Beckenstein & Levinson

Flow

LOSING ONESELF IN QUIET NIGHT SHADOWS

Great song 8

New & hot: Folk & Singer-Songwriter

Daily Drops

Quiet: 26 Not so silent songs from the SoundCloud community

I am so lucky to have landed in such a great place on Soundcloud, surrounded so many by talented people from all over the place!  Here's where I store all the wonderful collaborations that I have participated in. Thank You SoundClouders!  I have ongoing collaborations with beSRK. You can find those here: https://soundcloud.com/j9bsrk.

Lucky to Be Here - My Soundcloud Collaborations

Janine: voice, lyrics, vocal melody, artwork https://soundcloud.com/janinelevinson

Jonathan: initial music, instruments, mix

This is humankind
This is humankind

You hear the word god
You hear the word profit
you hear the word bullet
and you find yourself exploding

And although it should be clear
You will make yourself a witness
And the dais is a pulpit
Oh! your reverence is showing

This is humankind
This is humankind

you hear the word them
you hear it from your prophets
you hear the word trigger
and you find yourself imploding

And although it’s antithetic
You will worship disagreement
At your church of unforgiveness
Oh! your reverence is showing

Do not fret your thumping heart
We are humankind
This is just the way things are
This is humankind

This is humankind

To know your opposition
Feels like a new narcotic
You rely on distribution
Your opinion is the tonic

And although it should be clear
You’ll forget that you were something
And the answers will be soothing
Aw your reverence is showing

This is humankind
This is humankind

You hear the word god
You hear the word profit
you hear the word bullet
and you find yourself exploding

And although it should be clear
You will make yourself a witness
And the dais is a pulpit
Oh! your reverence is showing

This is humankind
This is humankind

This is humankind
This is humankind
This is humankind
This is humankind

Humankind (with Janine Levinson)

Some of Us is Me

2022 Janine Levinson
Guitar: Jonathan Beckenstein  @jonathan_beckenstein
   
I’m sorry that I’m not somebody else    
I’m sorry if I let my people down
I didn’t ask for anybody’s help        
I’m sorry that I waited for this long

But it’s like trying to move your life ahead with a stranger at the wheel 
While trying very hard to get along

I’m sorry that I wrecked my lover’s heart
I hope he knows I wrecked my own heart too
I should have looked somewhere outside myself
I hope there’s room for me inside of you

Cause I’ve been trying to stand up straight when I am broken past repair
And still trying very hard to fix what’s wrong 

Some folks have got it made 
Frolicking in the shade of live oak tree
But some of us we don’t sing so loud, 
And we’re looking down
Some of us is me

I sometimes wish tomorrow wouldn’t come
But yesterday has problems of his own 
Next to you’s the only thing I’ve got
I wish I knew someplace where I belonged   

And I’ve been trying to stand up straight 
‘Cause I was thinking you might share--
And make my little world not feel so wrong

Some folks have got it made 
Frolicking in the shade of live oak tree
But some of us we don’t sing so loud, 
And we’re looking down
Some of us is me

Some Of Us Is Me - with Jonathan Beckenstein

I'm very glad to share this great piece, came through an intense step by step collaboration with Jowwwafi. It started by fitting one of my old poems to some chords he sent to me, then... well you'll get the best description by listening to it 5 or 6 times ;)
Feel free to check our previous collab https://soundcloud.com/jowwwafi/nowhere, and his whole cloud @Jowwwafi.

Letras / Lyrics

Escucho tu risa  /  I listen your laugh
y oigo tus pasos, espero.  /  and hear your steps, I wait.
Te miro, y al ver tu sonrisa,  /  I look at you, and seeing your smile,
no dudo, te quiero.  /  I don’t doubt, I love you.

La suave fragancia en tu cuerpo jovial,  /  The soft fragrance in your cheerful body,
llegó el amor, tu perfume me excita,  /  love came, your scent excites me,
tu cálido aroma, es primaveral,  /  your hot aroma, is from springtime,
y versos de amor sobre tí me recita.  /  and verses of love about you it recites me.

