PRE-ORDER OUR UPCOMING ALBUM "IV" HERE: 
iTunes: http://hyperurl.co/BBNGIV
Vinyl/CDs/Digital (Global): https://badbadnotgoodil.bandcamp.com/album/iv
Vinyl/CDs/Digital (Canada): http://craft-shop.ca/artists/badbadnotgood/badbadnotgood-iv

Management:
matt@peopleschampmgt.com 

Booking:
CANADA
furman@feldman-agency.com 
EUROPE
julesdelattre@theagencygroup.com
USA
josh@montereyinternational.net 


“Caught Up In The Fire” ft. JONAH 🌹 
Out Now: https://benbohmer.lnk.to/caughtupinthefireSO


North & South America bookings:
Alex Becket alex.becket@caa.com
Evan Greenberg evan.greenberg@caa.com

Rest of World bookings
Roman Trystram roman.trystram@caa.com

bookings / info(at)abduali(dot)com

Abdu Ali is a Baltimore based electronic musician, writer, cultural worker and multidisciplinary artist who works in sound, collaboration, video and performance. Their work often interrogates ideas of race, gender, and sexuality that manifests as poetic inquiries of identity, promoting liberation from oppressive ideologies and encouraging self marginalized peoples to be self determined. Ali’s work also centers promoting authentic Black queer legacies and narratives as their histories are often subjected to distortion and erasure.

Described as a cosmic, punk, and soulful tempest on stage, Ali has performed across the U.S. Europe, and at MoMa Ps1, The Carnegie Museum of Art, and The Kennedy Center. Their work has been highlighted by the New York Times, The Fader, Elephant Magazine, Tracks Arte TV and more. In 2019, Ali founded as they lay, a curatorial platform that claims space for critical dialogue, collaboration and radical envisioning for Black creative futures. Ali has held residencies at Red Bull Music, Pioneer Works and in 2022 was a visiting artist at the Brown Arts Institute at Brown University. Ali was also a recipient of the 2018 Ruby Artist Grant.

PACIFIC BEACH VINYL (PBV) was a vinyl record shop focusing on new underground dance, electronic releases and essential reissues from 2014 to 2022, based in San Diego, California, USA.

Can we turn up the levels on the sample of the building imploding? Also, I feel like the siren noises are a little too early 90s, maybe use that deeper woo-woo-woo drone that modern cops use. Bump up the compression on the news reporter announcing the end of the world on their final live broadcast and we'll be ready to post this thing.

JO(H)NBAND is following