Jong Wayne is an improvisational collision of sound, bounded by Jazz, Post-Digital, and Acousmatic Traditions. 

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Ghost Box is a record label for a group of artists exploring the musical history of a parallel world. The roster includes The Advisory Circle, The Focus Group,  Pye Corner Audio, Belbury Poly and Beautify Junkyards. Guest artists include Broadcast, Cavern of Anti-Matter, John Foxx and Paul Weller

An American radio icon, Joe is known best for his engaging, often philosophical, monologues and radio dramas. Joe’s radio programs are at times dark and frequently funny. Adding to the absurd atmosphere of his monologues and dramas are loops of percussive music over drones.

Throughout his career, Joe has been honored with many major industry awards, including the George Foster Peabody Award, and an Emmy. Over the years Joe’s distinctive approach to making radio has inspired producers around the country to experiment with and stretch the medium beyond traditional boundaries.  Be sure to subscribe to Joe's YouTube channel with full shows and/or selections uploaded each week. Go to:
https://www.youtube.com/c/JoeFrankOfficial

Find out more at www.JoeFrank.com

Jack Lion’s members unearth the early ’00s interest in connections between jazz and electronic music and refashion it for the current era. Striking a balance between jazz composition, down-tempo break-beats, and hazy atmospherics they have made their mark as one of Iowa City’s headiest and most adventurous bands.

RESIPISCENT unburies music too long interred by the insipid business of music as mere entertainment. Resipiscent understands music as a hand-crafted labor, non-repeating, innovation in sound, releases that won’t let go. Our packages purposefully defy a mass-culture jewel-cased mindset where file-sharing has only underscored uniformity. Resipiscent means a return to one's senses following a brutal experience. 
Contact Info:
infoATresipiscent.com

I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

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