Record label promoting uprising talents/music of unique hardtrance and dance music ;-P

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

D‑WILLZ, energetic Welsh DJ and producer based in Mold, North Wales. Known for his high- Energy Sets in reverse bass, hardstyle, and hard techno, he’s carving out a solid reputation across the hard dance scene. 

 His performances are known for getting the crowd moving with bold, hard-hitting dance music.
 An artist of reverse bass, hardstyle, and hard techno, blending styles in a way that resonates strongly with the hard dance fans.
 appearances at top-tier events like Creamfields , Kiddstock,  GoodGreef and Lost Minds highlight his growing influence in the scene.

Producer in the Reverse Bass/Hardstyle scene with Collabs with Mark EG,  Stuffed Animal and more ...

Socials , Show dates & Bookings - https://linktr.ee/djdwillzuk

worldwide Bookings 🌐  leon@thehardfiles.co.uk 

‘I’m A Raver Baby’ out now on @dutchmasterworks! ⤵️

https://showtek.komi.io/

DJ from the Northeast have a listen drop a like or even a share all is appreciated

Drop me a message if u like any of the tunes u here or just want the id ill be sure to get right back at you 

THANKS FOR ALL THE SUPPORT MEANS SO MUCH

UK & worldwide enquiries please contact lee@uaagency.co.uk

VERKNIPT RECORDS | STROBÖ | REVISED RECORDS | RAVE ALERT | BARONG FAMILY | SONAXX RECORDS | INFAMIA

Ed E.T. is a powerful name in underground dance music, known for his high-energy performances and innovative sound. He first made waves in the Hardstyle scene, where he became famous for his high octane Reverse Bass style and electrifying sets. His performances have rocked stages around the world, including the main stage at Hardclassics in Holland and multiple tours across Japan and Spain. With over 20 No. 1 hits on major Hardstyle labels & over 3 million combined streams, Ed E.T. has firmly established his reputation.

In early 2023, Ed E.T. shifted gears and entered the realm of Hard Techno showcasing his versatility as an artist. His new music quickly gained attention and praise, with tracks released on top labels like Verknipt Records, Revised Records, Strobö, Rave Alert, Go Hard or Go Hardcore, Barong Family, Sonaxx Records, Infamia Records and others. In the studio, he has collaborated with leading names in the scene, including Rebekah, with more high profile collaborations on the way. His work has been supported by a-list artists such as DJ Snake, I Hate Models, Sara Landry, Nico Moreno, Fatima Hajji, Shlømo, Rebekah, Charlie Sparks, Alignment, Basswell, Stan Christ, Luca Agnelli, BLK, Pawlowski, AZYR, Lessss, DIØN, Dax J, OMAKS, Luciid, Lee Ann Roberts and more. Many of his released and forthcoming tracks are constantly destroying dance floors worldwide at major festivals & events.  

He has appeared on lineups alongside leading artists like Fatima Hajji, BASSWELL, DYEN, PAWLOWSKI, Luca Agnelli, BLK, Per Pleks, Caravel, Køsløv, Denis Dekay and many more and teared up dancefloors internationally at iconic venues such as Fabrik in Madrid among others. With his signature high-energy productions, unique sound, and innovative approach, Ed E.T. is making a big impact in the Hard Techno scene and is a rising force to be reckoned with.

💫 SARA LANDRY 💫
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💫 HIGH PRIESTESS OF HARD TECHNO 💫
💫 BOSS 🌙 @HEKATERECORDS 💫

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INQUIRIES@SARALANDRY.COM

Jonathan Bagpuss Bagguley is following