Baratunde Thurston is the CEO and co-founder of Cultivated Wit and co-host of the podcast About Race. He wrote the New York Times bestseller How To Be Black and served for five years as director of digital for the satirical news outlet The Onion. When he’s not delivering talks at schools and gatherings such as SXSW and TED, he writes the monthly back page column for Fast Company and contributes to the MIT Media Lab as a director’s fellow. Baratunde has advised the Obama White House, has more than 10 years’ experience in standup comedy and more than 30 years’ experience being black.


Some artists transcend the need for award, but are nonetheless deserving of decades of accolade.

Burning Spear is such an artist.

A music-maker, community icon, educator, spiritual uplifter; Burning Spear's importance to culture existed before media spotlight, and has only grown since.

For nearly four decades and more than 25 albums, he has carried the torch of the gospel of political activist Marcus Garvey, promoting self-determination and self-reliance for African descendants through lyrics and rhythms that truly deliver the messages of peace and love to all.



Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

K.R.I.T. WUZ HERE – OUT NOW: https://bigkrit.lnk.to/KRITWuzHere

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