@piemont
@moonless-air

www.piemontmusic.com
www.moonless-air.com

Jonas Woehl - Falling Leaves (Piemont RMX) (Get Physical Music / Poesie Musik) (August 2013)

Dude Skywalker remix of "Nassau" is just one of 3 fantastic mixes on the release. Complete EP will be available on 20th of January 2014 in all digital stores.

Track is available in all digital stores!
Support Dude Skywalker:
FOLLOW → https://soundcloud.com/dude-skywalker
LIKE →https://www.facebook.com/dudeskywalkermusic?fref=ts

Exclusive on beatport:
http://www.beatport.com/track/nassau-dude-skywalker-remix/5016949

iTunes:
https://itunes.apple.com/gb/album/nassau-dude-skywalker-remix/id783362794

junodownload:
http://www.junodownload.com/products/max-lyazgin-hot-sand-nassau/2377632-02/?trackid=1

traxcource:
http://www.traxsource.com/title/278294/nassau-dude-skywalker-remix


Exclusive on Beatport

Max Lyazgin & Hot Sand - Nassau (Dude Skywalker Remix) HatorRecords [OUT NOW]

Get Physical release notes:

Friends, we meet again at the arrival of another volume of our ‘Full Body Workout’ series. We’ve had our ears to the floors and have been meticulously sorting through a sea of electronic music to bring together this exclusive compilation. 
With Volume 13, we’ve got a really interesting selection of tracks coming from John Monkman, Robbie Akbal, Doomwork, DJ Nibc & Hans Berg, K.E.E.N.E. & Robosonic and more. We’re super happy with the musical diversity represented here and be sure to check out the stunning continuous mix by our brothers Julian Ganzer & Javier Logares. 
Until next time, please enjoy and keep on dancing!

Follow here: 

www.beatport.com/artist/john-monkman/110075
www.beatport.com/label/get-physical-music/586
www.facebook.com/JohnMonkmanLIVE
https://twitter.com/JohnMonkman

Stay tuned.

:)







Love Won't Wait  (Get Physical Music) Out Now.

thinking bout the days

Antoine Pete - Calling the Moon (Club Mix)

www.facebook.com/PhoniqueBerlin/
www.facebook.com/LadiesAndGentlemenBerlin/
https://www.facebook.com/NhanSolo.Official/
https://www.facebook.com/theblack80s/
https://www.facebook.com/Sam-Shure-218986994797642/




Phonique (@phonique) lands back in the sweet spot with a series of remixes of one of the standout tracks on his 'Green Supreme' album. 'Something Special' - featuring the vocal talents of Ian Whitelaw, was always ripe for reworks - and this package doesn’t disappoint. 

Opening with Phonique’s own club mix, the track is tweaked into a dancefloor bomb - exhibiting all the light and shade he has always been a master of. The mix is both epic and emotional, and will be doing some serious damage over the coming months.

Munich based DJ/Producer and label owner Nhan Solo (@nhan-solo) drops a tougher mix - bringing a rough, Chicago - influenced edge to the rhythms and still giving the track plenty of space for Whitelaw’s vocals.

The Black 80s (@theblack80s) remix flips the script totally and brings out the synth pop roots of the track, marrying Whitelaws’ soulful vocals with a bubbling, summer vibe.

Sam Shure (@samshure) - a regular at Berlin underground spaces such as Sisyphos and Salon zur wilde Renate, releasing on Katermukke - brings his own distinct flavor to his mix- supplying it with plenty of tech house magic to work on every dancefloor.

Tracklist :
01. Something Special feat. Ian Whitelaw (Phonique Deep Club Mix)
02. Something Special feat. Ian Whitelaw (Nhan Solo Remix)
03. Something Special feat. Ian Whitelaw (The Black 80s Remix)
04. Something Special feat. Ian Whitelaw (Sam Shure Remix)

Phonique - Something Special feat. Ian Whitelaw (Phonique Deep Club Mix)

Pepe Acebal - We Will Stay Together (original mix)

Taken from the WMC Survival Kit out on Moodmusic 

http://www.beatport.com/release/moodmusic-wmc-survival-kit/872122

join us : http://www.facebook.com/moodmusicrecords

Sunday Smoking Remixes Vol 2

Martin Dawson - Is This Goodbye (Tale Of Us Remix)

NastyFunk's 8th release sees more fresh talent recruited to their ranks, in the guise of Spain's Yeray Herera. The "Get Back" EP is a rare gem, as with each of it's 2 original mixes and 2 remixes, every track has the individual power to fill any dancefloor in it's own unique way. The title track for example, Get Back, is a hugely pumping groover, and a true testament to the theory that simplicity rules in deep house music. The catchy bassline and mega-cool sporadic vocals ensure this is a cool bomb for any occasion. In contrast, the B Side, No More, keeps the feel of the release but changes the mood via an uplifting atmospheric number filled with feelgood reverberations and soft grooves, all the while hinting at an oldschool vibe, truly reminiscent of a bygone genre. 

