This song represents present, the lockdown state. Fear, sadness, acceptance. Everything into a sensible deep instrumentation form of chords waiting to transcend into emotions. This song really reflects the way I’m feeling (at the moment of writing this) regarding this crazy situation. (By the way, today is easter Sunday. )

WHAT NOW? (INTERLUDE 2)
This interlude is very calming and soothing. I was emotionally tired when I was composing this piece, So I created the music I needed to hear at the moment. An easy and warm transition to the future ahead, the kind of music that tucks you into bed. Tomorrow will be another day.

NOVEMBER
A song that represents change, a new beginning, a future cohesive sound to embrace. November will deliver an immersive experience. We don’t know when and if things will get back to “normal” November is just a dot in the horizon to think about the future. There will always be another November…

#SCxiamOTHER

The Lockdown Sessions

Soho (Past)

Buy it on Bandcamp:
https://coletivofarra.bandcamp.com/album/pt-malacca

Produção: Satha Lovek
Artwork: João Coutinho
Edição: Coletivo Farra

Tracklist:
1. Mata-kantiga (3:52)
2. Grago (3:32)
3. Ode to Malacca (6:50)
4. Compassion as Contempt (7:35)

Samples de "A Viagem dos Sons – Kantiga Di Padri Sa Chang" (1998) autorizadas por TRADISOM – Produções Culturais, Lda.
---

Review:
Satha Lovek, estrangeirismo, denominação batismal deste duo de gringos lusitanos, seculares detentores de computadores e melonamania incontível ou, tão simplesmente, a bastardização aglutinadora de “Satha”, rei deposto de “Lovek”, cidade cambojana e catalista de um fabulado 5º Império. PT Malacca, escrito e produzido em 2020, é o seu EP de estreia, editado pelo Coletivo Farra e lançado a 26 de Outubro deste ano, produto de tangentes pandémicas, samples remanescentes de partilhas pletóricas feitas à distância de um teclado. É também uma homenagem distorcida mas sem retorção das Kantigas Di Padri Sa Chang, “procurem-nas e vão perceber”, recomendam. 
Ouvido e depurado, PT Malacca afigura-se um 4-faixas de pós-colonialismo traumático, navegado entre Portugal e o bairro português de Malacca em menos de 22 minutos. Isentos de sentimento patriótico, Satha Lovek compuseram o regresso à uma sinceridade multicultural por meio da sátira ao nacionalismo desmedido, refutado pelas amálgamas artificiosas de drone, free-jazz, IDM e plunderphonics que engrandecem o EP. “Grago”, a segunda faixa, destaca-se pela abrasão ostensiva, emblemática de uma batalha cruzada onde gritos dilacerantes entrecortam eclosões de crueldade e batidas imprevisíveis. Em oposição extrema, “Ode to Malacca”, a terceira faixa, submerge o ouvinte na dissolução prolongada de um amuralhado monocórdico, a última réplica de um império arruinado que, após 4 minutos de drone implacável, se transfigura em canção do cisne pautada por notas de piano cintilantes, uma analogia às narrativas históricas vigentes, reluzentes de tão embelezadas, o legado, currículo e propaganda de alegados heróis do mar. 

Em PT Malacca, as armas e os barões assinalados nunca soaram tão honestamente.
 
~ Ricardo Batarda

FARRA 7 © 2020

Compassion As Contempt

The Quiet Earth Orchestra

Simple (by John Ludi as The Quiet Earth Orchestra)

MUSIC FOR THE THINKING FEW.

(NOTE for RepostEx users: I don't repost AI if I can detect it, and I only repost songs I like or show some level of competence or promise...and they usually don't involve an 808, misogyny, Autotune or singing off key over a prerecorded track...and at my age I'm FAR more interested in quality connections with listeners than going "viral". ALSO: mostly an aging rock/folk/prog/indie guy...can't really judge or really relate to Hip-Hop, Auto-Tune and other more modern styles...sorry.)

John Ludi is a musician/singer-songwriter/cultural relic with a diverse and "arty" array of influences and lyrical interests who was "Indie" before the term even existed. Working outside of the music industry by choice has given Ludi the ability to release songs of a level of lyrical depth that are anathema to the current culture.  Ludi lives off-grid in a yurt in the woods of WI and finds the materialistic priorities of our civilization incredibly wrong and destructive.

Simple (by John Ludi as The Quiet Earth Orchestra)

John Ludi

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