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free download:
http://sparkalaska.bandcamp.com/track/hidden-edelweiss-2

Hidden Edelweiss

I Fell In Love Circa 1940

You're like a rebel on a wire
You're gonna fight them till your bleeding
Your like a voice through the sirens
They're gonna miss you when you leave them

And I thought I was a loner, a stoner
But nothing's gonna bring her back
And everyone says it's the radio radio

And we might have been together, forever
And now she's just a heart attack
And everyone says it's the radio radio

You're gonna hit them with your best shot
You're like, I hardly ever miss hun
You say you wanna start a fire
They're gonna miss you when it's all done

And I thought I was a loner, a stoner
But nothing's gonna bring her back
And everyone says it's the radio radio

And we might have been together, forever
And now she's just a heart attack
And everyone says it's the radio radio

And I'm never gonna give it away
Whatever they say whatever they say
no I'm never gonna give it away
I'm keeping it safe, keeping it safe for you

And I thought I was a loner, a stoner, a roller
And I thought I was a loner, a stoner, a roller
And we might have been together, forever
And now she's just a heart attack 
And everyone says it's the radio radio

And I thought I was a loner, a stoner
But nothing's gonna bring her back
And everyone says it's the radio radio




Royal

Radio

The Sound is available worldwide on iTunes: http://bit.ly/1hQfm4u

http://www.facebook.com/arielamusic


The Sound

'Definite Blue' is the latest release from solo, singer-songwriter Nicholas Costello. It is the title track of his upcoming EP "Definite Blue" to be launched early 2014. His sound lies somewhere between Folk, Alternative Rock, Indie Pop, Country and Blues. Check out https://www.facebook.com/nicholaslcostello for all the details of upcoming events, including the EP Launch!

Definite Blue

Broken Hearted

English Oceans (ATO Records)

US Release date: March 4, 2014
European release date: March 3, 2014

English Oceans, the 12th release by Athens, Georgia's Drive-By Truckers, is an elegantly balanced and deeply engaged new effort that finds the group refreshed and firing on all cylinders.

All but one of the collection's 13 new songs, written by singer-guitarists and co-founding members Patterson Hood and Mike Cooley, were recorded during 13 days of sessions in August 2013 with longtime producer David Barbe.

Six of the songs were the result of a burst of writing activity by Cooley.

"I had time to write," Cooley says. "After we came off the road last time, we decided we were going to let it rest for a while. So I had time to really focus. I kind of had to re-learn how to write, because I didn't write as many songs as I'd wanted on the last couple of records. I was happy with these songs, and thrilled to go in and record so many that I felt real strongly about."

Hood notes, "I don't think we've ever had a record where Cooley was as deeply involved in every aspect of the making of it as he was this time. With Cooley's writing, there's almost no precedent for it in our catalog. He came in with this stunning bunch of songs, full of this beautiful imagery."

Writing independently, Cooley and Hood penned songs that dovetailed brilliantly with each other. Hood says, "Every song on this record connects with another song. I noticed Cooley's got a line in 'Primer Coat' about 'apron strings,' and I have the exact same image in one of my songs, 'Hanging On.' It goes on and on and on like that on this record, and that's a pretty good sign for things, particularly given how different our temperaments are and our styles of writing are."

Cooley and Hood's brace of character-based songs depict a neatly interlocking gallery of relationships, often in dissolution and discord. The last song written and recorded for the album, Hood's rave-up "Pauline Hawkins," was based on a new novel by Willy Vlautin and penned after another of his compositions was scrapped.

Hood says, "There was such a balance between Cooley's songs and my songs that taking a song off the record would upset the balance a little bit. I liked the back-and-forth flow, like our shows tend to do. I got an advance copy of Willy's latest book, The Free. I've been a fan of his writing for a while. I read it in about three days. I finished it on Saturday, I wrote the song on Sunday, and then we cut it on Thursday and mastered the record on the following Monday. It sure makes it a better record."

DBT's ever-keen political edge can be seen in two songs on the release. Cooley's "Made Up English Oceans" derives from his interest in the career of Lee Atwater, the Republican operative who was active in the Reagan and Bush campaigns of the '80s. "He was the guy that Karl Rove and all of the modern dirty tricksters looked to – he was one of the granddaddies of it all. That song is from his point of view, fictionally of course. It's him making his pitch, telling what he understands about young, Southern men."

Hood says "The Part of Him" was inspired by the procession of scandals that plague the political world year after year. "It's about political assholery -- there's someone new playing that role every few months," he says. "As soon as we get rid of one of them, someone comes up and starts playing that part again."

