man uz defintly a legend john if u get a chance check out the``ytheway``wen possible my dude.

introduction playlist yeah

Alicia Keys - Diary (Piano & I AOL Sessions +1)

SHEET MUSIC: https://gumroad.com/products/yhFrd

Watch the video for this song and all other NEWEST songs advanced covers at my youtube: bit.ly/1sn8c8N

Empire  – Remember The Music ft. Jennifer Hudson (Piano Cover) [Video & SHEET MUSIC in description]

Ruben Studdard - Love, Love, Love

Ruben Studdard - Meant To Be

(*)If you like these songs, please get legit copies of their respective albums. This is how we encourage these artists to keep making beautiful albums.

My salute to Hal David.

"A House is Not a Home"
performed by Aicelle Santos
guitars by Ardie De Guzman
recorded & mixed by Angee Rozul
arranged and produced by yours truly.

A House Is Not A Home

01 Good Morning Intro

Good Morning Intro

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

01 Good Morning Intro

johnlegend

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