Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Steve Bird AKA Mr Bird is a musician, producer & DJ, based in Lisbon, Portugal, for 15 years now. Mr Bird has released 4 albums and many other digital releases, including the album 'Low-Fi Classics' which was released by BBE Music in July 2014. A collaboration with singer Greg Blackman, it received strong support from radio and DJs worldwide, including Craig Charles on his Funk and Soul Show, and tracks from the album have recently been remixed by Tom Moulton and Ashley Beedle and released on vinyl with the Ramrock Blue label.


In 2013, he released the 3rd Mr Bird LP, imaginatively titled "Bird Bird Bird" on the Vital Force label. He also released two 7" singles on Resense Records and Lisboa Records with Portuguese producer Dedy Dread, as well as 5 vinyl releases on the Heavy Duty Booty label and several digital releases on his own 'Fat Bird Sounds' label.


in 2001 & 2007 Mr Bird released 2 instrumental hip-hop albums on the Brighton based labels 'Hertz Recordings' and 'Frequent Soundz.'

Back in 2001 he was invited to record a session for DJ John Peel at the BBC Maida Vale Studios, which was broadcast twice in 2002.
Mr Bird is currently in demand as a re-mixer, having remixed over 100 artists & bands including Daytoner, Karthala 72, Lee Fields, Dalindeo, Renegades of Jazz, Captain Planet, Savages, Odyssey and many more. He is currently working on several new musical projects, singers & collaborators world-wide. 

For more info, DJ Bookings, licensing or Remixes please contact: 

mrbirdproductions@hotmail.com 

What the press have said about Mr Bird: 

"inescapably funky, this comes highly recommended." 5/5 (dmcworld.net)

"Modern breakbeat Soul" 
(Monkeyboxing.com)

"Essential eclecticism" 
(Knowledge Magazine) 

"Warm Jazz riffs and funky sensations" 
(Qool DJ Marv)

"Super-fly funky breakbeat instrumental, with growling P-funk bass mantled by hazy, hypnotic samplescapes" 
(DJ Mag)

"Blends live drums with squelchy bass and supplies ‘nuff jazz attitude in the process."
(The Crack Magazine)

"Well crafted mix of eclectic hip-hop jazziness" 
(Wax Magazine)

Genres worn thin at the edges. Half-remembered rhythms reconstructed. The Revenge has spent most of his years dissolving familiar forms to create something that feels at once forgotten and ahead of its time.

"Voices of Esalen" features provocative, in-depth interviews with the dynamic leaders, teachers, and thinkers who reflect the mission of the Esalen Institute.

For more about the Esalen Institute, head to esalen.org 

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The sounds of all things Electric Elephant, End Of Year Riot & beyond...

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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