Reflecting the renewed high level of collaboration between the band's two principals, English Oceans marks an unprecedented event: the recording of a Hood song, "Til He's Dead or Rises," with Cooley assuming the lead vocal.

Cooley says, "I remember Patterson was getting frustrated trying to sing it. He was doing fine, but it seemed like there was something he wanted to do that wasn't coming. I was in the control room thinking, 'I could probably sing this' -- though it wasn't like I was saying, 'Oh, I can sing this a lot better than that.' I was thinking, 'This sounds like something I could sing.' Right after that, he walks into the control room and says, 'You want to trying singing this? It sounds more like you than me.' I said, 'Yeah, I was just thinking that.'"

"Grand Canyon," the final song on the album, is an emotionally overwhelming elegy for Craig Lieske, a longtime member of DBT's touring family. The former manager of Athens' 40 Watt Club and a key player in the city's experimental music scene, Lieske died suddenly of a heart attack in January 2013 following the first night of the band's three-night homecoming stand in Athens. English Oceans is dedicated to him.

"I probably wrote it in 15 minutes," Hood says. "It wasn't any kind of a conscious thing. It's the most important song of mine on the record. I wrote new songs to go with it. It recalibrated something. It became a totally different record for me than the record I thought we were going to make."

The album was recorded with a compact, retooled lineup. Jay Gonzalez, who joined the band in 2008 as keyboardist, stepped into an expanded role by adding guitar to his duties, while bassist Matt Patton was drafted from the Tuscaloosa group The Dexateens. The unit was road-tested during dates in 2013.

Cooley says, "This lineup is so direct. It can go from this chainsaw rock 'n' roll to very delicate, pretty-sounding stuff. We wrote a lot of those kinds of songs, and this lineup got all of that well."

Hood agrees: "We recorded with a stripped-down lineup that gave things a more primal and immediate feel. It's a more turn-on-a-dime kind of thing, which suits these songs, and us as a band. It's a very tasteful group, and when it needs to be it can be a very big, powerful, over-the-top band, too, and it can go from one to the other seamlessly."

Looking at the accomplishments of English Oceans from the perspective of DBT's nearly three-decade history, both Cooley and Hood decline to hedge their bets on the quality of their latest work.

"You're always hesitant to say, 'Oh, this is the best record we've ever made,'" Cooley says, "because you always want to. And sometimes you say it, and sometimes you're right, and sometimes you think, 'Well, maybe I jumped the gun on that a little bit, I got excited.' But I think this just might be the best record we've ever made."

Hood concurs enthusiastically: "It's my favorite thing that we've ever done. I'm proud of our catalog – we always try to make as good a record as we can make. Sometimes things just work. This time, we made kind of a magical record. I've always felt that Decoration Day was our best record, and this is the first one that I think is a better record than that was. Every piece of the puzzle fit."

"Pauline Hawkins" by Drive-By Truckers

Produced by Tim Whitten. Recorded at BJB studios. 
Mixed by Peter Katis.




Wishingbone

Backside Grind appears on the 2007 Plan B release I'm The Captain, Where We Going?

Backside Grind

Someone Else

this song "stay for a while" was produced by my father Tom Bolger and written performed by myself. 

Stay for A WHILE

Two Of Us

THE NARCOLEPTIC DANCERS 'AGAIN & AGAIN'
TAKEN FROM THEIR DEBUT EP ‘NOT EVIDENT’ OUT NOVEMBER 8th 
VIA BLEEPMACHINE & CAPITAINE PLOUF

May we present you with The Narcoleptic Dancers, who are set to release their debut EP on November 8 2010 through Bleepmachine &  Capitaine Plouf.
The Narcoleptic Dancers are Anton Louis Jr and Melody Van Kappers, a Franco-Dutch duo, who are half brother and sister. Recently reconciled, destiny brought them together through their passion for music. A fresh pop folk act with a difference.  

They're currently working on their first album. It brings together the best of their childhood promise: pop songs and folk ballads, evidently, but not limited to that. There's also electro-pop and promenades with old-fashioned charm. Their influences range from The Moldy Peaches, Laura Veirs, The Breeders to Peter Bjorn & John with a little Grizzly Bear, Radiohead, Atlas Sound, and The B52's in-between





The Narcoleptic Dancers - Again And Again

'Recorded Songs' EP out now: https://atlanti.cr/recordedsongs

2017 tour dates on sale here: http://smarturl.it/FRShows

Follow Frightened Rabbit here: 
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Website: http://smarturl.it/FRWebsite

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Jonathan Baker-Brian