Mixes

Artist : @johngomezldn

Tracklist :
Yusef Lateef - Beyond the Sky
Koyil - A Glimmer Of Light (ГУЛ remix)
Powerman - Loving Was Easy
Joby, David &amp; Vasco - Jungle Dance
Lauro Salazar - Love Move
Amajika – Got My Magic Working
Connie&#39;s Crew - Bang Goes The Clock
In Motion - Ooh! (Dub)
Human - Skating on Thin Ice
The Detonators - Lift Off
Do Or Die - Can U Make It Hot (Instrumental)
Mike Claxton - Rock The Nation
Cesar Kramer - Rhythms of Change
Fashiøn - Mutant Mix Mechanik
Magia Blanca – Cambio
Mount Liberation Unlimited - Blue (Is the Colour of Our Future)
The Black Dog - Rainbow Bridge
Afrikan Sciences - The New Season
Pape Seye - Tropical Soundsystem
Robbie Ellington - Be Mine

TRAX.447 JOHN GÓMEZ

Feb, 2010

Mix originally for http://noncollective.com/

夕方の影「Evening Shadows」[Mix, 2010]

"A mix inspired by memories of a trip to california a while back in time." - @mlle_elle

B.P.T. Radio 048: Mademoiselle Linda

It's a real pleasure to welcome highly respected and experienced musical selector, DJ, radio host and curator Colleen 'Cosmo' Murphy (@colleen-cosmo-murphy) with a special 'audio yoga mix' to our series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Colleen, thanks for sharing your thoughts and music with us. Hosting your weekly online radio shows, making plenty mixes for several outlets, DJing clubs and festivals... How do you keep motivated and inspired?

CM: Sharing music has been focal to my life since I was a teenager hosting shows on our 10-watt high school radio station and working in a record shop after school. Turning people onto new tunes and artists gives me immense joy and courses throughout every aspect of my vocation. I’m a communicator at heart. That’s balanced with the more internalized creativity of music productions and remixes. Being in the studio and playing with ideas and sounds is very focusing and the rest of the world seems to fall away. It’s therapeutic. And playing records as a DJ or musical host is like a lively musical conversation in which I draw energy from the dancers and give it back in turn. A great party is a collective creation. Throughout all of my endeavours I try to impart the life energy of music, a healing and motivational force that inspires me every day.

MFM: In a time and place where the context of a DJ seems to have changed over decades, do you feel your “classic” approach of DJing gives you an advantage in keeping relevant and reaching a crowd?

CM: It's important to have your own point of difference. I have never been a ‘cookie-cutter’ type DJ and used to struggle with the idea that I didn’t fit in. But then I recognized that all the different aspects of my vocation had one thing in common – myself. Once I integrated everything and became more holistic in my approach, I felt happier and more confident. Being authentic to oneself is first and foremost and then it is up to others to decide whether or not they like your creative output. You can’t please everybody, but you have to try to please yourself otherwise there is no point. I get immense pleasure in what I do and hope that it brings joy to others. I do have a classic approach to DJ-ing but I’m also always looking for new sounds that resonate. I also admire other DJs styles even if it’s quite different to my own. There’s room for everyone.

MFM: You're a DJ who encourages the listener to open up and really listen to music, its definitions, context and aesthetics. Probably one of the foremost reasons why you tend to let a song run from beginning till end. With such strong values, what's your view on the modern way of “consuming” music?

CM: There are many different ways to enjoy music and none are the wrong way. Any experience of music is good. When I started Classic Album Sundays in 2010, it was a response to music only being ‘consumed’ rather than experienced and I wanted to share the way the I often listen to music with others to provide an alternative. At that time, we were in the midst of shuffle culture and the almighty MP3 and whilst both have their place, it shouldn’t be the end-all experience. When people come to a Classic Album Sundays event and hear the subtleties and nuances of an entire album played without interruption, on one of the world’s best sound systems and in a communal setting, they experience music in a different way and most find it transformative. But listening to music in a car or dancing to a DJ who scratches and cuts up songs can also be inspirational. I can only try to offer what is authentic from me.

MFM Mix 045: Colleen 'Cosmo' Murphy

Recorded at home, March 2024.

