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Iona's ethereal voice and spellbinding songs take you on a voyage of discovery into the mystical world of the Nature Kingdoms. Her new album ‘Wild by Nature’ interweaves Celtic melodies, orchestral harmonies and captivating rhythms with enchanting, inspiring stories that soothe the soul. Iona’s voice alternately soars and pours through a collection of self-penned, borrowed and embellished poems. Iona’s talent for song writing is clear from her poignant lyrics that make reference to nature, legends and myths, such as her song ‘Nature’s Lament’, which is based on William Wordsworth’s ‘Early Lines in Spring’.

Drawing comparisons to Loreena McKennitt and Deva Premal, Iona’s striking voice, combined with her fresh approach to New Age music, heralds her arrival as a significant artist. The Daily Music Guide said: “Despite hailing from Sydney [Australia], Iona Leigh’s foremost years were spent in a remote [eco-village and spiritual] community in the Highlands of Scotland. Being brought up in a household where television was discouraged and the predominant musical output was her mother’s alternative [New Age] collection, she might just as well have lived two generations ago. This has melded a distinctly authentic musical output that is nevertheless accessible to all.”

These alternative influences are uniquely captured in Iona’s upcoming third album ‘Wild by Nature’ (released April 2010), produced by legendary New Age composer Medwyn Goodall. This album features Iona Leigh on lead and backing vocals, and Medwyn Goodall on Guitars, Piano, Dulcimer, Mandolin, Bass, Harp, Uilean Pipes, Flutes, Drums, and Percussion. The ten soothing and inspiring tracks are; Nature’s Lament, Elemental Spirits, Here & Now, Queen Boadicea, Colours of the Earth, Visions for Life, Banish the Storm, Eyes of the Soul, Ocean of Dreams and Prayer for Trees. Music Journalist Tim Carroll says Iona’s songs are driven by her “… deep desire to touch the mystery she sees in the world around her … This is music with magical depth."

Watch my official music video:

https://youtu.be/8OzeSdgtPPM

This account features my latest project HYPERFLUTE, a compete sample library of all concert flutes, including extended techniques. I worked on this recordings over the last weeks in lock-down and now I share some tracks with it. Enjoy.

We are bold thought-leaders in audio post-production providing soundscapes for film, television and commercials, as well as inspiring and educating the next generation of audio craftsmen. We have also constructed the most comprehensive range of custom sound effects, perfect for both new and established sound designers.

Audio Post Production Studio in Manchester.

Listening closely. An independent platform for contemporary culture.

Follow Me: https://linktr.ee/Tiago.Dima
Bookings: Tiagodimabookings@gmail.com

Straight out of the heart of the Mayan Riviera, a fresh wave of sound breaches out to international waters.

A seasoned producer and profesional live DJ with over 21 years experience, makes his home base at the core of the electronic house scene in South America in the flourishing city of Tulum. Currently a resident of two of the most exclusive nightlife hotspots in the city, Dima positions himself as one of the rising international talents who stays faithful to his roots and the city that birthed his trademark sound.

John Roome (pka Witchman) is a British Composer/Producer that has released 2 critically acclaimed albums "Explorimenting Beats" and "Heavy Traffic" (Deviant Records) and produced the likes of Finitribe (Infectious Records). Co-written a remix album with Jammin Unit (of pioneering electronic German artists Air Liquide)as well as beat-heavy side projects such as the Unknown Ghosts. Add to this his programming and production work on Ian Astbury's (The Cult) solo album 'Spirit, Light, Speed', The Jungle Brothers, The Orb and Danish noisemakers Livstrompet. He also contributed beats to David Toop's album 'Spirit World' (Virgin Records), On the remix front he has remixed tracks by Clawfinger, The Creatures, lan Astbury, Gary Numan, Curve, Cornershop, J-lo and Nikka Costa etc, with compilation inclusions running well into double figures. He was also producer and member with the innovative UK chart topping electronic act The Orb.

As Witchman, he also scored the adrenalin fused best selling Sega Xbox 360 game Full Auto, followed by the PS3 sequel Battle Lines. More recently he scored the game Dead Island Retro Revenge.

John has scored various films such as The Channel, Shrapnel, Section Eight, Sad Vacation,  Chariot, One in the Chamber (with Cuba Gooding Jnr), and the Edinburgh Festival favorite Song of Songs. He has also provided material for John Leguizamo's 'Undefeated', Stephen Seagals 'Into the Sun' also Cold Case, The Prisoner, Supernatural, Robbery Homicide, Nip/Tuck, Las Vegas, CSI Miami, CSI NY as well as John Carpenter's 'Masters of Horror'.

Add to this John also works heavily in creating score and sound design for film trailer campaigns such as the smash hit movies DEATH RACE, LIVE FREE, DIE HARD, WE OWN THE NIGHT, PATHOLOGY, SECUESTRO EXPRESS, 28 WEEKS LATER, RAMBO 4, MIAMI VICE, PRIEST, TRANSPORTER 3, CRANK 2, TRANSFORMERS 2, INGLOURIOUS BASTERDS, THE MECHANIC, REPO MEN, THE LAST AIRBENDER, A-TEAM, UNSTOPPABLE, THE NEXT 3 DAYS, HALL PASS, 12 ROUNDS, THE HUNGER GAMES, IN TIME, FRIDAY THE 13TH (REMAKE) NINJA ASSASSIN, IRON MAN 2, DRIVE, SNITCH, THOR and SPIDERMAN: HOMECOMING

His Witchman produced track "First Name Trouble" feat. Marz was recently featured in the movie Neighbours.

John Roome (Witchman) is following