Since forming in 2008, the Kentucky Cow Tippers have deservedly earned a reputation as one of the hardest working and most exciting acts on the UK’s acoustic music scene. Their unique approach to bluegrass draws from a deep appreciation of every aspect of the genre: they’ve absorbed everything from traditional Appalachian harmonies and fiddle tunes through to the psych/country-tinged sounds of Old & In the Way and the Seldom Scene, as well as progressive “Newgrass” by the likes of Béla Fleck and Punch Brothers. They incorporate all of these elements, along with folk, pop/rock and jazz influences, into their original material and refreshing renditions of bluegrass classics.

Founding members Sam Wear (banjo), Rupert Hughes (guitar) and Evan Davies (mandolin) all hail from the North East, and are responsible, individually and collectively, for penning the group’s original material. In 2014, this core trio was augmented by transplanted American fiddler Niles Krieger and jazz bassist Sam Quintana. The result is a driving, energetic quintet that delivers a tight yet spontaneous stage show. If you enjoy close vocal harmonies, wild bluegrass improvisation, witty stage banter and brown corduroy jackets, then you’ll love the Kentucky Cow Tippers – just don’t ask about the name!

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MARTIN STEPHENSON has been one of the UK’s best-loved musicians for 30 years, his band The Daintees released 4 classic albums in the 80's and he has went on to release many more

New album Haunted Highway sees him reunited with The Daintees, the band he’s intermittently fronted through a string of albums - and hundreds of gigs - since his teens in the North East.

Always popular on the circuit, Stephenson’s “must see” live performances are an exuberant tour-de-force combining heart-in-your-mouth intimacy with playful humour and warm self-deprecation.

The Daintees’ critically acclaimed 1986 debut BOAT TO BOLIVIA opened up an always interesting story. It showcased Stephenson’s songwriting, poetic romanticism and spiritual depth – so marking him out as a soulful cream of the leftfield crop during the self-obsessed 1980s.

Never pandering to a particular scene, Stephenson’s lightness of touch on a varied mix of musical styles was immediately apparent. His path was destined to be a lifelong journey through the music he loved: folk, ragtime, jazz, rockabilly, show tunes, punk-pop and country.

CALIFORNIA STAR continues his tradition for eclectic roots songwriting, and is the perfect middle-age bookend on a discography now amounting to 40 albums.

 

Jonny G. Winter is following