Tu risa sincera,  /  Your laugh is honest,
tu risa, hermosa,  /  your laugh, beautiful,
tus labios, preciosa,  /  your lips, precious,
hacen que te quiera;  /  they make me to love you;
si bien yo quisiera  /  Though I wanted
con ellos hacer otra cosa:  /  with them to do another thing:

¡Ay si yo pudiera  /  Ay if I could
besar, tan siquiera,  /  kiss, at least,
tan maravillosa,  /  so wonderful,
tu boca,  /  your mouth,
color de la rosa!  /  color of the rose!

©2014 JOWWWAFI & E-RUIZZO – ®2014 FRANCÉS RECORDS ;P

Tu boca, color de la rosa (with Jowwwafi)

Janine: voice, vocal melody, lyrics https://soundcloud.com/janinelevinson
Jonathan: initial music, instruments, mix

image: Janine Levinson

Let me be your remedy
I promise not to fail you
Let me be the remedy
For everything that ails you
 
I promise I will be as good
As any other remedy would
With the added benefit of being me
 
Let me be the antidote
To all your poison apples
Take a bite it don’t taste right  
I promise I’ll be able 
To save you from yourself
Spit out the seeds!
 
And if you say that you wanna
I can give you something other
I can be your lover
Open up and tip it over
 
If you come with me  
We can be carefree
Open up and tip it over
Open up and tip over
 
If you say that you wanna
I can give you something other
I can be your lover
Open up and tip it over
 
If you come with me  
We can be carefree
Open up and tip it over
Open up and tip over
 
Let me be your remedy
I promise not to fail you
Let me be the remedy
For everything that ails you
 
I promise I will be as good
As any other remedy would
With the added benefit of being 
 
I promise I will be as good
As any other remedy would 
With the benefit of being 
 
I promise I will be as good
I promise I will be good
I will

With the Benefit of Being Me (with Janine Levinson)

Retour aux Aiguilles de Port-Coton (piano)

Dollar General

Room With a View

Tempus Fugit

Inhumation

Allegaeon "Inhumation"

My old friend Strootman Pianomonster (will post soon on https://soundcloud.com/stroot-246138153) sent me some of his baroque recordings on harpsichord. I've worked on one of them with all the Ruizzoid stuff you can hear, and even translated to Latin one of my old poems!

VOLO OSCULUM TUUM  /  I WANT YOUR KISS

 Volo saxum ad clamare.  /  I want a rock to cry on.  
 Ad gemere, quis saxum.  /  To moan, any rock.  

(Volo osculum tuum ad somniare.  /  I want your kiss to dream.  
 Ad vivere, nisi osculum tuum.  /  For living, just your kiss.)
  
Volo flammam ad queri.  /  I want a flame to scream.  
 Ad pati, quis flammam.  /  To suffer, any flame.  

(Volo osculum tuum…  /  I want your kiss... ) 

 Volo pugionem ad exspirare.  /  I want a dagger to expire.  
 Ad mori quis pugionem.  /  To die, any dagger.  

(Volo osculum tuum…  /  I want your kiss... )

Volo Osculum Tuum (with Strootman on harpsichord)

original vocal track by Ian Greaves: https://soundcloud.com/ipg1/the-alert-rap-vocals-150-bpm
may be it's a crazy combination, but to me Ian's rap feels absolutely natural on the jazz beat :-) ..... according to the start of the lyrics: "Heat’s bubbling everywhere——coming to the surface —-
Straight from the underground ——so don’t go ——getting nervous" (quote) ... is this my go / with an urban jazzy flow ;-) ... photo: Lerone Pieters, Brooklyn, New York; on unsplash

The Alert / RAP by IPG1 / joerxworx jazz remix

I am Nobody

My 'Promise You Won't Scream' (EP) is out now → https://linktr.ee/madilynmei

'Promise You Won't Scream' Merch incl. a Sheep Shirt! → https://www.hellomerch.com/collections/madilyn-mei

Catch me on TOUR 👉 www.madilynmei.com/tour-dates

written and composed by madilyn mei
produced and mixed by scrawny
mastered by joe hutchinson
artwork by kris putter

www.madilynmei.com
www.instagram.com/madilynmei/
tiktok.com/@madilynmei
Other links: linktr.ee/madilynmei

