Sweet treats w/ DJ Baklava | Noods Radio | 21/04/2021

Self-released track
Production, vocals, words : Sainte Marina

-In the presence of the Sun, I feel dry ;
"Appeared like muses, in the night of Destiny" (Khalil Gibran)

Destiny - Sainte Marina

Heavenly Zion – Songs of Eternity - Dance of the Cherubim

Terra Silvis Operire 

Step by step I crept upon a greener ground
looked around for urban sights or city lights fight the urge to search for words of hurt familiar words I heard in broken towns that had I found I wondered how the place I left behind had kept a space inside my mind

despite the time, despite that I’m not in the city anymore the door I thought was shut for sure inside my head was cracked instead I nearly turned my back but then a man was standing next me I heard a word as sure as death said with soft sincerity

you’re inside the Forest now so go and feel the forest floor these parts are for the hearts that mourn and grieve, the green for those In need the trees and everything was made specifically to be a place of peace a place pause and a place of calm as you go along you way”

fin-ally my feet were free to run and roam home that now I know a woods he shown where grass was grown and where the wind is only blown a gentle breeze between the trees 
A softer green and subtle glow 
A momentary peace I get to know when I’m in forest


You can feel the air 
Begging for you to stop dead in your tears
It whispers, but you sing 
You can feel the air 
Tearing at the skin of your ears 
Addicted to the sting 

It whispers but you sing 
As you run in forest

Cover all the lands in forest
Cover all I am in forest

In Forest

Go follow me on all my social networks!! linktr.ee/Djukwn?utm_source=li…21-936c-fd1ce4ad3c86

where have you been - dj ukwn edit

https://www.rtve.es/alacarta/audios/paralelo3/paralelo-3-284-rhythm-section-mix-ikram-bouloum-01-05-20/5568419/

Paralelo 3 - #284 Rhythm Section + Mix Ikram Bouloum - 01/05/20 01 may 2020

Dreamcycles - Future Lights and Archetypes

sitequeeste.bandcamp.com/album/future…d-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Playing with the Concrete

@spa_recordings will release a new EP by Swiss producer @beliawinnewisser. We already got a hold of “Useless”, the release’s last track and are premiering it here. In addtion, you can find some more words on Winnewisser here: https://www.zweikommasieben.ch/en/pre-listen-belia-winnewissers-useless/

Pre-Listen: Belia Winnewisser - Useless (SPA)

Schumacher Vol.6 with Zeta Lys

@accessdevice nace como necesidad de crear algo real en un contexto inconcluso. El mix número #39 de JOIA Sound System presenta 50 minutos de sonidos etéreos y ritmos poco definidos pero al mismo tiempo muy orgánicos: todas las canciones evocan un sentimiento hipnótico e introspectivo.  “Un sentimiento con el cual vengo a reencontrarme ya de forma definitiva en mis próximos trabajos después de haberlo dejado de lado un tiempo”.

Mixtape #39 - Access Device

JOIA SOUND SYSTEM