The Core Battle of the Dinosaurs

2nd quarter of the album and titled for Ellesmere Island (see my map), it describes the hard final stage of the expedition to the 'Arctica Point', and first effects felt when getting closer, for example odd rhythms ;)

Translated lyrics explain it with more detail, again:

ELLESMERE (AVANZANDO EN EL HIELO)  /  ELLESMERE (MOVING FORWARD ON THE POLAR ICE)

Avanzando en el hielo polar,  /  Moving forward on the polar ice,
mi trineo se desliza hacia ese lugar…  /  my sleigh slides towards that place…
… aunque mi brújula loca está  /  … although my compass is crazy
desde más de cien kilómetros atrás.  /  from more than a hundred kilometers behind.

El sol me guiará,  /  The sun will guide me,
mi corazón me guiará.  /  my heart will guide me.
La aurora boreal me guiará.  /  Aurora borealis will guide me.

Los vientos polares me llevarán,  /  The polar winds will carry me,
los terribles vientos polares me empujarán.  /  the terrible polar winds will push me.
No tiene pérdida el lugar  /  There’s no missing to the place
donde se producen todas las singularidades físicas.  /  where all physical singularities happen.

Avanzando en el hielo polar,  /  Moving forward on the polar ice,
mi trineo se guía solo hacia ese lugar  /  my sleigh guides itself towards that place
y aunque mis perros no lo saben,  /  and though my dogs don’t know it,
esta brújula no cesa de girar.  /  this compass doesn’t stop spinning.

Voy cada vez más deprisa  /  I go faster and faster
arrastrado por mis perros,  /  dragged by my dogs,
acelero, voy cayendo…  /  I accelerate, I’m falling…

Cerca del Punto Ártica  /  Close to the Arctica Point
el tiempo empieza a correr.  /  time starts to run.
Cerca del Punto Ártica  /  Close to the Arctica Point
dejo de envejecer, ¡dejo de envejecer!  /  I stop getting old, I stop getting old!

ER34 PA02 RUIZZO ©1996 ®2019

Ellesmere (Avanzando en el hielo)

Run Away
Music and Bass Paploviante 2019
Vocals and Lyrics: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Run Away - Paploviante 🏃🏃🏃

ALL THE SAME GAME
Vocals: LOU6 - Ian Greaves
https://soundcloud.com/lou6-224024339/vocal-88-bpm-the-game-deconstructed
https://soundcloud.com/ipg1
Music, Arrangement and Production: Lillithe

ALL THE SAME GAME   LOU6 / Lillithe

Oh Frenchie’s got the moves and he made them up
Smooth and obtuse like some plastic Sphinx
He’s destine to be blessed as a golden mut 
Seen on the scene as mean and cruel
God help see what is true

Now he don’t want to be dismissed as blue
Baby what has this got
To do with you
Well I don’t know come on 
Let’s go

Oh Frenchie likes his fries in a paper cup
With ketchup on the side and a soda drink
He dreams that some day hey he might make the cut
And find his behind seated in a seat
That’s plush enough to pleat

Now he don’t want to be dismissed as blue
Baby what has this got
To do with you
Well I do not know come on 
Let’s go

Oh Frenchie likes to lie with the fancy chicks
But man that gets hard with each passing year
Catastrophe is looming should he miss a trick
As slick as he’s thick that day won’t come soon
So don’t throw bricks just yet

Now he don’t want to be dismissed as blue
Baby what has this got
To do with you
Why would I know come on 
Let’s go

Frenchie

I think this track started 2 years ago. I remember talking about the vision with Jamie on the phone and then Jamie sent me a bunch of stems to choose from. I chose the standing bass and recorded my verse with a 90’s vibe in mind. I sent the track over to Russell to add some guitars, he sent that funk rock intro and riff back, and then I don’t know what happened after that? A bunch of other songs got made and the vision for this track expanded to include cutting my second verse and bringing Jon Lock in on vocals. Then the song sat again. Jon and I even started and completed And So You Say and Training Day after we had already got this song started. Since this track was visioned to be part of the first song on the set with Training Day, eventually it had to be completed. Wou-Wou then join in with his synths, rhythm guitar over Jon’s part, and some additional guitar over the first section. This gave the track the final fire it needed and Russell mixed and mastered it like a champ!

As always, massive thanks to Wou-Wou and Russell who have been regular collaborators on so many projects, on SoundCloud, Facebook, and Bandcamp. Wou and Russell will always be the core of my musical team. Thanks for being great friends! 
Big thanks also to Jon, who I have worked with on 3 songs now, with 2 more in the works already! 
And thanks to Jamie for all his patience, support, and for the completion of our second project together!   

This song goes out to all the music nerds, appreciators, and lovers with strong opinions. Keep those conversations going. I spent many, many years, going to the record store several times a week, hanging and talking with the staff, some who became good friends. 

Jamie Rhind: Standing Bass 
https://soundcloud.com/jamie-rhind
Jon Lock: Lyrics and Vocals
https://soundcloud.com/jon-lock-5
Wou-Wou & the Wormling: Guitar and Synths
https://soundcloud.com/wouwouandthewormling
Russell Sinfield: Guitar, Mixing and Mastering
https://soundcloud.com/russell-sinfield
Couch King: Lyrics, Vocals, Production, and Art

Lyrics 

Everything changes 
Nothing stays the same 
I used to hate it when my people would say it's a shame 
Stating that the games gone lame 
Claiming that today the music is wack 
At times I would refrain and take a step back
But most of the time I would counter attack 
Back in the day, we would say, Clever repartee 
When we were clowning around 
But now a days we taking the things a bit more serious 
Or maybe it's just me, see 
I ain't playing around as much as I used to be 
Conversations at a minimal 
It's not that I'm more critical or cynical 
It's that I am a more apathetic individual
I  just don't care 
Call me hypocritical 
I be like that's fair 
Yo
What happened to all the innovators, rhyme slayers, originality generators
You know
There really all still there
Back in the days we had to dig in the crates
Looking for the lessor known greats
I guess that's still the way it operates 
Hates a narrow minded state 
And It take effort to educate
So 
I’ma stay open and keep on diggin’ 
Vibin' on the sounds that I be hearin’ 
Yea 
And you know it's like that 
And you know and you know and you know it's like that 
Keep keep on, keep keep on
keep keep keep on

And you know it’s like that

Here comes the backup plan
The man without a name
Don’t want to be no star
Just musical acclaim 
Brush back those famous hats like children in the street
I’m gonna sing a bit while Couch King cracks the beat
Whoa baby now shake
Like momma told you now
Whoa baby now shake
Like this was made for
This is a slice of funk
USDA prime
Let it get to your head
You will feel fine
Poetry in motion
Images in time
Back beats and refined commotion 
Aged like fine wine 

Any you know it’s like that

Jamie Rhind, Jon Lock, Wou-Wou, Russell & the Couch King - You Know (It's Like That)

I'm a conceptual musical artist but the concepts are vague and I'm not willing to explain them.

Frenchie

jon lock