Haunting...swirling psychedelic flanged tones are awesome! Builds and swells so nicely. Great tune John

@tunqrepost: thank you dear Tuna!!! really happy you liked this one :D

Can’t chase the days
They’re gone
You can find out what is left of you
trading your ways
for a life of gratitude
send her this song
before the train leaves out of Berney Arms

Play to this paltry rhyme
Stay near the edge of time
Tides of tears still drying
Fear so cold, melt the ice with fire

The glow
Of that darkened window
Save my soul
For the haunted kingdom
Hear the train, once again, my babe
Wring the nape of all that God creates

Hear the train once, again, my babe
Wring the nape of all that God creates

Element

East ember (on Common's rap version )

Another cover of one of my favorite bands

Don't answer me (Alan Parsons Project - cover)

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussoin
J.J. Terrell-- @j-j-terrell—JJ-- organ 
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production 
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering


This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves bossa nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collecive in mind. 
  Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. He also added the funky main percussion you hear throughout. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the trough, but added several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangement that accompanies JJ's organ solo, as well as the horn arrangement and entire break section at the end, which he not only drumed on, but edited and inserted seamlessly, as well. He also added percussion to Ken's percussion throughout the entire song, as well. He still gets paid the same as the rest of us, though 
  This is an example of us Josh introducing an unfamiliar type of music, and it being picked up on and carried through expertly as a group unit. We all love a challenge in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

Meet The New Bossa…-Eclectic Collective

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
J.J. Terrell-- @j-j-terrell—JJ-- organ
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves Bossa Nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collective in mind.
Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. Ken also added the solid percussion keeping things tight. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the table, bringing several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangements that joins in from JJ's organ around the middle, those funky percussion flourishes and fills, and then creating that percussion breakdown near the end, playing everything you hear in that break. 
This is an example of Josh exploring a less typical type of music, and it being picked up on and carried through expertly as a group unit. We all love bringing in different influences in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

And here’s a short excerpt of the the rhythm section with all the percussion action more isolated:

https://on.soundcloud.com/z7WcB9VvfZWHgAUu8

Meet The New Bossa (The Eclectic Collective)

"The Quilcom Trout synthesiser is a tribute to the Trautonium in its many incarnations and versions", Quote Rex Baxterfield, who created this free vst. The Trautonium is the first Synth from 1930, well known from A. Hitchcock's The Birds. Well, I used Trout 5 times in this track + drum and bass vst + flute ! ....  Famous are compositions for Trautonium from Paul Hindemith, German Composer, who accompanied the development of the Trautonium as a university teacher and was a kind of "Bürgerschreck" (musical bogey) at that time, because of his "modernity" ... :-)

Eclectic // 5 x Trout

Dubiousity Of Love

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Colorless into Colorful

Friends, here's our new collaboration with Monsieur Madeleine. The metaphysical theme of the reason for our presence on Earth, addressed by a Cro-Magnon.
the philosopher Monsieur Madeleine tries to answer here

Image: jakaria3704 (pixabay)

Sur terre pour quoi faire BY Monsieur Madeleine & Zitou Itou

Voici une version solo du morceau 'Rosewood'
Aussi disponible sur Bandcamp : https://matzizrecords.bandcamp.com/album/rosewood

Vous trouverez également une version alternative en collaboration avec l'excellent Jörg S ( joerxworx ) au sax que nous sommes très heureux de vous présenter.

Lien vers son profil : https://soundcloud.com/joerxworx
Lien vers la version en collab : https://soundcloud.com/joerxworx/rosewood-2

Impatient d'avoir vos retour ❤

Rosewood - Solo version - (Collaborative alternative version with Jörg S on Sax in description)

Electronic music with E-guitar and vocals
VIDEO: https://www.youtube.com/watch?v=lzD2NWnlqDM

StrangeLand

https://johnpalmer1.bandcamp.com/track/i-could-be-anyone
https://music.apple.com/us/artist/john-palmer/81680846
https://open.spotify.com/artist/5O3DVQrinTJHbNYJCFLlyE?si=plG2rBUGS5W-6cmXR3FErw

I have been experimenting with sounds since I was really young , when I was about 6 or 7 years old, after lots of pleading, from me, I managed to get my hands on a very old reel to reel tape machine, that everyone thought I was too young to have, and I discovered and loved recording. 
I played guitar and wrote songs in a indie punky band ,toured, made albums and worked in Studios. Now I work from my home studio in SW Germany,  using synths, groove boxes, guitars and vocals to produce electronic music. I also produce images through photography and  make ceramic sculpture.

https://open.spotify.com/album/2yGCqhznpvLLuGPDKD66in…
https://itunes.apple.com/…/faint-glow-in-the-sky/1458147207…

StrangeLand

John Palmer

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