Dirty Jay

people i want to have a come up

"Crazy Mad Shit"

Beast In The Booth

WIND. full title_ he fell in luv wit a dedboi & matching tattoos in LA

TRACK 3. DEADBOI EP SIDE A
Prod. Did Rich Written. by me n minu

INTRO Antony

VERSE
Ehy ehy
Ehy yeah yeah
For real
Those motherfuckers are gonna die for real
And you'll remember my voice
When you're there on your bed
Sleepy sleeping, smoking slow
And roll up another blunt, my mane
Riding riding yeah
Goth boys on the ride
And niggas are gonna die tonight, my bad
I had to fool some Fallen Goth
I had to destroy some, Coast to coast bro
I had to fuck up some rappers dude
To conquer your nation my dude
My little baby boo
Yeah I'm coming back to the USA
With a vengeance baby
As I did on other continents, in other lifetimes baby
This is the return
Big masters on the move
And Jay Z is gonna die tonight, ah ah
Kanye West is gonna die tonight, ah ah
Tyler The Creator is gonna suffer, tonight, some shit
I don't really give a mane, yeah
You wanna kill me like... Stop
Pussy
Stupid asshole
I don't really give a name
I dont' really give a damn
About that fucking stupid asshole
Yeah, I'ma fucking kill them on the road, bro
Yeah, this is what they deserve
For what they did to Paris and in Israel
Motherfuckers on a rage, baby
Yeah, coming back from the afterlife baby
Yeah, I'm going to destroy your... stupid... plan?
Or whatever, I dont' really give a damn if you got some, brother
And dude? Fuck you

Ehy ehy
Ehy, yeah yeah
For real
Those motherfuckers are going to die for real
And you will remember my voice
When you're there on your bed
Sleepy sleeping, smoking slow
And roll up another blunt my mane
Riding riding, yeah
Goth boys on the ride
And niggas are going to die tonite, my bad
I had to fool some Fallen Goth
I had to diss tonight
I miss the coast bro
Yeah, slow
And roll up another blunt my mane
Yeah, goth boys on the ride
Glow
And roll up another blunt, my mane
Riding riding by these punk-...
Slow
And roll up another blunt my mane
Riding riding by these punk-ass...
Slow
And roll up another blunt my-...
Yeah, goth boys on the ride
Slow
Aw, roll up another blunt my mane
Riding riding by these punk cops
Yeah, goth boys on the ride
And niggas are going to die tonite, my-...
Slow
Aw, roll up another blunt my mane
Yeah, goth boys on the ride
Slow
Aw, roll up another blunt my mane
Riding riding by these punk-...
Slow
Aw, roll up another blunt my mane
Riding riding by these p-...
Slow
Aw, roll up an other blunt my m-...
Yeah

Goth boys on the ride

He fell in luv wit a dedboi (CARTERS/JAYZ/YE/TYLERTHECREATOR DISS) PROD DID RICH

DJSINJIN@outlook.com
www.instagram.com/DJSinjin/

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Midnight Movements

Buy Me

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

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