ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴̷̶҈̨̨̧̨̛҈̛́̀́͢͜҈͟͢͠͡͝͡҉̶̶̷̵̡̧҈́͘͠͏͏҈̷̴̴̷̶҈̨̨̧̨̛̛́̀҈́͢͜͟͢҈͠͡͝͡҉̶̵̵̢̨̀͟҈͡͡͏҉̢́͘͟͢҈͜͠͏̡̀́̕͟͝͏̸̛́̀́͢͜͟͢͠͡҈͝͡҉̶̕͞҈̵̵̢̨̀͟͡҈͡͏҉̢́͘

3333333333/GLASS SKIN

ف̶̶̷̵̡҈̧́͘͠҈͏͏̷̴̴

TEETH

REVIEW ON https://soundcloud.com/resident-advisor
https://www.residentadvisor.net/reviews/22886

NNOA - Clord

Taken from SBKT025: Swimful - Folding Knives

Folding Knives is the latest album from Swimful on SVBKVLT, named after a dream in which he was throwing knives at his doppelgänger on the street where he used to live.

Features come from Yayoyanoh & Organ Tapes, who vocal lead single "Agony", a track awash with thick, hazy waves of saturation, while the record opens with "Plain", a co-production with Chlorine Mist (aka Dylan Reznick of FRIENDZONE) that floats between swirling ambient textures and orchestral fanfare.

Tracklist:

1. Plain (Swimful & Chlorine Mist / Swimful version)
2. Are You Telling Me a Sad Story?
3. Aura
4. Agony (feat. Yayoyanoh & Organ Tapes)
5. Folding Knives
6. Sapphire
7. Broken Trapdoor

Release Date: March 15th 2019
Artwork: Kynan Puru Watt
Mastering: Raphael Valensi
Format: Digital
Distribution: Cargo UK
Field recording on Track 7 by Taurin Barrera

Folding Knives

Swimful - Broken Trapdoor

FL011: 011668 / S280F - ∂ ⁾ ∂⁸ (2019)
Released by FunctionLab
Cover by 011668
Mastered by S280F
MV by vvxxii

人҉ ​​​ ه҈҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉ه ​​​​​

After 6,001 years in hypersleep, the symbiotic 011668 / S280F emerge from their calcified cocoons using sound, sculpture, and dance to resurrect the remains of a decimated Los Angeles (Tongva).

Joined by the equally vague and ancient oracle vvxxii - the amphibious coven references the lost low-frequency technology of our celestial ancestors; both as a healing tool and as a portal towards the primordial depths of the next reality.

Through digital swamps and climate catastrophes, 011668 / S280F / vvxxii encourage swim in sync beyond borders and post language - illustrating and analyzing the effects of pollution on flora/fauna by embodying and animating the mutated spawns and their further evolutions.

∂ ⁾ ∂⁸

Tracklist:
18 18188
S280F - 1 6-exxYOUR
elsa.a
it's following me again (ft. KUNTHAN JIN)
‘B’ ft vocals by SIX (tape only)

"it's following me again" featuring:
KUNTHAN JIN
soundcloud.com/kuthijin

“B” (tape only) featuring:
SIX
soundcloud.com/sixcyber

168 (2019)

elsa.a

Toiret Status is Isamu Yorichika from Yamaguchi, Japan. His new work Otohime is his first vinyl record and his second album on Orange Milk following ◎omaru◎ in 2016. Otohime includes collaborations with Co La, and Yoshitaka Hikawa. He has also released music on the labels Noumenal Loom, Plus 100 Records, Pedicure Records, Wasabi Tapes, and Slagwerk.

Isamu began making music as a drummer for noise and hardcore bands which led to his first solo recordings in 2015. As Toiret Status he has said that he wants to create work resembling the idea of food going through digestion, excretion, and then flushing. This cycle is like the regurgitation of sounds sampled from his daily life: movies, video games, and field recordings. The sources are digested and then flushed back out as a different color.

I watched a Toiret Status performance in Fukuoka Japan in a shrine on top of a sumo ring. The show promoters were serving Japanese BBQ (Yakiniku / Yakitori) with a distinct common Japanese BBQ sauce and Heinz yellow mustard, and it was possibly some of the best food I have ever had. While I was eating I watched Isamu aggressively move around the sumo rink using a nintendo controller as a midi device, triggering intense bursts of sound. The first two steps in his goal - consumption and digestion - were happening to me when I first met him. The dedication Japanese people often display in art was also apparent while watching his performance; it felt like a congealing of "Japanese-ness" with the sumo rink, shrine, food, joyful and absurd music all meshing together in a quick burst.


Isamu’s new Toiret Status record Otohime is named after a fairy tale queen (with magical powers?) who lives undersea and entertains travelers by giving out gifts like jewelry. In Japanese this title could be an apt pun for - sound queen. However, Isamu stated that the title is a wishful statement about how his music would be utilized in the future. When people flush a toilet, he hopes his music might play and become a funny reminder of the Japanese emphasis on politeness and social tact. He likes the idea of turning something awkward into something fun. Toiret Status uses romaji (English letters written in Japanese phonetics to describe a foreign or new idea that is not in the Japanese tradition) for his album title, to hint at a pun and imply the desired function of the music while simultaneously alluding to Japanese folklore - a queen who makes music.

OTOHIME

Toiret Status - #82 Feat.Yoshitaka Hikawa

GF001

'Emotional Abuse Music'
A collection of emotionally charged ambient works.
Featuring works from Crystal Warmth, Himera, homefell, lil art project, Sangam, COLE LONGANECKER, BYZ, Cedric Madden, sv1, Various Artists and dj celes.

Mix, master and artwork by Daniil Masterov.

BYZ - Expect Less

all songs produced, written, and engineered by sv1
art by sv1
type/logo by 5outho

See here for more info: https://bit.ly/31EyfV2

Support AQNB with a monthly subscription to our Patreon: www.patreon.com/aqnb

4va, 'STFX' (2020). Courtesy the artist.

Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.

LACMIX026 - Klahrk

Mixpage: https://www.lowartsclub.com/klahrk
Interview: https://www.lowartsclub.com/klahrk-interview

@klahrk

LACMIX026 - Klahrk

Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.Klahrk.

LACMIX026 - Klahrk

"hell iii"

100% of the proceeds will be donated to aid swedish network "Ingen människa är illegal (No One is Illegal)".
-
"The network No One is Illegal demand permanent residency for everyone who has come to Sweden and wish to remain here.
We work self organized to provide practical, social and economic support to people who are in the process of applying for asylum or forced to live hidden without documents after having their applications denied. We believe in a world without borders, where everyone is free to live where and how they want, in a world where no one is illegal."
-
More information about the network:
https://www.ingenillegal.org/english/
-
Graphic design made by Neeltje , @basicyear

Aeoi - High Glavia

Permanent Melody™

"☆ ☆ ☆ ☆ ☆" 
– The New York Review of uhhh

"hell iii"

John Object 3