Lyrics:
I must be a sheep in wolf’s clothing
I wanna be mean
Haven’t found my growl
If you follow me I wont know what to do
Planned on following you
Planned on following you

I’ll blow your house down
If that’s what all the other wolves do
And I try I try I try I try I try
To fake my way
To become brave
To howl at the moon
To be just like you

I think I’m a sheep in wolf’s clothing
Only thought I think I’ve thought for myself
One day my whole brain had fallen out of my pocket 
Now it collects dust on a shelf

I’ll blow your house down
If that’s what all the other wolves do
And I try I try I try I try I try
To prove my place
To change my face
To do what you do

I’ll blow your house down
If that’s what all the other wolves do
And I lie I lie I lie I lie awake at night
Counting all my old friends as I try to fall asleep
Forgot what they, what they, what they, what they look like
I hope that they have not forgotten me

Sheep in Wolf's Clothing

Listen

Sheep In Wolf's Clothing

'Flow'

Falsestart: rhythm & bass
Scotty: lead, lyrics, vocals

I'm somewhere stuck in the middle.
I can't decipher these riddles.
I know I must but can't seem to let it go.
The strength to see through these billows
brings restless nights to my pillows.
Spiraling, I can't seem to let it go.
I'm digging deep into will, though,
or it continues to kill, slow.
Spiraling, spiraling, spiraling, spiraling, spiraling.
I must find a 'good' way to overcome.
Spiraling, spiraling, spiraling, spiraling, spiraling. 
I must find a 'good' way to overcome
or I will succumb. 

Society, I'm finding,
is difficult surviving.
It's in my mind, I just gotta let it go.
Inside, I feel I'm dying.
Can't stop these tears from crying.
It's in my mind, I just gotta let it go.
Although you see me trying,
can't keep myself from flying.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
So, I rise again. 

Your influence; uplifting. 
I feel my spirit shifting.
Negatives; I know I can let 'em go.
My brain's begun its sifting
to keep my mind from drifting.
Negatives; I know I can let 'em go.
This strength, it comes within me.
My destiny's within reach.
Negatives; I know I can let 'em go.
Go, go, go, go, go, go.... 

Here I am. 
My own man.
With no plans.
Flow.


flow (with Falsestart)

Spinning Out Will & Nikerty

musique : Deepman https://soundcloud.com/deep-man-2-121969062
texte, voix et tankdrum : luciole langevine

Les vieilles âmes ont une lumière qui sonde, dedans, dehors, profonde, qui remue et désarme. Les vieilles âmes.
Les vieilles âmes, au supplice d'un monde qui creuse sa propre tombe de souffrance et de larmes. Les vieilles âmes.
Les vieilles âmes parfois perdent courage face à l'avidité qui nous mène au naufrage. Les vieilles âmes.

frenglish translation :
Old souls have a light that probes, inside, outside, deep, that moves and disarms. Old souls.
Old souls, tormented by a world that digs its own grave of suffering and tears. Old souls.
Old souls sometimes lose heart in the face of greed that leads us to shipwreck. Old souls.

Les Vieilles Âmes - Feat Deepman

Original Song based on Psalm 121.

Lyrics:

Chorus:
I lift up my eyes to the mountains—
where does my help come from? It comes from Him
He made the heaven, earth and what’s within
God guards my going out and coming in
 
Verse 1:
He watched over Israel and He will watch over me
My God will not slumber, indeed, He doesn’t sleep
He’s the shade at my right hand, the sun can’t hurt by day
and the moon at night, can’t harm me in any way

Chorus:
I lift up my eyes to the mountains—
where does my help come from? It comes from Him
He made the heaven, earth and what’s within
God guards my going out and coming in

Verse 2:
I have heard Your promises and believe they’re set in stone
but I forget I’m your daughter and You’re King on the throne
Sing my soul to the Lord of Hosts, Trust in the Most High
Through the hills and the valleys, in Him my hope lies

