Had this little idea, played out the initial idea to completion. Think it sounds cool and neat. The root descends and passes many octaves within the chord until resolving peacefully. I don't think this would work on an instrument with higher tunings. Lower frequency in the bass allows the close grouping of the notes to meld well. Tried to spic up the tone with some effects, used a grain delay, but in the end the EQ'd DI tone from the Darkglass A/O just sounded way too good to mess with. This is not JUST dry tone, of course I have reverb, chorus, delay (and grain delay), and a dirty tone mixed with this, hardly decipherable mixed together but add to the overall vibe.

Descending Purpose

Singer-songwriter and a primary writing force in Iscah.

I want to do covers, collaborate, or write for you. My voice is mostly suited for modern metal/progressive metal (djent). However, I love many differing styles of music and can work with whatever you have in mind. So don't let the pedigree deceive you. I am no producer, so almost everything I have here is a demo. I also love playing bass and writing grooves. My skill is not solely vocals if you wish. Metal bass is just one color in my palette. I can also be a consult and objective ear/suggestive mind for your writing. 

You can follow my band's links here:
https://linktr.ee/iscah_metal

SoundCloud:
@IamBean

Descending Purpose

Jonny_Mohawk