Waves

"Standing Still" : experimental downtempo track with an ambient, acid feel, with guitar and synths  : art work one of my "analogue" photos
. "Free Download"

Standing Still

A new song from David Cooper and Glen Granthem.

Glen sent me a music track with bass, drums and organ on it and asked me if I could add guitars, lyrics and melody/vocals.

This is the result.

Hope you like how it turned out.

Lyrics are:

Let me go down to the sea so blue
Let me see the ships go sailing through
Let me do what I want to do
Let me go, let me go, let me go

Let me feel the sun on my back again
Let me feel no more physical pain
Let me go back from where I came
Let me go, let me go, let me go

Chorus

There’s a pocket in my heart
It’s such a special part
It’s where I keep my love for you
It’s the only thing to do

Let me go down to the river tonight
Let me take in such a beautiful sight
Let me know that I’m feeling right
Let me go, let me go, let me go

Let me feel the love I should have known
Let me see the people that have gone
Let me feel I’m not on my own
Let me go, let me go, let me go

Chorus

Solo

Let me know what is right from wrong
Let me be the only one
Let me sing my favourite song
Let me go, let me go, let me go

Let me see the moon shining bright
Let me see the stars tonight
Let me see their mystical light
Let me go, let me go, let me go

Chorus

Solo/Bridge

Let me see the children grow
Let me learn all there is to know 
Let me follow my own shadow
Let me go, let me go, let me go

Let me just win once or twice
Let me see a new morn’s light
Let me see things that's nice
Let me go, let me go, let me go

Pocket in my heart (Cooper/Granthem Collaboration)

You're invited to jet set around the globe to the world's coolest night spot destinations with Shade Structure. 
From the new EP "Short Songs For Tall Minds" Soundcloud 2022

Lyrics:
I live for the fireworks of the night
Supersonic
Stereophonic
I'm taking all my meals in flight
I love the music
I love the nightlife
Gin & Tonic
It's euphonic
That's ironic
It's emotion that I ghostwrite

Chorus
I've got first world problems
And Second Life Blues
Let the algorithm choose
I've got first world problems
I've got Second Life Blues
Let the algorithm choose
With the algorithm
You know you can't lose
Let the algorithm choose

In The Future All Songs Will Be This Stupid

Back at my acoustic piano for my new song here! 😊🎹
Thank you so much to my lovely Sander for another gorgeous mastering job. @wane-of-summer 😊🎶❤️❤️❤️❤️❤️

PERFECT SENSE (acoustic piano & vocals)

This is a song that began with me laying down some bass, organ, piano, synth, and slide over a looped, heavily delayed guitar riff. I asked Ken to put some drums on it, which he did to perfection, as well as added some acoustic guitar. I then sent it to Tez, and asked him to come up with a lead part for it. He also delivered exactly what I wanted to hear. We dropped the initial looped guitar that was the whole basis for the song to begin with, which I think is pretty cool. Tez mixed and produced this, and what a fine job he did, too, as always. these two guys are wonderful collaborators--so talented and so easy to work with. What I told them was that I wanted to make sober people feel high when they listen to this. I hope it has that effect on you!

A Separate Reality (with Llanpsych and K2 and the Three)

Kamień / Stone

This is the second in the Departure series of experimental soundscapes that are inspired by a set of 13 poems (or 'cantos') written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. I was honored thatJo invited me to collaborate with him on this project, it has really helped to push me in some new creative directions.

This second track in the series, features field recordings from Zuunzug. He offers them up for download on this page: @zuunzug-field-recording under the Creative Commons license (CC BY 3.0) ... The ones I used are Save Beograd, Novi Sad, and Waves Over Seashells.  I think they add a lot of great atmospheric texture!

The poetry is copyright Jo Richter. I have only extracted a small sample of the original poem, so please read the full text below if you are interested in the original context for the spoken word, also read by Jo Richter.

And you can follow along with this project here. This playlist so far includes one other song (2 different versions) from me and Stonerjazz, based on Canto VI, but we intend to add more in the coming months:
https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in?si=670a7a3afd304067a20ddf0801653bd7&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Here is the full text of Departure - Canto II, the inspiration for this track:
(Copyright Jo Richter)

To allow for rest, you need to make sure
that you do not fall asleep right in
harm‘s way. You need to put your trust
in crude projections of the path and thrust
of entities and processes that do not cease
activity when your awareness takes its leave.
There are no guardian spirits to protect
you when consciousness bows out.

When – as a growing child who learns to use
his wits to regulate the forces that en-
compass him – he had to learn to abdicate
his mental skills, his reason and his
social prowess, just to give in to sleep,
he felt the force of dread that did
not hesitate to bring forth monsters from
the cracks that rooms and psyches offer.

Out foraging for all the goods that people,
parks and pastures proffer, he‘d often felt
assailed by sudden drowsiness that swept him
from the inside out into the open street
and very nearly drowned him in the gutter.
The force that urged him cannily to sidestep
reason, did not protect him from approaching cars,
as though it were an arbitrary arbiter of life.

It had been then, in dire need of shelter,
that he had stepped into the cool, comforting
splendour of the spire that reached into
what lays beyond. To master words, he
had been warned, will never do,
if you aspire to tame the threat of
letting go. I‘m here, he‘d said, to enter
a frame of mind, a larger self, a sphere of

actuality that never passes out, even in the
deepest state of slumber, trance or trauma,
even when the archetypes invade
my daily reasoning with brutal presence, as
they do. To master words, his muse replied
with her bemused DaVinci-grin, is quite
amusing, once you find the time to ponder
and to muse about the situation you are in.

Splendor Of The Spire (Departure Mix 2): inspired by Jo Richter's Canto II poem - full text in desc.

https://dirtythird.bandcamp.com/track/belvedere

Retro- Electronic / Synthwave single Belvedere.  
This nostalgic track, brimming with 80s influences, is a love letter to my two cities, Magliaso and Lugano.  
Cruise down memory lane with "Belvedere," the perfect soundtrack for a late-night drive.

Belvedere

Connect with the tremendous starsystem Aldebaran ☄️

الدَّبَران

Aldebaran

The Light

https://johnpalmer1.bandcamp.com/track/i-could-be-anyone
https://music.apple.com/us/artist/john-palmer/81680846
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE?si=plG2rBUGS5W-6cmXR3FErw

I have been experimenting with sounds since I was really young , when I was about 6 or 7 years old, after lots of pleading, from me, I managed to get my hands on a very old reel to reel tape machine, that everyone thought I was too young to have, and I discovered and loved recording. 
I played guitar and wrote songs in a indie punky band ,toured, made albums and worked in Studios. Now I work from my home studio in SW Germany,  using synths, groove boxes, guitars and vocals to produce electronic music. I also produce images through photography and  make ceramic sculpture.

https://open.spotify.com/album/2yGCqhznpvLLuGPDKD66in…
https://itunes.apple.com/…/faint-glow-in-the-sky/1458147207…

Standing Still

John Palmer