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Yikii - Crimson Poem 深紅之詩
Cat. Nr: DN020
Format: LP (marbled) / DL
Release Date: October 1st, 2021
Buy / stream: dansenoire.ffm.to/Yikii

Yikii’s Crimson Poem 深紅之詩 exists at the foggy threshold where dreams become nightmares. The Changchun-based Chinese producer has released over 20 albums and mini-albums in her relatively short career, but none of them resonate with the same trembling intensity as this latest LP. “It’s the closest to the colour and atmosphere of the new world I imagined, compared to the previous albums,” says Yikii about the relative completeness of what could be described as her first proper full-length. It takes its cue from a particular interest in linear time, where Yikii asks, "if we can meet with the wonders of this world, will there be a new beginning in the next, or will it all fall apart?"

Crimson Poem 深紅之詩 consistently plays with this tension. There’s the rising dread of a hollow hand drum and other traditional instruments knocking up against each other, before they swell into waves of rising choral patches and layered, off-tune chanting on “Five Layers Of Crimson Snow 五重絳雪”. Then there’s the lonely piano and flute that weaves through its own resonance before exploding into noise and dissonance on “Phantasmagoria! 千燈幻景”. These, along with the drunken waltz to close “Liminal Space 虛與實”, echo the eerie fade of a psychological horror.

Inspired by ambient, gabber and post-club; contemporary composition, avant-pop and nursery rhymes, Crimson Poem 深紅之詩 is Yikii’s most complete manifestation of her ongoing creative focus on “sadness and despair in hazy beauty". It’s the surreal sound of a kind of trance-like, in-between state, a hypnagogia that’s not to be confused with the washy psychedelia of ‘hypnagogic pop’. The music here is instead detailed and intentional, with a dark-light chiaroscuro created by the shadows of a haunted gothic. “They are always one step ahead of others in digging deeper into the spiritual realm,” Yikii explains, citing dark fantasy games like Fatal Frame, Fran Bow, and Little Misfortune as aesthetic inspirations.

Initially intended to be an album of mainly microtonal music and special tunings, Crimson Poem 深紅之詩 has become more of an exercise in world-building rather than straight up music making. There’s an anxious beauty here, where destructive noise meets delicate atmospheres that build and bloom. “I want to create my own world through music and drawings, which exists in a separate time and space, and if I leave, you can still feel my existence through them. From there you can experience a whole world that is alive.”

Mastered by Rashad Becker
Photography by Yikii, design by Niels Wehrspann

@yikii

Crimson Poem 深紅之詩

Yikii - -47 °C

https://hkcr.live/shows/dahjyn-ft-violence-01-10-2021

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"I see faces in the Mud"

Mix: Yvu & Gustavo Siqueira 
Master: Gustavo Siqueira (SF Studio)

Artwork: Yan Higa

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An album written during 2016-2017, released in 2021.

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Heaven Junk once shined like a beacon of light. Sat in the center of a sprawling desolate plain known as The Barren, the structure was built out of desperation and a collective longing for something new. The haven was something meant to conjure a sense of hope, hope in a future that seemed nonexistent before.

The terra surrounding The Barren hadn't existed for sometime. It had been engulfed by the blistering threat that Heaven Junk was built to repel, a noxious sea of matter cascading across the earth, bound to encompass everything. The matter seemed destined to claim and engulf the planet like a virus.

Junk's populace had lost their ability to dream, to see potential in others and themselves before finding residence in the space. These abilities still waned in and out over time, a trend that drew collective concern. Members constantly found themselves just short of breakthroughs. Hope came in waves.

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Written, recorded, & mastered by Kid Smpl
Recorded in San Francisco, California from December 2016 to November 2017
Artwork & layout by Joey Butler aka Kid Smpl

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twitter.com/KidSmpl
soundcloud.com/kidsmpl
soundcloud.com/otherchannelslabel

Heaven Junk

Digital & Cassette

Hope Illuminator

Shenzi Predatora est l'une des multiples facettes de Jules, artiste autrice, performeuse et auto-éditrice. Pour cet épisode de Looking For, Shenzi choisit et dissémine des souvenirs de vive voix, des hommages à des fictions enfantes et pré-adolescentes et des extraits de ses textes. Le tout se distille entre fantômes pop, rythmiques de l'obscur à la douceur, nappes émotionnelles et habitées de récits.

Looking For #28 w/ Shenzi Predatora

Los Angeles duo Xen Model provides three tracks that incorporate playful, intricate programming within an effective rhythmic foundation. At every turn are new textures and micro-edits that come together to form engaging and beautifully balanced soundscapes.

Produced by Xen Model (@xenmodel)
Mastered by Xen Model
Cover art by Bruno Lauzon Tanzi
Words by Holden Carroll 

Releases Friday April 22nd, 2022.

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