Name: Legacy by jonathanwright
Duration: 3 min 19 s
Description: Cinematic and emotional hybrid orchestral track.

I like the timpani percussions sound: how did you do that?

Treasure Island is an invigorating, melodic, and vibrant orchestral adventure and fantasy album with uplifting choir motifs, big cinematic string arrangements, ethnic percussion patterns, victorious horn and brass themes, and dramatic, sparse and intriguing openings.

For general inquiries and licensing requests, please contact (323) 219-7949 - license@colossaltrailermusic.com

Website: http://www.colossaltrailermusic.com
Youtube: https://www.youtube.com/channel/UC3ZFGwkIDoJoCl3jrC-IUgw
Twitter: https://twitter.com/ColossalTM
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iTunes: https://itunes.apple.com/us/artist/colossal-trailer-music/id1056419340
Spotify: https://open.spotify.com/artist/5rVfB0qJZvp4BPaHmb3lHA
Vimeo: https://vimeo.com/showcase/colossaltrailermusic

© 2021 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group LLC.

CTM106 - Treasure Island

Open Air In Holy Land (for Ami)

A track I created 2 years ago that I've finally remembered to share.

Celestial Gate - Blakus (RSM)

Departure

https://sonokinetic.net/products/classical/sotto
Orchestral sampled instrument for delicate moments and deafening silence. 
We have covered a lot of ground in our orchestral series already; there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.
As a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. 
We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.
Anyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. The softer you try to go, the closer you get to the breakpoint between sound and no sound. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive.
There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. 
To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. We hope you agree.
We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.


Sotto Demo -Interception- By Valentin Boomes

Extreme Ensembles 10 Electric Guitars: "Beaches" by Troels Folmann

Composed, produced and arranged by Romain Paillot
Orchestra : City Of Prague Orchestra
Conducted by Chuhei Iwasaki
Orchestrations / Midi transcription : Jehan Stefan
Soung Engineer : Jan Holzner
Mixing : Alexandre Tanguy
Contractor : James Fitzpatrick
Solo Flute : Catherine Dury-Paillot
Guitars : Erwann Chandon

Laurette Fugain La Force 2018 - Cinema spot - Score

This piece was composed as a demo for Sonokinetic's library 'LARGO'. All the instruments in this piece are midi. 

For licensing, please contact info@petterisainio.com

Through Mist and Mountains - Orchestral Filmscore

The Hidden City - Official demo for Audio Ollie's LA Modern Percussion

Cinematic and emotional hybrid orchestral track.

Legacy

Music by Mark Petrie & Andrew Prahlow

Available for licensing here: https://www.audionetwork.com/browse/m/album/maximum-impact-beyond_3410

Reach the Sky - Epcot Entrance Music

Jonathan Wright is a music composer for media based in the UK. For further details visit www.jonathanwrightmusic.com.

Legacy

jonathanwright

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