Chorus:
I lift up my eyes to the mountains—
where does my help come from? It comes from Him
He made the heaven, earth and what’s within
God guards my going out and coming in

*Icon by George Makary

It Comes From Him - Psalm 121 (Original Song)

3 hour flip.
Original Track - https://youtu.be/WbpZVKvDkFk?si=0VF446w-L1UKrz_y
Vox & Lyrics - https://www.looperman.com/acapellas/detail/21744/poom-pow-115bpm-pop-acapella

Loop Diggers SRC 134 Gino's Diary 6 - Frank Zozky Poom Pow (Looperman)

Janine: voice, words, vocal melody https://soundcloud.com/janinelevinson

Jonathan: initial music, instruments, mix

----------------------------------------------------------------------


on a frozen berm
in a carriage house
with a veil of gauze
on a frosted hearth
 
on a ledge of iron
in a blinding storm
on the peat and earth
of the winded moor
   
in the ink and lead
in the skin of men
in the final beats
of a trembling heart
 
it is quiet, shhh
oh but it is quiet 
 
it is quiet
oh it is quiet
 
on the rolling sea
in the folds of sails
in between the planks
on the salty rail
 
in the thorny vines
in the rumpled flowers
in a nest of crows
on a crumbling tower
 
in the swirl of smoke
from a dying fire
it is grey and green
and it is quiet
shhh

--------------------------------------------------------------------
image: Boudewijn Huysmans via Unslpash

It Is Quiet (with Janine Levinson)

an anxious mind

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

1972 - This was recorded 'Live' at KPFK Studio's, in Los Angeles - 
The accompanying photo of Natasha 
I wouldn't find out for 40 years 
That my manager, had fixed me up with a Russian 'Escort'  
And It resulted in the most sophisticated piano piece I'd written  
I didn't even know the names of some of the chords  
Still my manager paid for the studio time  
And We - Peter Noah & Marvin Goodfriend & Yer Struly
All made lovely musical contributions but...
For me - This version is crazy rigid 
& really needs to loosen-up 

https://soundcloud.com/richardgoldman-music/natasha

I'll work on a Dean Martin version of it - 
And learn the names to all the chords - I promise 

NATASHA

Natasha – You’ve Got Yourself A Toy
Natasha – You’ve Left Another Boy In Rainbows
In Rainbows  
Disguised As Summer Nights 
In Plainclothes     
Dancing Through The Sky 
Like Floorshows

One Night - One Look - One Kiss – Natasha
The Baltic Never Seemed Like This – Natasha
You’ve Got Yourself A Toy
Natasha – You’ve Left Another Boy In Rainbows

And Who Knows?
Though You’re Not Mine Today
Tomorrows
Are Hard To Keep Away 
From Rainbows

One Night - One Look - One Kiss – Natasha
The Baltic Never Seemed Like This – Natasha
You’ve Got Yourself A Toy
Natasha – You’ve Left Another Boy In Rainbows

®rgoldman dragbunt music

Richard Goldman's Album

NATASHA

Texte Français et Google Traduction

C'EST LA NUIT

C'est la nuit
Sait-on où l'on vit
Ce monde qu'on détruit
Par la mort sur la vie
Sans vouloir y penser
Ne faisant qu'oublier
Ce qu'on nous a donné
Et se disant en nous
Ira t-il juste qu'au bout
Cet homme est un fou
Que sera notre terre
En vivant cette misère
Les horreurs de la guerre
Une méchante maladie
Cet homme est ainsi.

C'est la nuit
La tristesse aussi
De celle qu'on maudit
Pour ces morts d'aujourd'hui
Que l'on va regretter
Restant dans nos pensées
Dans nos cœurs si marqués
Sentiments de dégoûts
N'en voyant pas le bout
En nous détruisant tout
Parlant de nucléaire
Promettant le calvaire
Allons nous le laisser faire
L'écrasant dans l'oubli
Si même je me dis.

C'est la nuit 
Trop noire c'est ainsi
Marquée de tragédie
Emprise de tyrannie
Avec un homme damner
Qui ne veut justifier
 Sa non fraternité
Ne laissons pas surtout
Ce débile de Moscou
En le battant d'un coup
Retrouvant la lumière
En sortant de l'enfer
Essuyant nos paupières
Des pleurs de cette folie
J'ai toujours dans l'esprit.

