A set of tracks for Maqam Al-Saba. These tracks play different musical frames (Taqasim, Songs)  all on Maqam al Saba, to give you a flavour of this Maqam and its intervals and usage in the arabic music. 

Saba

Music

Just Oud

وموسيقى ...

mi mosica

Estrumantal

Oud taqsin ni maqam Iraq.

Limited to modulations and stylistic traits of court music from the 15th to 17th century, Timurid, Safavid and Ottoman. As found in the Ali Ufki (1610-1675) and Demetrius Cantemir (1673 -1723) notations and the early oral repertoire.

Iraq Oud Taqsim

Oud taqsim in maqam Saba Qadim (old saba)

Saba Qadim Oud Taqsim

India recorded in 2016 blend Indian instruments with exotoc female vocal and new age music textures,
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What on Earth

India

HD Download

Oud taqsim in maqam Buselik, based on the 16th / 17th century version of the maqam.

Buselik Oud Taqsim

Trio Joubran | Zawâj El Yamâm

Takasim Saba - Mohamed Aly -Violin >تقاسيم صبا - محمد علي - كمان

تقاسيم صبا + اذكورني يا رب.MP3

A composition of mine based on the Sirto dance form.
The first two Khanat (verses, sections) and Taslim (chorus, refrain) are in 2/4 and the last Khana in 7/8 (Dawr Turan).
The Sirto is a line dance.
'Syrtos is mentioned as a traditional Greek dance already in ancient Greece and the word derives from the Greek verb "σύρω" (surō), "to draw, to drag". The word syrtos has been borrowed as sirto for a couples dance from the Pirin region in Bulgaria, and is one of the most liked folk dances and music in Cyprus. However, it is easy to also observe the Turkish motives in the ones used in Cyprus. Ottoman sultans enjoyed this Greek music form and composed songs in that form.' (From Wikipedia).
This maqam was created by Hammamizade İsmail Dede Efendi (1778-1846), a Turkish Ottoman composer known as the 'Beethoven of Ottoman art music'.
The modulations are to Rast and Hijazkar Kurdi.


Nawa Athar Sirto Hall

Oud improvisation

Famous Iraqi piece in maqam Hijaz and another version of il-'Hilwa di.
The taqsim modulates to Saba.
Featuring the amazing percussionists Douglas Brush and Tim Sellers on darabukka and riqq. 


Hijaz Iraqi melody & il-Hilwa di

Dotar: Morteza Goudarzi
Kamanche: Hesam Inanlou
Album: Rahgozar

Seyr - Morteza Goudarzi & Hesam Inanlou

Recuerdos de la Alhambra  Francisco Tarrega

Carmen: Aragonesa

Carmen: Seguidilla

Sari Gelin<br>
Tar: Behzad Khodarahmi
Piano: Saman Ehteshami

Sari Gelin

IBRAHIM ŞEXO - Azadê Şirin

مــدام تحب بتنكر ليه
سولو كمان-أحمـــد الحفنــاوى


موسيقى مدام تحب بتنكر ليه-سولو كمان أحمد الحفناوى مع خماسى الحفناوى-مقام نهاوند-ألحان القصبجى

07- Trio Joubran- In The Shade of words

كمان حزين

Kamancheh solo : Habil Aliyev

Stranger - Joseph Tawadros

Dirni  fi balak Nina

Bent el chalabia

Mahmoud huna 2

Joseph Tawadros-Cafe Riche

Kayhan Kalhor : Shah Kaman
Ali Bahramifard : Bass Santour

Kayhan Kalhor & Ali Bahramifard | Where are you ?

للمَزيد من الإبْداع , عليكم بزيارتنا عبر الفيس بوك

نضرب ع وتر الأحساس بمعزوفات فوق القانون ~♥~
http://www.facebook.com/m3zofaty

دُمُوع كَمـانْ - ♥

يامو عزف كمان فرنسيس اسبنيولي yamo

Hassan Albadri - Improvisation on saba scale  حسن البدري - تقاسيم على مقام صبا

Inspired by the Afro-Arabic music of Sudan and Morocco, particularly the music of Abdel Gadir Salim and Slah Eddine Manaa.

Brian Prunka, oud, composition
Kenny Warren, trumpet
Nathan Herrera, alto sax
Apostolos Sideris, bass
George Mel: frame drum, brushes, cajon, ride cymbal (Mel)

Solos in order: Sideris (bass) Prunka (oud) and Warren/Herrera (trumpet/sax together) 

Khartoum

Bettaieb Hassine تقاسيم مقام صبا على الاورغ

Trio joubrane - Nawwâr

Bashraf Saba ' Sakil-I Kabir'
(16th Cent, Anon', Persian, Ottoman Period).
Rhythm Sakil - 48/8
Featuring Doug Brush on riqq.

Bashraf Saba

Bashraf in maqam Segah.
Rhythm Duyak -8/8.
Doug Brush on Darabuka and daire.

Saba Qadim Oud Taqsim

Jonathan Gemmill Oud & Nay NZ