Sounds by Passive/Aggressive is a Danish Free Music Archive that focuses on experimental/underground music released in Denmark on microlabels/no label.

Passive/Aggressive is an open music forum and blog based in Copenhagen, periodically releasing zines.

We support any initiative that renews the way people listen to, and talk and write about music in Denmark that makes it easier to navigate and listen to even supposedly challenging music (open, free, Danish and international) – and any ideology serving the democratization of the attention and distribution of music. We do this primarily by promoting the increasingly talented and (often wrongfully) neglected underground scene of Copenhagen and Denmark – and we do this strictly on a nonprofit basis.

All submissions, recommendations, guests posts, photo series, applications, partnership enquiries and questions to be sent to info@passiveaggressive.dk

Copenhagen based danish guitarplayer and composer! This site features old and new recordings of Lars Bech Pilgaard solo and Lars Bech Pilgaards Slowburn. To purchase records go to homepage

noisy appendages for low pastimes

bevingtonaudio@gmail.com

complex structures | rhythmic grooves | minimalism
label owner @paide

Pontus och Jens med gäster spelar och pratar om musik varje onsdag kväll 20-22 på studentradion k103.se eller FM 103,1 i Göteborgs-området. 
----------
Pontus and Jens with guest playing music and chatting every wednesday night 20-22 on studentradio k103.se or FM 103,1 in Gothenburg area.

Feverish pounding, oscillating drones and groans produced through a collaboration with place immerse LAF.Tebano in meditation on the postindustrial landscape. In unearthing the trauma of this haunted isle and amplifying and working with its subjugated history, the mundanity of the chosen sites acquire majesty when animated once again through sonic vibrations. These exorcism like performances and happenings occur with or without audiences in the hinterlands, consoling the ghosts that surround us as we seek collective commons in an alienating landscape where even peaceful forests and mountain sides are appropriated by capital.

John McKenna is following