@johngomezldn

Reencuentros Nº3

Ahead of Phonica's trip out to Kala festival this week, we reach out to one of their longest running residents to display his wares for the Phonica mix series. Music From Memory affiliate, NTS host and all round deep digger John Gómez pays homage to Phonica with a dive into his more clubby collection of records. John gives us an hour of some of his favorite releases in the realms of house, disco, acid and breaks showing why he stands as one of the UK's most respected collectors. We had a brief chat with John about the mix and what he has coming up. Get over to offtherecord.net to check that out now

Mix / Interview Here

Phonica Mix Series 120: John Gómez

"This mix pairs perfectly with your dogs favorite sip, some banana wine 🍌🍷🙂‍↕️" - @balearicbanana

B.P.T. Radio 091: Balearic Banana

Residency show broadcasted live at Radio Tempo Não Pára (20.09.2024)

Artists: @memorabiliarecords & @kiernandj

Faking Jazz Together w/ Norm & Kiernan Abbott @ Radio TNP 20.09.2024

Recorded live at Giant Steps in London on Sunday 13th October, 2024.

@johngomezldn
@nicktherecord

John Gómez & Nick the Record back at Giant Steps

Listening Session w/ Bill Brewster

Bill Brewster is a celebrated DJ, music historian, and author known for his deep knowledge of dance music culture and eclectic, genre-spanning DJ sets. Co-author of the seminal book Last Night a DJ Saved My Life with Frank Broughton, Brewster has chronicled the history of DJing and club culture through his writing, including the acclaimed The Record Players. As a co-founder of DJHistory.com and curator of compilations like After Dark on Late Night Tales, he has earned a reputation as a tastemaker and archivist of rare and classic records. With decades of experience behind the decks and a passion for uncovering hidden musical gems, Brewster remains a pivotal figure in the global dance music scene.
Listen to Brewster as he shares the story of how his DJ career began at house parties in New York, reveals his personal favorite music genre, and explains why Kalabrese was the reason he came to Zurich.

Watch here the Kasheme Conversations of Bill Brewster
https://youtu.be/DKc3sidsbdg

thx to Bill:
https://soundcloud.com/billbrewster

Stay tuned for more!
Kasheme Conversations next month with LAARAJI

TASCAM DR-40X

Listening Session w/ Bill Brewster

One of the truest stylists in DJing.

Although leaving behind only a small repertoire, sadly cut short by an early and unexpected passing, what we have left as evidence of his deep dedication to the pleasures of music is so unique and designed with such charming consistency, that when listened to, can only be Zecky’s selection.


Since the late 2000’s we studied the few mixes we could get our hands on obsessively, to the point where for example: we will never be able to hear Pats and Pat “Tobago” without the expectation of “City Lights” to be mixed in next, courtesy of the 2008 Ebisu Bar Jam recording. To us, Zecky became a sub genre of music — "Zecky style tracks" — something in the realms of what we might consider as Balearic, but still somehow blurring the borders of acceptable Italo-disco, and then coming way out of left field with something contemporary like Simply Red...and somehow it all made perfect sense. A lot of these tracks may seem obvious now, but keep in mind this was mid 2000’s, a lot of these tracks were still not known, discogs was not what it is today: contextually, the calliber of his research was heavy. Imagine living in a time when the idea of what a good DJ should be doing is minimal techno yet you’re a Japanese guy going to Italy to look for completely expired Italo material, one can only imagine the facial expressions and dialogues that might have emerged between Italian record store owners and Zecky throughout his digging travels.


The role that talent plays in the DJ "profession" can sometimes feel fuzzy, especially in the post social media/CDJ era. In our humble opinions however, listening to Zecky’s oeuvre gave this mystery a good amount of inspiring clarity. The aesthetic precision of his selection supported by his simple but flawless mixing created compositions so striking that the mixes became new stories or soundtracks to beautiful movies no one had ever seen before. It really felt like he was making something larger than the music he was using to compose these moments. A common (and disturbing) cliche one often hears when people go about describing a DJ’s work is the idea of being a “story teller”. To us Zecky genuinely put forth this idea on a meaningful level, his stories were some of the nicest of all.

We learned so much from Zecky.


