TeethClippers 16.07.21

Emanuel @ Club 121 - 16/07/21 for TEETHCLIPPERS

The All Seeing-Sky
Concerto for two percussionists and orchestra
by Ioannis John Psathas
2021

Duration 22m

Written for - and dedicated to - Fabian Ziegler and Luca Staffelbach.

Commissioned by Orchestra Wellington (New Zealand), the Christchurch Symphony Orchestra (New Zealand), and City Lights Concerts (Switzerland)

In resistance to the fireworks-driven mega-spectacle of recent percussion concertos (some of which I’ve written myself), I’ve scored this work for a Mozart-sized orchestra and limited the solo parts to no more than marimba (soloist 1) and vibraphone (soloist 2).

There are three movements:
1. The Portals of Dis
2. The Upper World
3. The All-Seeing Sky

This concerto is inspired by a number of interwoven concepts. The phrase The All-Seeing Sky refers to both the omnipresent technological surveillance of the 21st century, and the ‘other’ omnipresence, God in his/her/its/their myriad historical chroniclings. 

Gustave Doré’s spellbinding illustrations of Dante’s Divine Comedy inspired the first two movements. The Portals of Dis depicts the (imagined) inner realisation that one is actually being ferried across the river Styx, to arrive – with a great welcoming fanfare – at the gates of Dis. The musical language of this movement is evocative of antiquity, particularly ancient Greece.

After having traversed the many levels of hell the travellers in Dante’s Inferno find the hidden road that provides the way back to The Upper World – and emerge back into our world, the bright world. The unsettled nature of the ending of this movement suggests that the world we live in now has more than a passing resemblance to hell as we imagine it.

The role of the two soloists in this concerto is fluid. At times the soloists play in virtuosic unison, and sometimes their two instruments are treated as one ‘meta-instrument’. Often the two soloists are foreground drivers of the music, other times they are equal partners with the orchestra. And sometimes they take on a background role of accompanying the orchestra (at the end of second movement, for example, the two soloists are providing a warm, quietly supporting and loving minimalist underpinning for the orchestra’s final utterances).

The All-Seeing Sky 3 The All-Seeing Sky (original composer demo) 2022

Big love to @itsfoura for having me on her resident night at Revolver last weekend. Super fun set closing out the night and playing some stuff I don't usually get to, some techy stuff and speedy G as well as my fav bass heavy tunes. 

Enjoy <3

Emanuel @ Revolver (Melbourne) 5am Closing Set 26-5-2023

Ahlan wa Sahlan 01 Al Mahal (orchestra, vocalist, oud) with OUM and Kyriakos Tapakis 2023

Ahyeaharight

Pitch Mix 250825

another extract from aforementioned jam yesterday

make me from dust

Crédits : 
Auteur compositeur interprète : Sam Karpienia 
(autoproduction) 
Titre du morceau : "Sur la grève"

Sam Karpienia - Sur La Grève

Sam Karpienia & Ulaş Özdemir & Bijan Chemirani - Madem Dilber

Pathways EP

when it gets quiet

سه تار : مازیار کنعانی
هارپ : زینب لکس
طرح کاور : صبیحه فدایی

The All-Seeing Sky 3 The All-Seeing Sky (original composer demo) 2022

John Psathas

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