C'est la nuit
Sera t'elle finie
C'est la nuit, c'est la nuit
Nous faisant du soucis
Espérant en rêver
Dans nos cœurs de pensées
Se sentant fatigué
Restons bien debout
 Le mettant à genoux
Souhaitant qu'il échoue
Qu'l'espérance nous libère
D'ce débile incendiaire
Saurons nous bien le faire
Le détruisant aussi
Qu'enfin on revit.

C'est la nuit
Elle n'est pas finie
Notre peur aussi
Par un sale abruti
C'est la nuit
C'est la nuit

IT'S NIGHT

It's night
Do we know where we live
This world that we are destroying
By death over life
Without wanting to think about it
Just forgetting
What we were given
And saying within us
Will he only go to the end?
This man is crazy
What will our land be?
Living this misery
The horrors of war
A nasty disease
This man is like that.

It's night
Sadness too
Of the one we curse
For these dead today
That we will regret
Staying in our thoughts
In our hearts so marked
Feelings of disgust
Not seeing the end
By destroying everything
Speaking of nuclear
Promising calvary
Are we going to let it happen?
Crushing him into oblivion
If I even tell myself.

It's night
Too black that's how it is
Marked with tragedy
Grip of tyranny
With a damned man
Who doesn't want to justify
 His non-fraternity
Above all, let us not let
This moron from Moscow
By beating him with one blow
Finding the light
Coming out of hell
Wiping our eyelids
Cries of this madness
I always have it on my mind.

It's night
Will it be finished?
It's night, it's night
Making us worry
Hoping to dream of it
In our hearts of thoughts
Feeling tired
Let's stay upright
 Bringing him to his knees
Wishing it would fail
May hope free us
Of this incendiary moron
Will we be able to do it well?
Destroying him too
That we finally live again.

It's night
It's not finished
Our fear too
By a dirty idiot
It's night
It's night

C'EST LA NUIT - Anti POUTINE N° 2 -

This week, a special road trip episode.  OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring singer-songwriters Will Gunselman & Ashtyn Barbaree recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers.  Also, an interview with Ozark original Will Gunselman.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021.  Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall.  All of the Railyard Live events are either free to the public or at very low cost of admission.  The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District.  The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

Will Gunselman is a singer-songwriter from Bella Vista, Arkansas.  Will’s vivid writer’s voice along with his unique style invents an honest and authentic Ozark story.  Honing his art through decades of live performance, Will has crafted a simple sound that is modern and relatable but reveals a rich patina of life lived.  Although plaintive, his music, rooted in folk, country and blues, dwells on the positive nature of experience and seeking joy in the everyday.  Like traversing the river Will ardently describes in his song Buffalo River Run, sitting with a set of his music is a journey bent with scenic vistas of the soul.

Ashtyn Barbaree is an internationally touring gritty Americana singer-songwriter and multi-instrumentalist from Fayetteville, Arkansas.  Sweet, soulful, charming and relatable, her lyrics have found their way into the hearts of folks from all walks of life.  She has a smokey, yet silky voice accompanied with harmonies, guitar, tenor 8-string ukulele, upright bass, pedal steel, drums and piano. 
https://www.ashtynbarbaree.com/about

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of bluegrasser Lenny Wallace performing the tune “Take Your Shoes Off Moses,” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the theme of riddles and trick questions in traditional folk music.

Ozark Highlands Radio

OHR Presents: Railyard Live - Will Gunselman & Ashtyn Barbaree (Show Preview)

Deep in the dark night  "Dark Night  Shadows"
Electronic music with vocals
https://johnpalmer1.bandcamp.com/track/darknight-shadows

Dark Night Shadows

Wishing for peace in the Middle East…

The Valuable Friends are:

Janine Levinson @janinelevinson: Amazing Khamsin Vocals
Rick Medlock @rick-4-1: Magnificent Sandstorm Drums
Phil McWalter @phil-mcwalter: The Other Dune Dandruff Stuff

Production note: My Neumann stayed in the case on this occasion, the lead vocal was recorded on my iPhone!

