•	From 10-12pm GMT on the first Thursday of the month, DJs Paul Hughes and Adrian Luvdup will present our (un)usual mix of inane jibber jabber and excellent eclectic musical selections.

The Eclectic Circus is the non de plume of “semi-retired” Acid Housers Adrian Luvdup (of 90s “Luvdup Twins” fame) and Paul Hughes (of the much-loved post-Electric Chair “Last Rights” parties), eclectic and eccentric DJs of many a year’s experience and presenters of the much loved Eclectic Circus Wireless Show on Cowbell Radio, described by the lads as “acid house for grown-ups, balearic bounders, rankin’ rapscallions, clued-up lovelies, soul-boy scoundrels, terrace dandys and their molls...”
The show, which was launched five years ago, is notorious for its mix of eclectic but excellent dance music, interspersed with the bizarre musings of its two Northern presenters. With an ever increasing and loyal following, The Eclectic Circus Wireless Show is possibly one of the best kept secrets in radio land for those who have yet to discover it’s surreal charms. 
When the boys are coaxed out of the studio to DJ, you are guaranteed a “proper” party indeed – always ones to practice what they preach, their legendary boat parties and “basement balls” are nights not easily forgotten, an intoxicating blend of messy, unbridled brilliance (both musically and atmospherically) which both the DJs and unsuspecting party-goers can take days to recuperate from!
Here’s what a few well-known dance bods have had to say about the Eclectic Circus…
"What I really like about it is that whilst on the one hand the show’s got a great knockabout feel to it, it's presenters really know their shit and play some top tunes, so you’ve got that balance between entertaining and informing, which is a compelling combination."
- Greg Wilson
"Fucking hilarious. The sound of two drunken idiots arguing over what to put on the jukebox next. Well done chaps "
- Balearic Mike
"You two are like the hairy bikers of dance music radio. Hilarious!"
- Innerwest Soul
"The Best Show on the Radio"
- Tony Johns
"you guy's rock"
- Marshall Jefferson

"Two Northern chappies (burnt out ravers? you make the decision) with impeccable taste in left of centre tunes. Add a modicum of spot on banter reminiscent of Mark and Lard on pills and it’s the best slice of radio that never made it on to radio (at least over here)"
- Toby Hemming

"This is the most offensive thing to air in the 5.5 years I've been a manager"
- The Station Manager, Salford City Radio (the show’s previous home)

MORE REVIEWS...

"Broadcast from Manchester by two presenters who love what they do and enjoy a chat and listening to great tunes, the chat is funny and never dull and the music is eclectic of course, overall its excellent and introduces the listener to loads of hidden gems. Best show on the radio/internet.."

“It is a whole heap of lunatic, crazy-ass genius”

“People gonna be talking about these shows and claiming they were there. Like the Pistols at the Lesser Free Trade Hall or the last supper”

“Following in the steps of a long line of iconic duos; Harmodius and Aristogeiton, The Krankies, Mickey and Mallory Knox, Girls Aloud etc. comes the new kids on the block, Adrian Luvdup & Paul Hughes, a couple of Northerners who knock the likes of Mark & Lard into a cocked hat with their own special mix of top drawer music, slick banter and second to none musical knowledge. Adrian & Paul can nibble on my earlobes (metaphorically speaking, of course) anytime they want to!"

"loving what you're doing - keep it going man!"

"This show is for everyone.. But if you remember Hawaiian shirts. .And you wore pegs as a kid! rode a skateboard. crashed BMX'x trying to pull off a wheelie..found yourself in deep dark places listenning to rare groove ..realised that house music made this a country of brothers North and South alike... Then this show is a thing of love !!!!!"

www.cowbellradio.co.uk


https://www.junodownload.com/search/?facet%5Blabel_facet%5D%5B%5D=tony+johns+edits
https://tonyjohnsreworksedits.bandcamp.com/

Tony Johns is known for his impressive edits and remixes of various tracks, spanning genres like disco, funk, and house. Tony Johns’ remix process is quite fascinating and involves several key steps to transform original tracks into his unique edits. Here’s a general overview of how he approaches his remixes:Track Selection: Tony starts by choosing a track that resonates with him. He often looks for songs with strong melodies, vocals, or grooves that he can build upon.

Listening and Analysis: He listens to the track multiple times to understand its structure, key elements, and potential areas for enhancement. This helps him identify which parts to emphasize or modify.

Isolating Elements: Using digital audio workstations (DAWs) like Ableton Live or Logic Pro, Tony isolates specific elements of the track, such as vocals, basslines, or drum patterns. This allows him to manipulate these components individually.

Adding New Elements: He often adds new beats, synths, or instrumental layers to give the track a fresh feel. This could involve creating entirely new sections or enhancing existing ones.

Effects and Processing: Tony applies various effects like reverb, delay, and EQ to shape the sound. This step is crucial for blending the new elements with the original track seamlessly.

Arrangement: He rearranges the track to create a new structure that maintains the listener’s interest. This might involve extending certain sections, adding breakdowns, or creating build-ups.

Mixing and Mastering: Finally, Tony mixes all the elements together, balancing the levels and ensuring clarity. The mastering process polishes the track, making it sound cohesive and ready for release.

Tony’s remixes are known for their ability to breathe new life into classic tracks while maintaining the essence of the original. His attention to detail and creative approach make his edits stand out in the remix community.




Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Jonathan &#x27;Boo&#x27; Beesley is following

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