Jeanne Ricks - Conscience (The funkHeadz Remix)
Produced by Musa Baran & Holger Klotz
All Instruments played by Musa Baran
Mixed & Mastered by Holger Klotz & Musa Baran
All Vocals, Melody & Lyrics by Jeanne Ricks
https://soundcloud.com/user-143916773

The funkHeadz Remix Project

Conscience (Dance Remix)

Conscience (The funkHeadz Remix)

A male vocalist performs a spoken word piece over a sparse, melancholic electronic soundscape, The instrumentation primarily features a clean electric guitar playing arpeggiated chords, a deep sub-bass, and a simple drum machine providing a consistent, understated beat, The tempo is slow, and the key is minor, contributing to a somber and introspective mood, Production elements include a prominent reverb on the guitar and a subtle delay on the vocals

What I Create Is Enough

Music : One Percent Hope
Arrangement : One Percent Hope
This song was created using only the sound source included with Cubase 13. No AI was used in the composition or arrangement.

This is the first trance song I've written. But perhaps this is near EDM? 
EDM6 : Trance4?
Since it's my first, it may not be very polished... It's also one of the few songs I've arranged myself.

A little note on how I wrote this song: I went through a period where I couldn't write any songs, especially since my emotions were pretty much unchanged. I challenged myself to see if I could create one with a little theory, and this song was born. There's a lot of playfulness involved.

[Extra Track] Moonlight Trancedm Catchy Version Instrumental

Gulity Pleasure

Yuuur 
Ah ah ah (gang gang, 666)
Free all of my niggas out the xhain gang (huh)
And shout out to my big brother Teddy Mane (TNT)

Aye my nigga just made bail
What that mean? We going up (uh huh)
Whole lot of gas rollin, and you know we pourin up (uh huh)
Bitxhes on my line tryna figure when we’re showin up (uh huh)
A lot of niggas hatin but I bet they don’t want war with us (uh huh)
Promethazine in my spleen gotta keep the double the kup
Life is a gamble fukk with us and we gone test yo lukk (on God)
Remember I was young and I really didn’t give a fukk (nah)
Fast forward I’m grown but I still don’t really give a fukk (you know dat)

Diamonds in my rollie nigga yea you know its presidential
I’m the lil nigga flying British bitxhes kontinental 
How he tryna ball, man he don’t even know the fundamentals
Why he even out here with us?
Niggas gone need the hospital 
Diamonds on my earlobe dancing like a lite show 
All these niggas weirdos I feel like the white folks
“It get lonely at the top” kause your friends turned into rivals
I guess thats how that shit go but not with none of my bros
I ain’t got no friends I be boolin wit my kinfolk 
Nigga Hutxh In the kut waiting for the signal 
And Matt you a rat yea we know you Stuart little (bitxh)
I katxh a pakk no dropping that like Malkolm In The Middle 

But my nigga just made bail
What that mean? We going up (uh huh)
Whole lot of gas rollin, and you know we pourin up (uh huh)
Bitxhes on my line tryna figure when we’re showin up (uh huh)
A lot of niggas hatin but I bet they don’t want war with us (uh huh)
Promethazine in my spleen gotta keep the double the kup
Life is a gamble fukk with us and we gone test yo lukk (on God)
Remember I was young and I really didn’t give a fukk (nah)
Fast forward I’m grown but I still don’t really give a fukk (you know dat bitxh)

Libby St. Klare

Poison !

A dramatic orchestral piece with a male spoken word narration, The instrumentation features a full string section, including violins, violas, cellos, and double basses, playing sustained chords and melodic phrases, A piano provides harmonic support with arpeggiated figures and block chords, Percussion, including timpani and cymbals, emphasizes key dramatic moments, The male voice is deep and resonant, delivering the narration with a serious and urgent tone, The piece is in a minor key, contributing to its dramatic and somewhat somber mood, The tempo is moderate

Objectif ambitieux de 2% de croissance et une meilleure souveraineté économique

Live set @ Chapiteau - Petite impro à dominante House & Ghetto House avec intermèdes breakés 

K-Ribou@MiniClub_Chapiteau_26.09.2025

Octubre 2025

Deep. Latin. UK. Tech.
my blend, my groove.

That’s My House

Nom : John Smith (pseudonyme sobre, presque générique, qui lui donne une aura universelle, comme s’il pouvait être “n’importe qui”).
	•	Style : il compose des morceaux minimalistes et introspectifs, souvent basés sur des boucles de 4 accords. Sa voix est grave, posée, parfois parlée plus que chantée, et toujours mise en avant.
	•	Influences : entre baroque et musique électronique moderne (electro 2025, dub, urbano-pop, drill). Il aime jouer sur le contraste entre des harmonies anciennes (chaconnes, ostinatos, basses graves) et des textures synthétiques actuelles (808, pads, autotune léger).
	•	Ambiance : ses morceaux sont souvent sombres mais lumineux à la fois, poétiques, minimalistes. Ils cherchent la clarté et l’honnêteté, sans surcharge sonore.
	•	Démarche : il expérimente avec l’IA, mais toujours dans une recherche personnelle cohérente : rester hors du marché, développer une œuvre singulière, avec une identité sonore reconnaissable.
	•	Thèmes : mémoire collective (années 80-90, génération X), fragilité de l’acte artistique, rapport au temps, au silence, à l’invisible

What I Create Is Enough

john smith