This made my cry, in a good way❤️🫶

I first listened to the song when I was on an underground station going back home from work. Suddenly the noises of a full of people probably going home from a long day as well were drown out. And there was just me, the melody of distance reminiscent of the memories running through the window like a roll of film, and now. Thank you for such a beautiful moment.

A Jon Hopkins piano record would be an instant classic. Thank you, this is truly beautiful 🙏🏻

Jon moves me like no one else, simply, utterly beautiful

'You Are Gods’ is the first single to be unveiled from the lush new debut album from British synth wizard James Holden and Polish clarinet guru Waclaw Zimpel (Saagara, Shackleton).  

Holden & Zimpel continue their fruitful collaboration with the blissful escapism of ‘The Universe Will Take Care Of You’: a deeply emotive warm and fuzzy delight. 
The rich textures and beguiling sound palette of the entrancing 'The Universe...' roams freely between bucolic pastorals, insistent arpeggios and shimmering euphoria. 

Embracing the playful, experimental approach of their Krautrock forefathers to explore their deepest improvisational urges, this is the joyful convergence of two likeminded masters of their craft, weaving in violin, percussion, lap steel guitar and the Indian twin pipe algoza flute amongst the expected modular synth and clarinet. 

For fans of: Harmonia, Cluster, Eno & Fripp.

Press & radio by @9pr.

You Are Gods

Trentemøller’s remix of A Place to Bury Strangers, "Fear of Transformation,”out 1/21 on Dedstrange, takes the original to a whole new level. He transforms the track into his own, enhancing its dark intensity with banging beats. The song becomes an even more gripping conversation with the devil within, as fear and defiance collide. The remix conjures unearthly sounds that elevate the track into an abyss of tension and release. Trentemøller has truly made it his own, improving and deepening the experience for listeners across the world!

Fear Of Transformation (Trentemøller Remix)

Clay

Need To Run

https://idol-io.ffm.to/ambientselectionsvol3
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BAILE’s 3rd volume of Ambient Selections attempts to channel springtime in upstate NY. The villages are thawing and the bitter cold is giving way to warmth. There’s a joy in it but a bittersweet memory of snowfall.
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House of Youth is a boutique content agency and record label from Montreal.

We collaborate, experiment, break rules and have fun.

Website • www.houseofyouth.com/
Instagram • www.instagram.com/houseofyouth.studios/
Bandcamp: www.houseofyouth.bandcamp.com
Spotify • open.spotify.com/user/houseofyout…dd2ec8d25267443b

Sign up for the House of Youth newsletter: laylo.com/houseofyouth

Stream/Buy

Folding in on Myself

MEGA MEGA MEGA (DJ-Kicks)

Abbey Road Piano Study ii : Intimate

Stream/Buy: https://idol-io.ffm.to/ambientselectionsreworked
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BAILE has reworked 3 songs from volumes 1-3 of his ‘Ambient Selections’ series into low-key, mellow dance tracks. Atmospheric pianos and pads, plucked from the originals, are draped over jostling beats and swelling foley fx. The original EP’s were perfect for a calm morning; this new EP is ideal for winding down the evening on a cool summer night.
- - -
House of Youth is a boutique content agency and record label from Montreal.

We collaborate, experiment, break rules and have fun.

Website • www.houseofyouth.com/
Instagram • www.instagram.com/houseofyouth.studios/
Bandcamp: www.houseofyouth.bandcamp.com
Spotify • open.spotify.com/user/houseofyout…dd2ec8d25267443b

Sign up for the House of Youth newsletter: laylo.com/houseofyouth

Heaven in Time (Reworked)

"Alone at the Window" is an immersion into a suspended moment — somewhere between solitude, introspection, and soft light. With delicate piano, this track paints an intimate sonic landscape, like a quiet breath between two silences.

Let yourself drift through this contemplative piece — perfect for sleepless nights or foggy mornings.

Alone at the window (final version)

Alamort

:)
https://www.youtube.com/watch?v=59aZN-bwt8w

beauty and the beast

www.facebook.com/blaueblumemusic/
www.facebook.com/trentemoller/
www.hfn-music.com
www.facebook.com/hfnmusic
www.youtube.com/user/hfnmusicTV
www.twitter.com/hfn_music
www.instagram.com/hfn_music

A new release this winter marks a landmark moment in an important musical story. Way back in little 2009, the label hfn music was born in Hamburg, and made its introduction to the world with the release of the Trentemøller compilation Harbour Boat Trips: 01 Copenhagen. 
Founder Tobias Lampe wanted to start a label that was more broad in scope than his previous, more electronic focussed projects, and the compilation provided the perfect opportunity to launch one. In the 10 years since then, the label has survived the whirlpool waters of the early 21st century’s constantly changing music industry, and released everything from pop to art-punk, with artists ranging from New York to the Faroe Islands. 
Now, they’re about to put out their 100th release. Fittingly, given the label’s focus on new and innovative music, and the historic aspect of the release, hfn100 sees one of hfn’s best songs of 2019 put into the hands of the man it all started with, Anders Trentemøller. His danish compatriots Blaue Blume’s new album Bell Of Wool is one of hfn’s standout releases this year, and so hfn100 sees Trentemøller remix one of that record’s standout tracks, the fragile, but soaring “Lovable”. 
In Blaue Blume’s original, “Lovable” is an airy, tormented song, a gossamer-delicate composition that carefully stitches together layers and layers of shining synths that gradually build up and up into a peak, before crashing into a subtle beat, a musical journey that mirrors vocalist Jonas Smith’s trip from anguish to numbness. Whereas the original’s music sounds woven together from light, Trentemøller takes it into darker territory. He hooks the song to a harsh, sparse beat leaving Smith’s vocals bare and isolated in the burnt out, dystopic musical landscape he creates. 
Trentemøller mirrors the original’s careful building up, adding new elements to fill in the song’s sound, before it collapses into a tough, noir disco groove. It’s a perfectly realised remix – Trentemøller keeps the original song’s skeleton and soul, but fills in the space with sonic touches that could be no one else’s but his. Ultimately, it’s a fitting song for hfn’s hundredth release. For a label that’s always been a platform for its boundary pushing artists, a collaboration between two of them, that sees an already innovative song pushed into a bold new shape is the perfect way for hfn to step into the next 100 releases.

Abbey Road Piano Study ii : Intimate

Jon Hopkins

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