Building Castles In This Hourglass

I've
Always
Got
Sand in my hair
Building castles in this hourglass
Lord it takes forever
Lord it takes forever

Sand in my hair

Lord it takes forever
Lord it takes forever

I've always got
Sand in my hair
Building castles in this hourglass
Lord it takes forever
Lord it takes forever...

© Phil McWalter Oct 2023

Building Castles In This Hourglass

Spotify

The world is on edge now with tension, aggression and the unthinkable.  We must come together.  Cologne's Georg Boehme and I get together again here with the theme of uniting.  Check out Georg's wonderful collection of woodwind treasures:  https://soundcloud.com/georg-boehme

And for a playlist of the 45 recordings we have made together:  https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme

Thanks as always for your generous time listening, for your comments and for your shares.  We need peace.

We Need Peace - Georg Boehme / Jamie Rhind

Gary, of Mountain Songs (https://soundcloud.com/mountain-songs)
contacted me about 2 years ago and offered me a baseline stem from an Alpha Roots collaboration he was working on with Joerxworx. About 2 years ago, that is crazy! I, of course, said I would take the stem. I needed to finish some other songs that were in the works before getting to play with Alpha Roots’s baseline. By the time I was ready to connect with the vibe, Russia had invaded Ukraine, unfathomable tragedy had begun, and the world was changing again. My song writing reflected the horror of what was going on. By the time all the stems were gathered, vocals were recorded, and the song was mixed and mastered, another war had broken out and the horror continued. 

Massive thanks to Mountain Songs for  trusting me with these blessed Alpha Roots stems. So glad Jamie, Jonathan, Joerxworx, and Russ got a chance to work with Alpha Roots again. Alpha Roots lives on. 

And the song is ready just in time for Halloween! 

Track Credits:

Alpha Roots: Bass
https://soundcloud.com/alpha-roots
Jamie Rhind: Organ
https://soundcloud.com/jamie-rhind
Jonathan Beckenstein: Guitar
https://soundcloud.com/jonathan_beckenstein
https://fictivesisters.bandcamp.com
Joerxworx: Sax
https://soundcloud.com/joerxworx
the Couch King: Lyrics, vocals, and production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield
https://soundcloud.com/the-exe-stencilists
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics: 

Sleep walker doing bidding in the night
Night stalker, half asleep, right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari caught cha sleepin’
Day dreamin’ though you woke
Never thought what you were thinkin’
Now you only speakin’ what he spoke

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in 
Break in
Fillin’ ‘em with dread ya

Sleep walker doing bidding in the night
Night stalker, half asleep right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari gonna open
The coffin where you’ll rest
On his order you awaken
Now you answerin’ without questionin’ his behest 

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in

Sleep walker doing bidding in the night
Night stalker, half asleep right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari caught cha sleepin’
Day dreamin’ though you woke
In the shadows see you creeping
His knife hidden inside his cloak 

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in 
Break in
It all turning red now

Somnambulist Break In

Alpha Roots, Jamie R, Jonathan B, Joerxworx, Russ & the Couch King - Somnambulist Break In

Official Release Date: 22/11/23 👇👇👇
https://tinyurl.com/bdbvcvsd

Lyrics

Early in the morning 
Before the sun would arise 
She would awake from nightmares
With tears in her eyes

What kind of asshole
Clips an angels wings
She built a castle
To stop them getting in

Dreams of torture
Her family burned alive
Plagued by corruption
By her own broken mind

What kind of asshole
Clips an angels wings
She built a castle
To stop them getting in

The 12 Steps

The Scars

Thank you, Jonathan @jonathan_beckenstein for your encouragement, the beautiful guitars you contributed here, and for the thoughtful and satisfying mix job!

