Picking freshly squeezed music for @RadioCampusParis

Bookings/Mgmt Worldwide:
Agustín Lopez
agustin.lopez@industriaworks.com

NA
Devin Landau
dlandau@tbaagency.com

México
Lalo Rojas
lalo@caballeros.tv

Europe / UK
nevan@klsbookings.com

Bienvenue sur ARTE Radio, les podcasts d’ARTE !

Pionnière du podcast depuis 2002, ARTE Radio est une boîte de bonbons : on choisit (fictions, docus, séries), on picore (intimité, société, musiques), on se laisse surprendre (playlists thématiques, écoute au hasard). Avec plus de 2 millions d'écoutes mensuelles en 2024, ARTE Radio propose chaque semaine des nouveautés qui portent un regard neuf sur le monde et les vies qu'on y mène : histoires d'amour, voyages sans paroles, rencontres avec des personnages inoubliables, séries documentaires et témoignages qui font rimer émotion et stimulation.

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Electronic mutiny based in Paris
@Polocorp + @djpeterpan
http://www.poloandpanmusic.com

Follow us on Instagram : https://www.instagram.com/poloandpan/
Follow us on Spotify : https://open.spotify.com/artist/45yEuthJ9yq1rNXAOpBnqM
Follow us on Discord : https://discord.gg/FbxDg9kj
Follow us on Facebook : https://www.facebook.com/polopan.music
Follow us on Deezer : http://www.deezer.com/artist/5400149

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FRANCE - AEG PRESENTS
Geraldine Cayrou 

EUROPE (FR. Excl.) - WME Agency
James Simmons (live)
Matt Smith (dj sets)

US/CAN/MEX - UTA
Christian Bernhardt
Parker Glenn

BOOKING LATIN AMERICA - UTA
Carlos Abreu

New Single 'In Orbit’ Out Now On ANTI- Records.
https://sonlittle.ffm.to/inorbit

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Jonathan Melgar is following