вау, вот это поворот в нарративе. это факс или домофон? хотя не имеет значения, это просто великолепная история за какие-то 70 секунд.. and btw, I hope it was her FaceTime call sound.

See here for more info: https://bit.ly/3eWnkfI

In this episode, at a moment in which it is difficult to think beyond the present, we consider queer notions of time, the future, and apocalypse, by speaking with Jack Halberstam, a queer theorist and Professor of Gender Studies and English at Columbia University. 

Jared talks with Jack on queer notions of forgetting, futurity, and the figure of the zombie in today’s popular imagination, as explored in his books such as 2011’s ‘The Queer Art of Failure’, and most recently ‘Wild Things: The Disorder of Desire’, published last year by Duke University Press.

AQNB's Reversal Agents - Episode 1: Queer Temporalities with Jack Halberstam

Solo Piano.  Created in Real-Time at the Midwest Music Conservatory, St. Louis MO>

Year of Music: August 21, 2025

From PET-004: Various Artists - Embrace. Out now on Petrola 80
@anyines
@an_gella

An Gella - Angelic Cash Flow

@corinmusic is an artist from Melbourne who recently released her first full-length album “Manifest” on Bedouin Records. She calls it her ‘cyberpunk tribute’ and merged the whole previous experience as an artist, her EP series as well as classical education at the Sydney Conservatory in 10 deep mythological tracks. The slowly-moving storyline of Tightmix includes tracks by ssaliva, Scintii, DETENTE tracks and a final copestone "Ihnaemiauimx" by M.E.S.H.

tight.media

Tightmix 3 — Corin

Jesse Osborne-Lanthier’s RNG TRAX Vol. 1 is the first instalment of bootleg mixes made from his  collection of video game and anime OST’s. 
What it sounds like to be in JOLs living room.

HR022 - Cassette release on September 27th

Jesse Osborne-Lanthier - RNG TRAX Vol.1 - Side B

With mimikry, his new release on the Intl’ Winners Collective label, treibgut aka Fabian Lanzmaier is refining his work on amorphous sounds. A maze into surreal surroundings of organic structures in constant movement and disruption. Sounds bend until they breach, metallic timbres alter between percussive and tonal, forming musical gestures that fuse together, shaping narrative-like compositions. 

Against any style Lanzmaier uses electroacoustic tactics and physical modeling to blur the listeners perception of closeness and distance, tension and looseness.

https://soundcloud.com/fabian-lanzmaier
https://soundcloud.com/international-winners

Premiere: Treibgut - Through The Window [International Winners]

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Re Munus

Buy DL/LP

Lugh - Irony, Chastity, Obedience

bela - 15/09/2020

If Yes

[Info]
https://soundcloud.com/wimdehaen
https://genot.bandcamp.com/

[TrackList]
all the sounds are from voyager golden record https://nl.wikipedia.org/wiki/Voyager_Golden_Record

That Place 11 - wim dehaen

Part of the extended program for "Left Futures" hosted by Bas Fisher Invitational, Jan. 28th - Mar. 12 of 2021, in Miami, FL.

"After Geoengineering: Climate Tragedy, Repair and Restoration" by Holly Jean Buck. Verso, 2019

Music by: "Starseed Junglist Anthem" by DJ Umberto Ecco 2k

Left Futures is a part of  WATERPROOF MIAMI in partnership with the Bridge Initiative, check basfisherinvitational.com, waterproofMIA.com or bridgeinitiative.org for more info.

The exhibition and conversation is generously supported in part by a Knight Arts Challenge grant from the John S. and James L. Knight Foundation, and with the support of the Andy Warhol Foundation, the Department of State, Division of Cultural Affairs, the Florida Council of Arts and Culture and the State of Florida, The Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners, and the Cowles Charitable Trust. Our exhibition space has been made possible with the generous support of Miami Design District.

Climate-Fiction w/ Holly Jean Buck

Permanent Melody™

"☆ ☆ ☆ ☆ ☆" 
– The New York Review of uhhh

If Yes

John Object 3

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