JOOF Sessions 012. 🇨🇦 + Tim Penner guest.

This week we headed over to Toronto in North American time zone for our weekly JOOF healing sessions to allow our friends in North/South America to eventually have an evening with us. As you know I’ve been working hard to keep these weekly parties interesting for you and mixing things up a little, so this week I introduced a guest in the form of Tim Penner. I always play alongside Tim when playing gigs in Toronto so figured this is the perfect opportunity to replicate one of our shows, Tim played for the first two hours, you’ll hear a slight fade then I take ever for the final 2 hours.

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DJ course- The art of story telling.

I’ve been a professional DJ for over 30 years and acquired so much knowledge over this time, I’ve managed to keep a healthy career staying at the forefront of the specialist electronic music scene navigating all the hurdles this industry can throw at you. I’m a self confessed technology geek and pride myself on using these tools to perform seamless mixes, treating each set like a long flowing journey where you can’t hear the gaps.

For the first time in my career, I think its about time that I hand down all my technical secrets and knowledge to the next generation of DJ’s and in order for me to do this I’ve enlisted my talented colleague Tim Penner, together with our shared knowledge and experience we’ve crafted together a curriculum to arm you with these tools for your quest into the DJ world.

We’re starting on June 27th, you can enrol and sign up here:
https://timpennermusic.com/product/the-art-of-storytelling-online-course-with-john-fleming/

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At these uncertain times the first thing you take care of is your family and I’m no different. Many of you are organically sending me personal messages of support wanting to send donations in return for live broadcasted sets, live Q&A’s and basically lots of content to keep you entertained during these days of lockdown, so I will use this idea to keep my JOOF office family afloat. I’ll add a donate button to all the content I post and all proceeds will be distributed amongst the JOOF office. You don’t need to give anything at all as it’s hard times for many out there, this is for the many that are asking, so don’t feel pressure. The main thing, we’re all in this together and I want to support you in anyway that I can to keep you entertained.

You can donate here:
https://www.john00fleming.com/donate/

John 00 Fleming - JOOF Sessions 012 (+ Guest Tim Penner)

I was 12 years old in 1983 when I heard Kraftwerk "Tour de France". It had a profound impact on me. I was drawn toward music that used synths before that. Pink Floyd, The Cars, Gary Numan, etc. but Kraftwerk was different. I was taught break dance moves from some of the older kids on my street and we would put on shows at school fairs. A year later (1984) I was introduced to The Cure (Pornography and The Top) and again, this music would have a profound effect on me. From there, I started going clubbing and the floodgate of post punk, new wave and industrial music opened up and I found myself. The third artist that gripped me was Bill Leeb (Front Line Assembly, Delirium) in 1987. Since my roots are in dancing, my place is on the dancefloor. However, I wanted to HAVE the music, so I'm a collector, as well. I was always known for having the newest tracks before anyone else, except the professional djs, of course. And even helped a close friend launch his career as a dj (1990) as he taught himself how to spin using my vinyl (and some of his own). As the music progressed, so did I. From acid house, house, early rave, gabber, ambient, techno, dnb, jungle, trip hop, speed garage, prog. house, breaks, trance, psy trance, prog. breaks, electro & dub step I've amassed my collection and knowledge. I'm not a very good DJ but I have dabbled in that, at times, to reminisce about the past. Preferably on vinyl as I'm not tech savvy. I once had aspirations to produce music and be a part of electronic music's evolution around 1993 but was sidelined by other aspects of life. Electronic music has been the center of my world for 42 years and I'm soooo grateful that I had the opportunity to live thru its evolution. My mood generally dictates what I listen to and there is always something that fits whatever mood I'm in. That's the beauty of electronic music. I do miss the old days of clubbing and the illegal rave parties in the early 90's. I'm not one to frequent festivals, as it doesn't have the intimacy of a small, dank, smoke filled club or a crusty warehouse that the cops could show up at any minute. But I have  seen most of my favorite DJs and been to concerts of my favorite artists thru the years. It's all about the music...

"Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop.”

John 00 Fleming is an electronic DJ and producer who has achieved international success in a career spanning over three decades, all without ever compromising his musical essence or the trust of his fans. Known for his deep knowledge of music, he is a proven pioneer and a leader recognised for his hypnotic style and unwavering integrity. Respected equally by peers and audiences worldwide, John has carved a unique path by staying true to his vision rather than chasing trends.

His legendary extended DJ sets — sometimes stretching eight hours or more — have become benchmarks of immersive storytelling on the dance floor. These marathon journeys have built a devoted cult following at clubs and festivals, establishing annual gatherings around the world where audiences return for the experience only he can deliver.

John’s career began at the age of 15, playing a role in the exploding UK rave scene, which led to multiple residencies in the country’s formative club circuit and eventually to performances on some of the world’s most respected stages, including BOOM Festival, EDC, Tomorrowland, Ozora Festival, Creamfields, Own Spirit Festival, and countless underground institutions across the globe. With multiple Gold disc mix compilation accolades and millions of streams to his name, he has also delivered acclaimed Essential Mixes for BBC Radio 1 and earned the rare distinction of bridging the commercial and underground worlds without compromise.

As a producer, John’s esteem within the industry has drawn respect from electronic luminaries such as Jean-Michel Jarre and Muse. While he accepts peer endorsements humbly, he continues to let his production skills speak for themselves. With five electronic artist albums and an extensive discography of singles, John also finds time to compose for major film and television networks, including projects with The Royal Philharmonic Orchestra at the famed Abbey Road Studios in London.
As head of JOOF Recordings, he has built the label into a trusted home for forward-thinking artists, nurturing a global community united by quality-driven electronic music.

Whether behind the decks, in the studio, or guiding others, John’s reputation rests on consistency, honesty, and artistry. In an industry often driven by hype, he has remained grounded, letting the music speak — and that is why audiences and fellow artists alike continue to hold him in such high regard.

Techno is my Therapy, is my Life … 🔊🔊🔊