Paul Leath has taken on several roles with his involvement in the electronic community, promoter, agent, manager and
record distribution. During this entire span, always producing and deejaying. 
New projects currently involve the developement and expansion of El Otro Mundo Productions. The "umbrella" of every project 
that involves members of the collective. 
El Otro Mundo Recordings is the original label from El Otro Mundo Productions started by his brother, Christopher aka El Gato. 
Friction Recordings is a sub label created by Paul,focusing on the driving aspects of techno and 
house. The concept of Friction is used in our design and production. It is part of this world that stimulates while keeping us 
"grounded". 

aka Leathal
DJs Christopher(El Gato) and Paul Leath combine their respective talents to become tag team
Leathal. As part of the respected alternative label
el otro mundo, both are independently strong DJs in their own right having
developed their sounds over number of years and traveled worldwide
to enhance their individual musical palettes. 

eomSessions - weekly on-line radio show
Paul created the show in 1999 and has hosted with El Gato for years. 
Along with the newadditions The Notorious P.I.G.and J-Swizza, they host one of the longest running online radio shows in the
Bay Area on Common Ground Radio called eomSessions.  This weekly show features local and global DJs and
producers.

Subwax Distribution Soundcloud page.
Get in touch: distribution@subwax.es

Buy our releases online: https://subwax.es

"Laugha while you can monkeyboy."

OG underground club and party promoter. Known for regularly lugging a portable Denon DAT recorder to clubs and raves "back in the day", recording events large and small from the End Up, Funky Tekno Tribe/Organic, Wicked Full Moon, and Spundae, The Rage, Oogä Boogä and Plush.

I was Introduced to House? Techno? by my CSUS roomate James Presley, a founding member of Sound Mob in Sac. I remember getting a flat on my beloved '85 Rx-7 parking under the causeway at one of their "raves".  James happened to be mentoring under DJ Jenö of Wicked in'91.  I ended up loving it all, first for the community, but ultimately for the music which always was a driving force in my life.

Driving home from a Wicked Full Moon at Bonnie Doon Beach in Santa Cruz, listening to the DAT I was allowed to record of that night's DJ sets with my ears still ringing and my body buzzing was an inspiration.  Later as a promoter I would consciously book DJs based on what I wanted to listen to in my car next week.  Heady stuff.  Also pretty fucking privileged, right?

Summer of '92.  The very first party...  I threw.  Images of future friends dancing hard on the bronzed Great Seal of California, embedded in the concrete at the foot of the Capitol steps, seared into many's memory.   Hollywood Dog's lasers blasting on the Capitol's freshly restored white face while Jan Cooley, Jellybear, Jenö, Ramon Ramon, and John Williams amongst others made us shake our butts for the local tv news crews covering us.  Called L.A.D.S., it stood for Legalize Afterhours Dancing in Sacramento. It was a public protest party.

I was a recent CSUS graduate, having  interned with Assemblyman Bob Campbell, D. 11th district, Contra Costa County.  I learned then that to use the Capitol or its grounds for any reason, all that was required was a "Member" to sponsor you, an Assemblyman or Senator.   Bob kindly did.  Approved for all-night music, at the last minute Capitol Security got cold feet and someone pulled my after-hours permission. Our gear was allowed to remain allowing us to continue the next morning.  

To fill the gap, some of the originally scheduled DJs now without a time-slot got to perform at a nearby renegade warehouse party.  Organized through the effort of many, especially my soon-to-be friends and partners Frank Gomez and DJ Chris Burkes.  Within months the three of us would form the core of Pretty Phatt Productions, which next year dropped Oogä Boogä Frydaze into the basement of the Capital Plaza Towers, an art-deco downtown skyscraper with a spring-loaded dance floor and doorways to mysterious tunnels that allowed you to wander underground amongst original 19th century street-level building entrances - if you knew.  All of Sacramento's downtown was raised a whole floor to avoid flooding long ago.  Epic shit.  

Years later as Half-Phatt Productions, I started club Plush in the Paddlewheel Saloon on the Delta King in Old Sac.  Eventually booted from that barely floating hotel for literally "rocking the boat" too hard every Thursday night, Plush moved to the most premier Sacramento nightclub, Harlow's, for almost a decade.  Thank you Peter and Danny Torza!   

I eventually left my large adopted family of friends in Sacramento moving to Oakland in the early 2000's to start a new "grow" store, East Bay Hydrogarden, on 57th and Telegraph Ave.   While still successful I sold it after my dad's first stroke in order to move back home, Santa Rosa, to care for both of my ailing parents until they eventually passed.

Living in Sonoma County and still keeping on keeping on.

I still love music.  

And pot. 

 A lot.

Born and Raised in rural Northern California, DJ Tracy arrived in SanFrancisco with a duffle bag, boom box and love of house music.

Rocking dance floors from 1993 to present through residencies at 1015 Folsom and the legendary End Up. Handling the controls of Wicked’s Purple Turbo on the Burning Man Playa (1995-1996), for the Rain Dance, Slide, and Silver Pearl massive, Area 51, or outdoors with Sunset and Wicked Full Moons, New Moon Parties, and Friends and Family, her skill and talent are hard to miss.

The 20s find her deep in Portland Oregon’s underground house movement having impressed at her Groove Suite premier followed by guest slots with Cock Block, House Call, Howl, Fire, Flight, Blend, Local Heroes, Family Affair with a deep psychedelic deep tech-house sound.

As she continues to evolve and grow as an artist, DJ Tracy remains committed to creating unforgettable moments on the dance floor and spreading the universal language of music. Get ready to embark on a sonic journey with DJ Tracy and surrender yourself to the irresistible rhythm of her beats.

GET2WERK MUSIC is Indie House Music Label Driven to Provide a Unique Flavor on the House Music Genre Headed by Dj Sameer from NYC a long time Veteran of the NYC Night life/Club and Rave Scene Look out for an Eclectic mIx of Electronic and Soulful sounds! 

Thanks For Checking out My Tracks and Mixes,Please Subscribe to my Website www.djsameernyc.com for updates on gigs and new music. Thanks 
Bio Here:
..With his ear to the Groove since the age of 15, Sameer started playing Electronic Music. Professionally Djing for over 30 years, Sameer has brought his custom blend of funky tech deep and soulful sounds to dance floors around the globe.Heavily Involved with the rise of the east coast Rave Scene in the U.S since 1991 ,One fourth of the famed Chocolate Factory Dj collective out of NYC , He has played alongside some of the world’s best known DJ’s such as Danny Tenaglia, Todd Terry, Louie Vega, Doc Martin and many many others.
Producing music since 1995, Sameer has released limited edition re-mixes and original releases on various record labels Siesta, Twisted America ,Turntables on the Hudson, Terminator Records, Good For You Records , and on his own Labels Future Beware Records and Get2Werk Music ,All of which can be purchased and streamed online, in stores such as (Itunes ,Beatport,Traxsource,Juno,Spotify ,Apple music
You can Listen to All Original Releases and Dj Mixes on his Soundcloud and Spotify Artist Pages ,
@djsameernyc
open.spotify.com/artist/5m7XS8ci6dxg1IbaYs48tI
Today you can find Sameer DJing at select venues throughout New York City as well as private and exclusive events.

DJ/Record collector based in Tbilisi

Co-founder https://soundcloud.com/past-tense-records

Earthtone Soundsystem / Founder / EQ Specialist & Voice Of Reason

johnhoward is following