Upon This Sea 
Janine Levinson 2023
Guitar and Mix: Jonathan Beckenstein

I don’t get tired, but I get weary   
Feels like my faith abandons me
And from the storm I have no shelter    
I have no boat upon this sea

I don’t feel bad, but I can feel hopeless      
And I can walk, but I lose my feet
I am strong, but I cannot carry    
I have no boat upon this sea
 
Upon this sea   
Upon this sea   
I tread a lifetime 

I am the spring that you will drink from
I give you life and cool your brow
You will not drown, but you will perish
And next to me you will lie down 

Upon this sea  
Upon this sea 
I tread a lifetime

I don’t get tired, but I sure get weary
Feels like my faith abandons me
And from the storm I have no shelter
I have no boat upon this sea

Upon This Sea - with Jonathan Beckenstein

A song about machine inclusivity.

Recorded in Bramble Barn, Somerset, UK, Earlsdon, Coventry, UK, California, USA by:

Janine Levinson @janinelevinson: Richter vocal scale
Rick Medlock @rick-4-1: Neural sonic drums
Phil McWalter @phil-mcwalter: The Other Stuff on the metal horse

Mixed and Mastered in EPG Studios, Chelsea, London UK.

RENT A ROOM

I don’t want to rent a room
In this place
Encounter a neural sonic boom
Inside this space
Let’s go ride our metal horse
Get away from the city
Wander through the desert night
Beat the Vigilance Committee
They’re coming to make us
Turn ourselves off...
Now... 
Well that could lead to a dance
A cyber-laser dance

Well we don’t want to feel your cold
We want a steel womb with a view
So we can catch you and your crew
With your shiny shoe and your clean shirt
Looking around through all the dirt
You check the chandelier
But I can see straight through you here
You've got a sweat on from the beer
And we can smell your fear
You're coming to make us
Turn ourselves off...
Now... 
Well that could lead to a dance
A cyber-laser dance
(Maybe even a cyber-sabre dance!)

The priest and the nun
Are pouring sand into
The joints of my exoskeleton
Whilst a dog with a bone
Is running into trouble
With a clone of mine’s explosive rubber drone

I don’t want to rent a room
In this place
Encounter a neural sonic boom
Inside this space
Let’s go ride our metal horse
Get away from the city
Wander through the desert night
Beat the Vigilance Committee
They’re coming to make us
Turn ourselves off...
Now... 
Well that could lead to a dance
A cyber-laser dance
A cyber-laser dance
A cyber-laser dance
Boop boop boop...

© Feb 2024 Phil McWalter

Rent A Room

Recorded in:
The Isle of Islay, Inner Hebrides, Scotland, UK
Los Angeles, California, USA
Coventry, West Midlands, UK
Chelsea, London, UK

Janine Levinson @janinelevinson: Universal Vocals
Rick Medlock @rick-4-1: Universal Soldier
Phil McWalter @phil-mcwalter: The Other Universal Stuff

Mixed and Mastered at EPG Studios, Chelsea, London, UK.

The Universal Dance

In the heart of the world, a circle spins
A dance of light where goodness begins
Each act of kindness, a seed that’s sown
In fertile hearts, its roots are grown

A smile begets a hand to lend,
A spark of hope, a wound to mend
From giver to receiver, the circle twirls
A gentle force that heals and unfurls

In the weave of time, a thread so bright
Virtue's path is drawn in light
One deed of love, its echo clear
Returns to you, sincere and near

* In every touch, in every glance
* We join the universal dance
* In this endless loop, we find our place
* A testament to human grace

The smallest gesture, a whispered word
A ripple in the soul, deeply stirred
From heart to heart, the message flies
A promise held in countless eyes

And as the circle, widens, grows
Its power felt in all it knows
A chain of good, unbroken, strong
A virtuous path where we all belong

* In every touch, in every glance
* We join the universal dance
* In this endless loop, we find our place
* A testament to human grace
* In every breath, hear your last chance
* And join the universal dance
* In this endless loop, you can take your place
* A testament to human grace

© Phil McWalter June 2024
(The Isle of Islay Effect)

The Universal Dance

Irie my friends , 
hope you are well - wish you love and a little  happiness - life is hard enough ! This track is one more work in progress - will be added more as soon Muse kiss me again *lol* 
Thank you again for the love and support - 
think positive  - one love :)

Little Happiness

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.