Dreamz

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One Synth Challenge #188: Six-Traq by Full Bucket Music

OSC One Synth Challenge

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

Made with 11 x Sinmad synth  [https://nusofting.com/plugins/sinmad-synth]

DAW: Ableton Live : Ableton FXs: Delays, Reverb, Compressor, Equalizers
+ BeatSkillz Max 1

OSC 155

Sinmad The Shamest

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

DAW: Cubase 11 Pro
19 instances of Synister
19 instances of Valhalla Supermassive
Some Cubase native AutoPan, EQ and Compression

Synister - Winter In Berlin

My submission for OSC156, the One Synth Challenge for Februrary 2022.
All of the sounds were created out of the Synister synth by QUL at the University of Berlin.

This track was made with Reaper on Linux.
There are 17 instances of the Synister.

Ritual [OSC156]

KVR OSC 184
Reaper 6.83
20 instances
The organ patch near the end was made by Viroo. 
ReaLimit, Raum, Replica, ReEQ, LoudMax

Not really looking for comments this time though if you really want, feel free. 

OSC184 Missed (Tonez 21/32)

YouTube version has better streaming quality: https://youtu.be/ojxE-rMtfOI

Check out other music:

Danger Zone: https://youtu.be/cHsQFK1FK7E
Dystopia Today: https://youtu.be/EYnCzPoYtKo
Inevitable Progress: https://youtu.be/-Ty6KR55HXg
Mainframe: https://youtu.be/SUqTBtzuf2s
Horizon Drive: https://youtu.be/Us2tciU2ToM

Submission for One Synth Challenge #184 featuring "ToneZ" synthesizer: https://sites.google.com/site/kvrosc/2024/osc-184-tonez-v2?authuser=0

24 instances used to create a track.

This is mostly an experimental project to test my new audio interface. I wanted to make a really loud mix and master for a long time and it seems to be the right opportunity. The synth itself has a good sound with interesting possibilities, but it's very off putting in technical terms (very high CPU load, very long project loading time, frequent crashes etc.).

This instrument is really capable of abrasive overdriven tones, so I decided to make a darksynth track with a bit of acid techno influence.

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt
Patreon: https://www.patreon.com/posts/all-gunz-blazing-107141518

All Gunz Blazing

All Gunz Blazing (OSC#184)

DAW: Reaper (preview)
12 instances of Tone Z 2 by Retornz

1 instance each of:
Oril River Reverb
Rea Comp compression
Airwindows Cliponly2

Purchasingly - In The Night

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

My submission for the KVR One Synth Challenge #184.
All sounds created from init using free ToneZ synth vsti.

Boopety Doopety (OSC 184 - ToneZ)

My submission for the OSC187 competition using only the Extrabold synth

Johnkhf_Day and Night

OSC#188: FullBucket's "SixTraq"

Instances: 30
DAW: MuLab (www.mutools.com)
FX: Panagement 2, Loudmax, OTT, Frontier, A1StereoControl, TDR-Nova,-SlickEQ, Deelay, RoomReverb, Supermassive, OvertoneEQ

Taron - Sixy [SixTraq]

As I think of my 14-year-old daughter, I go back to my own childhood. To my dusty, dimly lit room where I had a small synthesiser and an echo machine on some sort of an altar. I go back to my hopes and fears, my expectations, my goals, my beliefs and my love for music. Often too little time to make my own music because I couldn't stop listening to Bach, TD, Klaus Schulze, Jarre, Vangelis, Pink Floyd and Todd Rundgren.

I recognise so much in her. My beautiful 14-year-old daughter with all her hopes and fears and her love for music.

Synth: 34 instances of Six-Traq by Full Bucket
DAW: REAPER v 7.24
FX: Spring-Box and Echo Cycles, Panagement 2, Room Reverb, Deelay, SuperMassive and Tempo Delay by Voxengo. Graphic EQ, Marvel GEQ, Frank CS, Stereo Touch, A1StereoControl, TDR Nova and Limiter no6

A Quattordici Anni  (OSC #188)

Hit em style: 212 BMP, 5/4 time signature. 
https://x.com/DDDrewDaniel/status/1817910903557570569

All sounds 38 instances of Full Bucket Six Traq in Ableton Live.

TDR Nova, Kotelnikov, Molotok, Brainworx Master Deck Classic, LoudMax, Valhalla Super Massive, and Ableton plugins.

Infernal Combustion Engine (OSC 188 Six Traq)

My contribution to the OSC188
A bit 70's Pink Floyd

Johnkhf Time

Entry for the KVR One Synth Challenge 188 using only SixTraq by Full Bucket. No samples were used here

28 Instances of SixTraq

DAW: Renoise 3.4.4
Internal Effects: Compressor, Digital Filter, Analog Filter, mpReverb, EQ5, Stereo X
3rd Party: TDR Nova, Solaris, kHs Compressor, ValhallaSuperMassive, kHs Trance Gate, kHs Transient Sharper, jb Broadcast, Limiter6, TB GonioMeter

OSC 187

SixTraq Forest (OSC 188)

Jas wasn't alone this month cooking some hit em (5/4 time, 212bpm). I think the proposed style is better with a wash of breakbeats and distortion, but I did my best given the synth at hand. It was tough. I struggled with making a spread of decent percussions so I had to keep em mostly foundational. Please enjoy the weirdness!

SixTraq was strange to use as a vst. It took a while to get my head around the point of the workflow- likely audibly so. I mostly ignored the agonizingly hardwarelike arp/record layer functions and kept it mostly like a layered polysynth. But, it has quirks, kind of like a misshapen cousin of the Prophet 600. Props to Full Bucket for having the interest and persistence (and patience) to wrangle the code for such a thing. Also I didn't really have any bugs except for the undo thing.

-24 instances of Full Bucket's SixTraq in FL Studio.
-Mixed with Variety of Sound Plugins (BootEQ, Density, ThrillseekerVBL, TesslaSE, epicPlate, NastyDLA) and a smidge of OTT on the master for good luck.

Apophenia [One Synth Challenge 188: SixTraq]

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

Track made for OSC190, in this challenge all sounds are created using the free version of Vital from Matt Tytel

OSC190_Hope

My submission for OSC192 using Six Sines Synth by BaconPaul  Inspired by oriental music

Johnkhf Time

JohnvanderLugt