Thank you for the music and happy birthday — Zecky would have been 54 today.


Thank you to Daisuke, his party partner, for making this possible ❤️
_
DJ 界での真のスタイリストの一人。
残念ながら、予期せぬ早すぎる死によって残されたレパートリーはわずかですが、音楽の楽しみに対する彼の深い献身の証拠として残されたものはとてもユニークで、魅力的な一貫性をもってデザインされており、聴くとZeckyのセレクションを感じざるを得ません。
2000 年代後半から私たちは手に入れることができる数少ないミックスを執拗に研究し、例えば、2008 年の恵比寿バージャムのレコーディングのおかげでパットとパットの「Tobago」を聞くと、次に「City Lights」がミックスされることを期待せずにはいられなくなりました。
私たちにとってZecky は音楽のサブジャンル、つまり「Zecky スタイルのトラック」になりました。これは、私たちがバレアリックと考えるものの領域に属しながら、それでも許容できるイタロディスコの境界を曖昧にし、その後 Simply Red のような現代的なものによって予想外の形で登場しました... そしてどういうわけか、すべてが完璧に理にかなったものでした。これらのトラックの多くは今では当たり前に思えるかもしれませんが、これは 2000 年代半ばのことであり、これらのトラックの多くはまだ知られておらず、discogs は今日ほどではありませんでした。文脈上、彼のリサーチの質は高いものでした。優れた DJ が行うべきのことはミニマルテクノであるという考え方がある時代に生きていると想像してください。しかし、あなたは完全に期限切れのイタロの素材を探しにイタリアに行く日本人男性です。彼のレコード探しの旅を通して、イタリアのレコード店のオーナーと Zecky の間に生まれたであろう表情や会話は想像するしかありません。 DJ という「職業」において才能が果たす役割は、特にソーシャル メディアや CDJ の時代以降は、曖昧に感じられることがあります。しかし、私たちのささやかな意見としては、Zecky の作品を聴くとこの謎がかなりはっきりと理解できました。彼の選曲の美的精度と、シンプルでありながら完璧なミキシングが、非常に印象的な作品を生み出し、そのミックスは新しい物語や誰も見たことのない美しい映画のサウンドトラックになりました。彼は、これらの瞬間を作曲するために使用した音楽よりも大きな何かを作っているように感じました。人々が DJ の仕事を説明するときによく耳にする一般的な (そして不快な) 決まり文句は、「ストーリーテラー」であるという考えです。私たちにとって、Zecky はこの考えを本当に意味のあるレベルで提示しており、彼の物語は最も素晴らしいものでした。私たちは Zecky から多くのことを学びました。音楽をありがとう。誕生日おめでとうございます。Zecky は今日 54 歳になっていたはずです。これを実現させてくれたパーティーパートナーの大輔に感謝します❤️

H.A.N.D. MIX 065 : Zecky – Metro 1st

Burkhalter Bops is a collection of original beats made by 2nd and 3rd grade girls at Burkhalter Elementary in East Oakland, created in partnership with Today’s Future Sound and Girls Inc.

Over several weeks, these young producers learned how to make their own beats—programming drums, layering samples, and creating their own sound from the ground up. The project also features contributions from TFS instructors Phillipdrummond (aka Dr. Beats), Lax the Monk, and Evan Keeler-Wolf (aka Egon).

The cover art was inspired by the students and hand-drawn by our in-house artist @ronthegraphicsguy—no AI used.

Tap in and hear the future of Hip Hop straight outta East Oakland! 🎶🔥

#BurkhalterBops #TodaysFutureSound #HipHopEducation #StudentBeats #EastOakland #GirlsInc #YouthPower #BeatMaking #NoAI #Phillipdrummond #LaxTheMonk #EgonBeats



Dr. Abigail, Minor Lucille, Ms. Bambi, Slay23 (Bailey), Ms. MCree (Sonjai) - Beat Baby Beat

Music that keeps company. Recorded at home, March 2020.

@johngomezldn

Reencuentros

Made a very small run of these CD's during the summer of 2003. Anything goes, leftfield, italo, whatever... just for kicks

Living for Kicks (2003)

Recorded at home, October 2020.

@johngomezldn

Reencuentros

John Gómez

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