Dreamz

My Favs II

OSC One Synth Challenge

One Synth Challenge #194: Monolit by BLEASS

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

Made with 11 x Sinmad synth  [https://nusofting.com/plugins/sinmad-synth]

DAW: Ableton Live : Ableton FXs: Delays, Reverb, Compressor, Equalizers
+ BeatSkillz Max 1

OSC 155

Sinmad The Shamest

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

DAW: Cubase 11 Pro
19 instances of Synister
19 instances of Valhalla Supermassive
Some Cubase native AutoPan, EQ and Compression

Synister - Winter In Berlin

My submission for OSC156, the One Synth Challenge for Februrary 2022.
All of the sounds were created out of the Synister synth by QUL at the University of Berlin.

This track was made with Reaper on Linux.
There are 17 instances of the Synister.

Ritual [OSC156]

KVR OSC 184
Reaper 6.83
20 instances
The organ patch near the end was made by Viroo. 
ReaLimit, Raum, Replica, ReEQ, LoudMax

Not really looking for comments this time though if you really want, feel free. 

OSC184 Missed (Tonez 21/32)

DAW: Reaper (preview)
12 instances of Tone Z 2 by Retornz

1 instance each of:
Oril River Reverb
Rea Comp compression
Airwindows Cliponly2

Purchasingly - In The Night

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

That´s my entry for One Synth Challenge  #184: ToneZ 2 by Retornz

DAW: Studio One 6.6.1
Synth: 21x ToneZ 2

Studio One FX: 4x Beat Delay, 3x Room Reverb, 4x Ampire, 2x Compressor, Splitter, BitCrusher, 2x RedlightDist, 2x ProEQ, AutoFilter
3rd Party FX: 2x BussColors464(AirWindows), 2x AutoPan64(AirWindows), BiquadTrible64(AirWindows), 2x Mix Space, XBandpass64(AirWindows), 2x ButterComp64(AirWindows), BassDrive64(AirWindows)

Unfinished

Unfinished - Juergenk KVR One Synth Challenge  #184 ToneZ 2 By Retornz

My submission for the KVR One Synth Challenge #184.
All sounds created from init using free ToneZ synth vsti.

Boopety Doopety (OSC 184 - ToneZ)

My submission for the OSC187 competition using only the Extrabold synth

Johnkhf_Day and Night

My contribution to the OSC188
A bit 70's Pink Floyd

Johnkhf Time

Atmospheres from Tibet with an Ambient sounscapes and heavy percussion.
Created with Myth 1.5 synthesizer from Dawesome

Tibet OSC189

Track made for OSC190, in this challenge all sounds are created using the free version of Vital from Matt Tytel

OSC190_Hope

My submission for OSC192 using Six Sines Synth by BaconPaul  Inspired by oriental music

Bedouin Dreams OSC192

johnkhf - Short Circuit Shuffle OSC194

Comment whatever you like.

OSC 194 Monolit
Reaper 7.3 35ish instances
ReEQ, ReaLimit, Supermassive Valhalla, Raum, JS velocity and humanizer randomizer, JS: Saturation, LoudMax.

OSC194 Victimless Crime (Monolit 18/27)

Made for OSC#194

19 instances of Monolit synth

FX:
kHs Filter
kHs Clipper
kHs Transient Shaper
kHs 3-Band EQ
kHs Reverb
TAL-Reverb 4
kHs Compressor
kHs Haas
kHs Dual Delay
epicPLATE mkII
Limiter6
DAW: Renoise

finished: 7.04.2025, updated a little later


PeterBPL - Short-necked Giraffe on a Road Trip

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

johnkhf - Short Circuit Shuffle OSC194

JohnvanderLugt