Very awesome 80s vibes. Fantastic arrangement 😊🎶👏

Jonas Brogren: keyboards and production
Jacob Brogren: tenor and alto saxophones
Karl Hugosson: guitar

1987

Stay Cool in a hot summer

Organ, various Zebra instruments and soloing: Feddo Westra
Drums, Bass, Piano, Synths, Trumpet, Guitar and production: Peter Hofland

Artwork: Trent Parke, Television On, 2007

Cool

Mostly instrumental lo-fi Jazz ultimate chillout

Lorem Ipsum

Here for your enjoyment is the third and final track in the Alice Trilogy.
Part Three:
A whole variety of films and television programmes have been based on Alice's Adventures in Wonderland (1865) and its sequel, Through the Looking-Glass and What Alice Found There (1871). The first film ever made was in the UK in 1903. It was a silent live-action short. The United States quickly followed and became prolific with Alice productions. A certain Walt Disney directed a series of silent animated live-action shorts from 1923 to 1927. Over the years, films have been produced in Australia, Brazil, the Czech Republic, France, Germany, Italy, Ireland, Japan and the USSR. 
Trivia: The character of the “Mad Hatter" is thought to have been inspired by the phrase "mad as a hatter." It refers to mercury poisoning in hatmakers during the Victorian era (traces of arsenic have also been discovered). Another theory was of an eccentric furniture dealer in Oxford named Theophilus Carter. Carter's flamboyant style and the use of mercury in hat-making during that time add further intrigue to the Mad Hatter’s origin. 
finally…
Charles spent his final years in Guildford, Surrey. He died there on 14th January 1898, aged 65 years. In 1982, a memorial stone dedicated to him was unveiled in Poet’s Corner in London’s Westminster Abbey.


Alice Trilogy

Alice No. 03 (Trilogy)

“FRAGMEON” is a sonic journey through the edges of memory and interference.

Built on glitch textures, lo-fi field ambience, and deep stereo drift, this track blurs the line between machine and emotion.

With a slow-moving tempo (~68 BPM) and rooted in a minor tonal space, it floats across tape-warped pads, broken loops, and low-bit echoes — inviting introspection within noise.

Genre: Ambient Glitch / Post-Electronic / Experimental Lo-Fi
Instruments: Grainy analog synths, filtered tape hiss, stereo-dispersed glitch layers
Recommended For: headphone sessions, visual sound design, introspective playlists

FRAGMEON

DNA (feat: Michel Custine)

A Time And Place

guy comes to terms with how he squandered his life yet has no regrets 

Slimeball

This composition was first set to a more aggressive style with the Comanche as a basis for a Prelude for Orchestra.  With some help from Suno.com and work in the studio it is now rearranged to an interesting compromise with a merging of the thematic material transported and reformulated.  Jazz elements deliver an interesting interplay with the Western native American themes (why not?). The Rocky Mountains were called the Shining Mountains by the Ute (an Indigenous people of the Great Basin and Colorado Plateau in present-day Utah, western Colorado, and northern New Mexico., U.S.A.). 

Visions of the Shining Mountains

Lately, as I near the end, I dream of business issues. Starting a new job. Improving productivity. Getting the big sale. Landing a deal. Getting stabbed in the back by your boss. Being targeted for elimination because you're old or your salary is above average. In these dreams, co-workers interview me to find holes on my capabilities. To trip me up. They do not share information. The American Dream.

The American Dream

Год подходит к концу, и Литва будто бы стоит на перекрёстке. С одной стороны успехи, которыми можно гордиться: экономика не рухнула, границы защищены, зарплаты растут пусть и неравномерно. С другой - растущее чувство тревоги, будто под этой видимой устойчивостью есть усталость, раздражение и недоверие.
К власти, к институтам, иногда даже друг к другу.
Каждая неделя приносит новый сюжет, небольшой, почти локальный, но в них, как в кусочках мозаики, складывается картина времени.
Они не про катастрофу, а про постоянное напряжение, про страну, которая ищет баланс между скоростью и осторожностью.

S4E17: Финал сезона. Финал года.

Credits:
Jonas Brogren - keyboards, compositions & production
Karl Hugosson - bass & guitars
Maria Grunditz - vocals
Jacob Brogren - saxes, flute, clarinet, bass, horn arrangements
Erik Salomonsson - flute
Magnus Brogren - drums & percussion
Mauritz Petersson - drums
Cecilia Odlind - photo
Jens Fredholm - guitar
Dan Boissy - saxes
Gergo Bille - trumpet
Alice Odlind - trumpet
Luke Markham - drums
Hadrien Feraud - bass
Gergo Borlai - drums
Sergio Wagner - trumpet
Hiro Sakaba - bass

1987

Jonas Brogren

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