The 2 remixes on the release are vastly different in what they achieve; Erik Christiansen's take on proceedings adds some organic touches and turns up the funkometer to 10 in his version of the original, working with the bass, vocals and percussion to create a happy, carefree vibe… whilst Toucan pulls out the stops with a superlative disco track, in a wickedly creative edit of the original, bringing a solid groove and poetic touches, coupled with an enormous bass sound, and a well polished finish. 

Get your hands on this one and you won't regret it.


NF008 : Yeray Herrera - Get Back (Erik Christiansen Remix)

Artist: Tiger Stripes
Title: Bright Lights Incl. Andre Crom Remix
Label: OFF Recordings
Release number: OFF046
Format: Digital / Vinyl
Distribution: Baseware Distribution (Digital) / Deejay.de (Vinyl)
Releasedate: 06.01.13 (Digital) / 02.13 (Vinyl)
File Under: DeepHouse
Web: www.off-recordings.com

Get MP3s here:
http://www.beatport.com/release/bright-lights/1034022

Get the Vinyl here:
www.deejay.de/Tiger_Stripes_Tape…To_Live_Ep__119364

Tracks:

1 – Tiger Stripes – Bright Lights
2 – Tiger Stripes - Bright Lights (Andre Crom Remix)

Known since years due to countless hits on labels like Get Physical, Noir or Toolroom, Tiger Stripes presents his debut on OFF Recordings.

The original of "Bright Lights" is a dark underground pop affair, perfect to spice up your set with a serious dose of sleaziness...

Andre Crom turns the theme into a more upbeat version, well suited to create some peaktime excitement.

SELECTED FEEDBACK:

Jesse Rose - great job, thanks!

Maxxi Soundsystem - Digging the original - reckon i'll drop this! Thanks.

Kolombo - DOPE!

Miguel Puente - will be laying them this weekend, love it, cheers guys :)

Joyce Muniz - sexy vibes ! nice one

Teenage Mutants - original for me!

Wildkats - Really like the Original ... Cool track.

Shir Khan - really love it. sounds like some late 80ies berlin affair. dark wave house. could have been played at jungle in charlottenburg.

Robert Owens - great track and mixes

Tiger Stripes - Bright Lights - OFF046 cut

Currently in the DMC UK BUZZCHARTS (6) and liked by Pete Tong, The Magician, Tensnake, Maxxi Soundsystem and Peter Kruder of Kruder&Dorfmeister to name a few. 

"Waiting For The Daylight" is a song about a conversation between an Astronaut and his wife. 
The spaceman has been stuck out there for years and is reaching a breaking point. 
He is a kind man on a mission but shows his fragility when he asks about his kids. 
Not knowing what time it is and not being able to listen to his music while even more frighten aliens cross his spaceship is testing very hard on his control. 
He spins between satellites but his hope for the daylight to appear is his only lifeline. 

Dino Lenny about this track: 
"I wrote this track badly playing my 100 year old Piano (recorded with my iphone)   
I was in my living room but like it often happens I felt I was out there in Space. Wondering about and feeling deep immerse in a mission that I didn't really care about.. 
I sometimes ask myself what is the point? But then as usual at the lowest step..  the light appears and I feel like a child in a sweet shop!" 

About Dino Lenny: 
Dino Lenny starts very young as a radio deejay in a small town of the South of Italy, Cassino. After a few years of experience, in the early mid nineties, he is crowned "master of ceremonies" of the Maltese nights, gathering more than 2000 people on the famous Axis' dancefloor. He grows up within an interesting group of lads such as Savino Martinez and Claudio Coccoluto, and in 1996 he decides to seek fortune in the United Kingdom, his native country. In London his career gets a boost thanks to a long series of important remixes: Inxs, Underworld, Missy Elliot, Timbaland etc and the collaborations with The Housemartins, Scissors Sisters & Madonna just to mention a few names. His productions are just as interesting as the remixes and Dino Lenny earns for three times in a row the label of " Essential New Tune" on Radio One (BBC) by Pete Tong. 
Considered "The Wizard of the Electronic music" by the Chemical Brothers, Dino Lenny explores the full range of his potentialities and starts singing. With a simplifying abbreviation of his name, Dino records the single “Call me” which becomes a terrifically popular track all over Europe. The British press defines his vocal talent as a halfway between the Talking Heads and Ian Dury. Dino shows up a perfect Serpico style and sings in front of his raving fans at Tops of the Pops. 
The successful single gives just a hint of what will happen with the release of the album "Might". 
Whilst busy with more important collaborations, Dino is invited by Hardage to take part to his project which includes Jocelyn Brown and Maxi Priest , Level 42 and Peter Gabriel, amongst the others. 
He produces with Steve Lawler under the name Sladly the well received “Unicorn” and writes the soundtrack for one episode of CSI Miami in the middle of the preparation of the next “solo” album. 
A few months later Dino Lenny flies to Montreal to open the UNICEF concert - which gathers more than 7,000 people.  
Dino warms up the audience for Avril Lavigne and at the end of 2011 he performs live with Skin & Underworld at The Brixton Academy 
Lenny has also written the soundtrack for one episodes of CSI Miami and also for Irvine Welsh's film "Ecstasy" 
After David Byrne's approval "I Wanna be Like Talking Heads/ A Dj Deep Inside" gets released on Strictly Rhythm. 
The story continues on his favourite label of the moment.. while he's still "Waiting For The Daylight" to come out soon on Exploited! 

