Official page for Eric Prydz, Pryda Recordings, and Mouseville Records.

Producer, engineer and DJ extraordinaire Reset Robot is the alias of Dave Robertson, an accomplished artist based in Portsmouth on the south coast of the UK. Since launching the pseudonym in 2009 he has traveled the globe, DJing at many of the world’s most influential clubs and festivals, as well as rolling out a slew of well-received productions on labels such as Drumcode, Mobilee, Hotflush and his own platform Whistleblower Records. 

As a DJ Reset Robot’s unassuming approach belies his magnetic appeal and innate ability to craft sets that are polished, enthralling and full of shadowy allure. A self-confessed studio hound, he spends all day, every day at the controls, allowing creativity to flow out of him and refining his skills. Two decades of experience feed into his output, and he prefers to keep things uncomplicated in the studio. The resultant sound is his signature; brooding, sombre, yet accessible and contagious. 

Reset Robot’s visceral rhythms infect your subconscious urging you to dance, while captivating motifs and riffs stay with you long after the rave has ended; earworms of the highest order. It’s a sound that has caught the attention of tastemakers across the industry, picking up releases with some of the most respected labels around.

With a live show being developed behind-the-scenes and a debut album, ‘Spiral Of Silence’, due for release in the summer, Reset Robot is entering a new phase of his musical life; confident, content and highly-motivated to keep on unleashing new productions, he is looking to the future with an renewed air of optimism and energy. Join him on this exciting new adventure…

DJ BOOKINGS 
Worldwide 
info@kingunique.com

King Unique is Matt Thomas, an all round studio junkie and dj with a taste for tripped-out cosmic techno and rough-edged underground house; in a career spanning nearly a decade KU’s distinctive sound has won an enviable global following. A ceaseless schedule of dj sets and festival gigs backed up by relentless studio sessions resulting in scores of records, remixes and radio broadcasts has made the KU sound an instantly recognizable part of the music-life of millions of the world’s clubbers - and a fixture in the vinyl crates, cd wallets and laptops of the world’s most influential djs. Consistently appealing across genres the tracks have been played by everyone from John Digweed to Soulwax, Richie Hawtin to Tiesto, and have turned up everywhere from Hollywood soundtracks to mobile ringtones - not to mention countless compilations and mix albums.  

Formed in 2001 by Matt Thomas & Matthew Roberts, King Unique hit the floor running, claiming the title of Undisputed Remix Champs by scoring five Essential New Tunes in five months on Pete Tong's "Essential Selection" Radio 1 show. A US Billboard Dance Chart number 1 for the remix of Dirty Vegas’ “Walk Into The Sun”, plus two more solo Essential New Tunes for Matt under his Watkins and Mainframe alter-egos saw KU firmly cement their place amongst the ranks of first-call remixers. The King Unique production touch has been in constant demand since, appearing on more than sixty remixes and yielding some of the biggest dance floor bombs known to man - Underworld's "Two Months Off", The Killers "Somebody Told Me", Planet Funk’s “The Switch”, John Dahlback's "Late Night Worries", and Tracey Thorn’s "Grand Canyon". 

2006 saw the end of the original duo’s studio partnership, as Matt Thomas took on the King Unique role as a solo artist. The four years since have seen the KU sound rise to new heights with a mixture of euphoric acidic melodies, dark brooding techno vibes and old skool beats. This new 'cosmic techno' has found it's home on John Digweed's Bedrock label with the release of "2000000 Suns" and the KU / Anthony Pappa collaboration “Vamoosh”. Backing up the new material have been remixes of John Digweed’s “Bilder”, Hernan Cattaneo’s “Teleport”, Fergie’s “PCP” and an on-going association with James Lavelle’s UNKLE project that has so far resulted in five stunning re-workings; “Heaven”, "Heavy Drug", “The Answer”, “Reign feat. Ian Brown” & “Rabbit In Your Headlights feat. Thom Yorke” - all adding up to reaffirm Matt's status as one of the most versatile and consistent producers of the last ten years.

The renowned King Unique dj set has made KU a regular addition to the line up of some of the world's most respected clubs and biggest festivals, playing everywhere from ultra-hip blacked-out sweat boxes in Tokyo to euphoric crowds of thousands on the tropical beaches of Madeira. An increasingly hectic international schedule has seen Matt racking up enough air-miles for a free trip to the moon, with gigs in Sydney, Panama, Budapest, Seoul, Helsinki, Mexico City, Dubai, Rosario, Bogota, Kazantip, Vilnius - just to name a handful. Since the very first shows Matt has pushed at the cutting edge of the technology revolution that's swept through club culture, taking laptops, new gadgets and studio gear into the booth. 2010 saw the addition of the near mythic Monome controller to the sonic armoury - part track-mangling Ableton controller and part psychedelic light show, lovingly hand built by techno-hippies in the Catskill Mountains. 

