Just writing and trying to survive the End day by day.

I am NO CARRIER, founding artist, Severus Records label www.severusrecords.com

I would love to work on videogame music one day.

Music is life.
CONNECT.

-------------------------------------

NO CARRIER, an electronic music experimentation project, traveling along the blurry lines of electronic music.

Started in late 2010 and has produced many tracks in less than a year. The project started out as a fork from two members of an alternative rock band that decided to use the studio hours to plug in laptops and make some noise.

NO CARRIER uses Audacity(r) the free, open source, cross-platform software for recording & editing sounds
http://audacity.sourceforge.net/

Equipment and Software:
Machines, Computers, Controllers. Audacity.

From Buenos Aires, Argentina.

Feel free to visit http://www.beatport.com/label/severus-records/43445 and http://www.beatport.com/artist/no-carrier/433989

I'm a musician and songwriter. I play bass, guitar, mandolin and harmonica. I also try to sing once and a while but even though I can usually be on key my lack of interesting timbre is a real hamper. With that said most of what I've put up here is for evaluation of the song itself. If you like it, I'm happy with that. If you don't, you didn't pay to here it (except in lost time) so please don't judge to harshly. 


Vicki Larnach Hare is a composer, song writer, music producer and playwright dedicated to creating works that entertain and inspire.
Vicki spent nine years adapting Good Omens, acclaimed novel by Neil Gaiman and Terry Pratchett, into a musical, gaining her and co writers Jay James Moody and Jim Hare the Australian rights to stage the coveted property.
She spent six years in Venezuela playing, recording and teaching music and touring as concert keyboard player for singer Maria Conchita Alonso.
As a solo artist, Vicki’s chill out albums Lumia, Gardens In The Snow, Levitate, and children’s album, Leave It To Us are streamed and downloaded worldwide.
Her fascination for audio drama began when she produced, narrated and composed a soundtrack for audiobook ‘Why Women Weep’ by Marie Gai Oberlander. 
She has since workshopped online The Water Code, her original Australian historic fantasy play with music, and during 2021-2023 Vicki wrote a quirky new musical podcast style drama called Tickets Please, currently in development. 
A recipient of an Australia Council for the Arts grant for Good Omens the Musical (2017) and APRA AMCOS Creative Recovery Grant (2020) for The Water Code.  Stephen Schwartz (Wicked, Pippin) has described Vicki’s work as “original and exciting for the listener”. 

LINKS TO WORKS
Good Omens Musical: https://www.goodomensthemusical.com
iTunes: https://tinyurl.com/y4zp5da5
Podcast: #4 Meet Vicki Larnach: From Inspiration To Stage https://tinyurl.com/tbf3896r
The Water Code: https://youtu.be/DRbicnjsxPU
Ticket’s Please (formerly Train Land) Medley:  https://tinyurl.com/mr264xz3
Contact: Email: vickilarnach@gmail.com

Take equal parts melody from Tom Petty, The Beatles, Third Eye Blind, and mix in the guitar stylings of greats like Eddie Van Halen, Eric Clapton (the inspiration for the album title), Ty Tabor, and Steve Vai, and you might start to come close to describing Curt’s music. A musician from the American south, Curt Granger cut his teeth on the classic bands of the 70′s and 80′s such as Boston, KISS, Aerosmith, Thin Lizzy, Van Halen, Journey, and King’s X.

Curt Granger has been a major player in the local Birmingham Alabama music scene for nearly 30 years. He began his professional music career in 1984, as a founding member and guitarist of the popular circuit band Pyrate. With this rowdy gang of rockers he logged thousands and thousands of miles on the road, performing over 600 shows all across the southeast. After taking a short hiatus as an active musician, Curt formed the alternative rock band Scream Sophie.

It was with Scream Sophie that he released two very well received CDs – “Offerings” in 2000, and “Secrets In A Jar” in 2003, and took the band on the road to perform hundreds of shows.In 2004 he worked a brief stint with the rock band Empty Fall, playing bass, writing, and producing. October 2004 found Curt forming the band Traumatide, with many subsequent shows and releasing the full-length CD “This Thing Called Life.
In 2007, Curt joined forces with some of his fellow golfing pals to form Citizen Jayne, playing lead guitar, contributing backing vocals, and singing lead on a few choices numbers, as well as handling the day-to-day business activities.

In 2010 he performed briefly with Defiant Angel, which contained former members of Citizen Jayne.

In 2011 he joined Voodoo Jones and Mother Mercy, two local cover bands, adding many more live shows to his resume. Around this time he began performing more acoustic shows, both with fellow musicians such as Tracey Tucker, as well as solo.

In 2012 Curt was involved in many different projects. In addition to performing with Neon Samurai, he began playing lead guitar with The Wildflowers, a Tom Petty tribute band, as well as reuniting with former members of Empty Fall, playing bass again briefly, with King Zen.

In 2013, Curt formed a rock trio, Pluto’s Return, continues to perform in his ongoing acoustic project, Gringo Fife, and is a respected voice in the Birmingham music community.

Regarding the “420 Homegrown Avenue” album, Curt says, “That was something I've always longed to do, ever since I recorded my first overdub on an old Fostex 4-track. Not only the ‘total creative control’ aspect appealed to me, but the opportunity to wear multiple ‘hats’ and think outside the norm of how a guitar player usually thinks. I’m very fortunate that I could work on that album at home during breaks and downtown from my other projects. I’m very proud of it, to say the least.”

Jonathan Kobler is following