Artist: Dino Lenny 
Release: Waiting For The Daylight 
Label: Exploited 
LC: 15799 
Releasedate Beatport: 8.7.13 
Releasedate I-Tunes, Juno ect: 22.7.13 

Early Feedback: 

The Magician: Beautiful track. 

Tensnake: Last heard about Dino about a decade ago. This seems to be quality. 

Maxxi Soundsystem: Remix sounds juicy… 

DMC UK Buzzcharts: Dino is Mr Gorgeous with his lush production skills and eccentric shorelines. Another daydream delivered and delicious. 

Tiefschwarz: Cool release! 

Peter Kruder: Love Waiting For The Daylight. Will play this. 

Jazzanova/Alex Barck: What a poppy adventure here. Love the Remix. 

Rhadow: Liking the Instrumental Version. Thank You! 

Betoko: Bravisimo Dino! Full support! 

Andre Crom: Killer EP. Love the Remix. 

Kyodai. Great track. 


The Mekanism: Beautfull! 
Grant Nelson/Grecoroman: Great production!

Stee Downes: Always quality business! 

Death on the Balcony: Dino Lenny Remix is cool! 

Purple Velvet: Cool tracks! Very Bowie-esque Lyrcis. Liking the Remix! 

Moullinex: The out of tune upright stuck with me. Excellent. 

Pete Herbert: Instrumental working nicely for me… 

Animal Trainer: Really can see the daylight!

Dino Lenny - Waiting For The Daylight (Preview) | Exploited

John Monkman

Beesemyer | Siamese | Kompakt | Ellum | Anjunadeep 

All Inquiries - Claire @ beesemyermusic.com

John Monkman stands at the forefront of the global electronic music scene. Known for his dynamic performances and cutting-edge studio productions, Monkman has earned a reputation as both a live music pioneer and a master of sound design.

Affiliated with some of the most prestigious labels in electronic music, including Kompakt, Ellum, Beesemyer Music, Siamese, and Anjunadeep, Monkman delivered the spellbinding track Siren for Kompakt and collaborated with Pete Tong on Ecstasis for Maceo Plex's Ellum Audio. His releases, such as the Komplex EP on Anjunadeep and the versatile Tune In Turn On EP for Ellum, highlight his remarkable range. With two Beatport number ones—his remix of Solomon Grey's Twilight and his single Don’t Have to Be Beautiful—Monkman has further cemented his influence on the global electronic music scene.

Equally compelling is Monkman’s remix portfolio. His remix of U Love for Sasha’s LNOE 100th release, supported by Patrice Bäumel and Sasha, showcases his creative versatility. His rework of Space Date by Adam Beyer and Green Velvet for Drumcode demonstrates the respect he commands within the industry. Monkman has also been remixed by Moby. In 2023, he reunited with Pete Tong for an official remix of Duran Duran's Give It Up, marking another standout moment in his career.

On the live stage, Monkman’s impact is undeniable. He has headlined festivals like the UK’s Noisily Festival, brought his live set to the Ozora Festival in Hungary, and performed at the Anjunadeep Festival in Albania. His recent achievements include headlining Rainbow Serpent 2021. The debut of John Monkman: Live at Coachella 2018 with The DoLab was a pivotal moment, revealing his innovative approach to live performance.

The year 2024 has been a defining chapter for Monkman. His latest live show, Pulse, premiered in Paris through a collaboration with Collectif Scale, breaking new ground with its kinetic light art installation. Filmed in a Paris warehouse on July 6th, this show delivers an immersive audiovisual experience that pushes creative boundaries. In the same year, Monkman released Khord on Anjunadeep, followed by three singles—Vader, Roller Vox, and MAYA—on Beesemyer Music.

Continuously evolving as both a performer and a producer, John Monkman remains a driving force in the electronic music landscape, with his innovative studio work and electrifying live shows securing his position as a leading figure in the scene.