Pituitary Glam

Looks but Glances | for ensemble and electronics

Conducted by Thomas Nicholson 

Commande du GMEA - Centre National de Création Musicale d’Albi-Tarn
Enregistrement à l’Athanor à Albi le 6 août 2022 et mixage par Benjamin Maumus - ingénieur du son du GMEA

Mastered by Murat Çolak
Artwork by Mona Osterkamp

Looks But Glances (2022) / GMEA

Psycho

Excerpt from BYE BYE LOVE, performed by Ilan Volkov and the BBC Scottish Symphony Orchestra, 30 April 2023 at the TECTONICS Festival, Glasgow City Halls, Glasgow. 

mm. 176 - 226.

Reproduced with permission of BBC Radio 3. https://www.bbc.co.uk/programmes/b03q8r97

Contact Ian Power with inquiries at ianhpower@gmail.com.

“These body fluids, this defilement, this shit are what life withstands. . .”
Julia Kristeva, 1980

ianpowerOMG.bandcamp.com
ianpowerOMG.com
instagram.com/ianpowerOMG
https://groups.google.com/g/ianpowerOMG

BYE BYE LOVE for orchestra [excerpt]

Clandestine record label, The Trilogy Tapes, tear up the NTS studios once a month, ripping through the grittiest and muddiest tracks. No words on this one, just tunes. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-trilogy-tapes/episodes/the-trilogy-tapes-9th-december-2024

THE TRILOGY TAPES w/ LCMF 091224

Performed by Maya Homburger (Baroque violin) and Barry Guy (double bass) on the 2011 Ergodos Records release 'Star'. 

Buy the album here: http://www.ergodos.ie/shop/star/

More on the piece here: http://garrettsholdice.ie/sonate

More on Homburger/Guy Duo here: www.barryguy.com/ensembles/duohg/index.html

/////////////////////

www.garrettsholdice.ie

Sonate (2009)

SPOTIFYYY!!

i wanna be your girlfriend

Suidobashi Chamber Ensemble:
Wakana Ikeda, flute
Yoko Ikeda, violin
Masahiko Okura, bass clarinet
Taku Sugimoto, electric guitar
Aya Tanaka, bassoon

+ guests
Johnny Chang, viola / composition
Samuel Dunscombe, clarinet
Michiko Ogawa, clarinet

Recorded by Samuel Dunscombe

"Partitions and Resonances", extract 'v.t. plausible tunings'

Preorder 'Breakfast For 2' on limited-edition 7"/Digital out August 17th, 2018 http://smarturl.it/SadGirlB42

Band Website: http://wearesadgirl.com/
Instagram: https://www.instagram.com/wearesadgirl/
Twitter: https://twitter.com/wearesadgirl
Facebook: https://www.facebook.com/wearesadgirl/

Label Website: http://www.suicidesqueeze.net/
Instagram: https://www.instagram.com/suicidesqueeze/
Twitter: https://twitter.com/suicidesqueeze
Facebook:https://www.facebook.com/suicidesqueezerecords/

Breakfast For 2 

SadGirl - Breakfast For 2

recorded live at Huddersfield University 8th March 2018

Cassandra Miller - voice, composition
Silvia Tarozzi - violin, composition

So Close, for voice, violin and tape by Cassandra Miller, Silvia Tarozzi

Recorded in the hollow body of Deutzer Bridge, Koln, for brass ensemble, electronics, 8-channel sound. For Bruckenmusik 2018. Listen on good speakers.

Acoustic Shadows - brass (Excerpt)

SadGirl - Jack The Ripper (Link Wray cover)
Preorder 'Breakfast For 2' on limited-edition 7"/Digital out August 17th, 2018 smarturl.it/SadGirlB42

Band Website: www.wearesadgirl.com/
Instagram: www.instagram.com/wearesadgirl/
Twitter: twitter.com/wearesadgirl
Facebook: www.facebook.com/wearesadgirl/

Label Website: www.suicidesqueeze.net/
Instagram: www.instagram.com/suicidesqueeze/
Twitter: twitter.com/suicidesqueeze
Facebook:www.facebook.com/suicidesqueezerecords/

SadGirl - Jack The Ripper (Link Wray cover)

Untitled

Bart De Paepe | Laatste Stuyver | Het Wase Atlantis > Schelpdieren

Compilation "B" // Track 11: "t's not exactly news that it's lonely at the top. However, thanks to D.S., who with „Isolation“ is unpacking a whole new register of punky düster drone, we now know that it's cold and dirty, too. Who ever was lulled to false comforts by elegiac releases like „To Be A Beast“ (CS 2017) will find themselves being thrown muddy rocks at at this party of one. Lights out forever. Finally!" – Ana Threat

▶︎▶︎ 3 new Spiluttini tapes till the end of the year, OH! In different
stables, though: No Rent, Umor Rex & ACR. ◀︎◀︎

Dino Spiluttini - Isolation (Edit)

austin wulliman, marina kifferstein :: violins 
wo :: synths/mixmaster
recorded live @ spectrum dec.16, 2018.

two violins and synthesizer

Austin Wulliman, violin
Conrad Tao, piano

Vertical Thoughts II - Morton Feldman

Composer-performer JOHNNY CHANG engages in extended explorations surrounding the relationships of sound/listening and the in-between areas of improvisation, composition and performance. Based in Berlin for more than 10 years, Chang relocated to his home country,  New Zealand in 2020.

Johnny is part of the Wandelweiser composers collective and in 2018, initiated a new framework for the presentation of creative research and performances, "Partitions & Resonances", aimed at encouraging collaborations between the varied disciplines of composition, musicology, historical research and performance.  Since early 2021, “Partitions & Resonances” has taken the form of a monthly listening series of compositions by Wandelweiser and related composers/artists/sound artists hosted by Audio Foundation, Auckland.

He currently collaborates with: Peter Ablinger, Jürg Frey, Antoine Beuger, Sam Dunscombe, Keir GoGwilt, Catherine Lamb, Klaus Lang, Mike Majkowski, Phill Niblock, Michael Pisaro, Derek Shirley, Germaine Sijstermans, Taku Sugimoto, Eric Wong.

As composer and performer, his articulated performances have been featured in: Staatsoper/ OperaLab//DAAD Mikromusik/MaerzMusik (Berlin), Donaueschingen Musiktage, Edition Festival (Stockholm), Sonic Acts Festival/Muziekgebouw (Amsterdam), Gaudeamus (Utrecht), Cafe OTO (London), Riverrun Festival (Albi), Q-O2 workspace (Brussels), Wandelweiser Klangraum (Düsseldorf), Minimal Jukebox (Los Angeles Philharmonic), Audio Foundation/Pyramid Club (NZ).

"Partitions and Resonances", extract 'v.t. plausible tunings'

Johnny Chang | 張釗漢

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