Matt + Mac + Monome = Beats + Bleeps = KU Live 

See you by the speakers ;)

DJ/PRODUCER/REMIXER - NATURA SONORIS LABEL OWNER - RADIO PRESENTER AND DIRECTOR FOR "EL LABERINTO" ON RADIO3.
Sorry I never check DMs here, for important stuff contact: info@henrysaiz.com

DJ / Producer / Label owner / Radio Broadcaster

Forget all the patronising nonsense that brings club culture closer to 1960s values. Djette? Djane? No need. DJ is the only prefix required here: DJ Natalie Brogan.

Having achieved more in a mite over half a decade than many peers will in a career, taking on the lads at their own game in the process, whatever gender-based cliches you might want to throw at her – equal parts stylus and stylish; beauty and the beats – be prepared to eat those words.

Taking influence from artists as diverse as Massive Attack and David Bowie, initially half-inching her brother’s ‘kiddy decks’ as a youngster, Natalie refined her artistic craft on her native Manchester club scene. Playing alongside the A-lister likes of The Hoxton Whores, Haçienda stalwart Dave Haslam, Danism (Defected) and Tube & Berger, it’s a city where Natalie has since returned to play the main room at the legendary Sankeys.

After quitting her day job in 2009 and jetting to Ibiza for a season that included shows at Eden and Es Paradis, she was soon on the move again, zooming across the globe to land in modern Middle Eastern party paradise Abu Dhabi in the United Arab Emirates. Beginning with a residency at the five-star Fairmont resort, a spot at Dubai’s Alpha club followed, as did notable press from OK magazine, Time Out and Infusion. DJ Magazine in the Middle East agreed with the snowballing acclaim, voting her 37th best DJ after a mere month in the region.

Natalie’s feet have barely touched the ground since. December 2010 saw her land a dream gig at Creamfields Abu Dhabi, claiming a main stage billing before megastars Above & Beyond, David Guetta and Afrojack, on a line-up that also featured James Zabiela, Sasha, Sander Van Doorn and Gareth Emery. A nomination in the 2011 Time Out Dubai Nightlife Awards for Dubai’s best local DJ followed and Natalie went on to host her own weekly night at Sublime in Dubai World Trade Centre. International recognition was also on the agenda, gracing events in Bahrain, Jordan and Qatar.

You want more? Not a problem. In the past 18 months alone, try Formula 1 yacht parties with Danny Rampling. Residencies at Abu Dhabi’s luxurious Monte Carlo Beach Club, Jumeirah at Etihad Towers and Hyatt Capital Gate. Headlining Immaculate Touch and Aloft pool parties, overseas jaunts to India and Egypt, plus return trips to Bahrain and Dubai (the latter at top-level venues Nasimi Beach and 360º). A monthly nightlife column in the UAE’s best-selling entertainment magazine What’s On Abu Dhabi. An official Emirates ambassador role with Stoli vodka.

We’re not done, either. Two further Creamfields Abu Dhabi slots – in 2011 on the main stage alongside Laidback Luke and Tiësto; still to come in 2012, on a bill featuring David Guetta, Armin van Buuren and Example – and opening for the aforementioned Guetta in March 2012 at Abu Dhabi’s Du Arena in front of 15,000 people. Press in Rolling Stone Middle East (a two-page spread, no less), becoming the Middle East’s first hologram DJ and, in 2012, a personal invitation to return to Manchester Midi School, where she learnt the basics herself, to inspire present-day students with a video diary of her progress.

Ditch the divides, get rid of gender politics, can the cliches. All that remains is one of the Middle East’s scene-leading spinners: DJ Natalie Brogan.

Bookings: will@fortsetzen.com

The Barcelona based DJ and producer's influence across the tech house and techno scene over the last 20 years is indisputable. 

His melodic masterpiece "Diabla", released in 2001 became a huge global hit and DJ Mag's 'techno record of the year'. Played by house, progressive, techno even trance DJs, its release saw the Scot’s career soar to new heights! 

Other hits "Jack Me Off," "Bad Coffee”, "Emotional Content", remixes for Underworld, New Order, and Laurent Garnier, plus releases for Bedrock, Drumcode, and All Day I Dream, are just a mere snapshot of his discography. 

Seminal mix compilations for Balance Series, Soma's Sci-Fi Hi-Fi, and Cocoon followed, further cementing his place in dance music history. 

Still not content with conquering techno, Sandberg was mystery figure behind “Francois Dubois”, with releases such "Blood" and "I Try" named as a big influence for Darius Syrossian, plus many other leading tech house DJs of his generation.

John Ashton is following