Name: Jonny From Space @ Nowadays by Jonny From Space in 2024
Duration: 2 h 6 min 33 s
Description: live @ Nowadays for livwutang’s residency

2024

live @ Nowadays for livwutang’s residency

Jonny From Space @ Nowadays

Back in the day, drums were used as signals for festivities and war because their sounds travelled the furthest. Azu Tiwaline has long understood that. A master in the dark arts of percussion, she makes deep and profound percussive music that seems to communicate forgotten rituals from centuries past. Her sound is dense, as if pulled from the depths of the Sahara desert in Tunisia, yet still feels spacious thanks to polyrhythmic contortions and sparse, elegant melodies.

Her productions largely fall into the confines of percussive techno, but unlike the genre's springier variants, her dubby textures and psychedelic rhythms command seriousness and move with immensity. Her Livity Sound debut, the Magnetic Service EP from 2020, connected Amazigh music with dub and techno and is a masterclass in restraint and hypnosis. Her latest release, The Fifth Dream, continues to showcase her skills in balancing light and dark tones using field recordings from her home in Tunisia's El Djerid desert, minimal ambient techno and haunting notes.

Mirroring her discography, this RA Podcast features plenty of twisted rhythms, trippy techno and straightforward club cuts. Created for movement rather than hypnosis, these selections show off a different side of her drum palette—perky breaks and syncopated kicks—wrapped in her usual weighty atmospheres.

@azu-tiwaline

Read more at https://ra.co/podcast/906

RA podcast

RA.906 Azu Tiwaline

Mexican avant-garde supergroup Amor Muere provide a sublimely wistful Sunday mix "for dancing while crying".

Check out the tracklist on crackaudio: https://crackm.ag/3QcN355
If you’re a fan, become a Supporter: crackmagazine.net/subscription

Sunday Mix: Amor Muere

James Holden played this ambient / other mix at a Speckle gathering last year.

He will share more like this on Fri 8 Dec 2023 in London. Info–> https://speckle.se/daw

This mix bears nearly three hours of winding explorations as James DJed for a lounge of interlocking bodies: 
–drifters in obscure motion and silent during a non-verbal hour.

There were paper and pens, so people wrote and drew to each other instead of talking. They would also mime, or speak with the body.

For December's event at Limehouse Town Hall, James will bring a fascinating set of ambients for dream or dance.

@syberkid, Inner Child Labour & @specklesound bring further textures on the night. 

Tickets & timings: https://ra.co/events/1799650

@jamesholden
@border-community

More Speckle news at: http://eepurl.com/bUwbsb

Dance or Dream:  James Holden

Sometime after dawn, in my favorite warehouse in Detroit – the Tangent – I got to play my favorite party filled with all my favorite DJs – No Way Back. It felt like the time for the party to take a deep breath and refill its lungs. Playing directly after Patrick Russell and right before Erika, I took the moment to give the party what I felt it needed. First, rays of light, and then expansions and contractions in the sound. 

For the technique, I played on a Model One mixer with a Moog MF Delay pedal and 4 CDJs. Much of the music is upcoming on Interdimensional Transmissions, or things I have recorded in and remastered for DJing, especially to be played on the giant Jim Gibbons rig in this room, a process I call “quick masters” or “QM” for short. Some are very rare, some have never been playable in this context, or lost gems by my heroes, like CH BB. Some are new jams being played for the first time, like “Another Planet” where I jammed with Neel in his studio in Rome this spring on my 608 (modified 606) and 303. My favorite approach to NWB is to compose new music for it and test it there, it is such a special room. 

Recorded at 6am to 7:30am sometime in the wormhole of May 28, 2023 at No Way Back, day 2 of Return to the Source. 

Mastered for podcast by Jim Gibbons of AVS. 

Tina Turner - Buddhist Chant 2 
Tina Turner - Buddhist Chant 1 
Janet Jackson - Interlude: Pledge 
Gemini Sounds - R U Afraid
Heaven & Earth - Prescription Every Night
Quince - Ghost In The Machines
Jump Chico Slamm - Feelfree
Infiniti - Techno Por Favor (BMG Edit)
aNaloG 87 - aNaloG 87 (feat. DJ M-TraXXX)
Neel - Deep Quarantine [forthcoming on IT 53]
New Order - Video 586 (BMG QM)
Jaquarius - Love is Happiness 
Distant Echoes - Parallel Binary
Kerrie - Find Your Tribe
D'Marc Cantu - Some Fantasies Are Good (DVS1 Remix)
Decius - Delicate SF (BMG QM)
Love Letters - Falling Star (BMG QM) [forthcoming on IT 54]
Dopplereffekt - Master Organism
CHBB - Keine Elektronik (BMG QM)
Love Letters - Let the Bass Go (Mike Servito Remix) (BMG QM) [forthcoming on IT 54]
Electric Soul - X2 (BMG QM)
Liquid - Liquid is Liquid
BMG & Neel - Another Planet (BMG QM)
Psyk & Orbe - OSI Model
Luigi Tozzi - Spiral (Rrose Remix)

Interdimensional Transmissions Podcast

IT Podcast

IT.podcast.s12e08: BMG at No Way Back 2023

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

@adobeprincess

For Q&A with adobeprincess... please visit our website

(((((pipipi.life)))))

adobeprincess - -9˚C

The in-demand US DJ unfurls dubby, dance floor poetry.

Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. 

This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. 

A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. 

"How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder.

@livwutang

Read more and find the tracklist ra.co/podcast/975

RA.975 livwutang

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

opening set for MERGE 04/18

God's Mercy

Boba - Gods Mercy (Kolasau Remix)

༄.° twisted techhh for your listening pleasure 

https://www.instagram.com/deep_creep



pi pi pi with deep creep @ The Lot Radio 06-30-2025

A curated collection of exclusive, unreleased sounds produced by D. Tiff, featuring numerous collaborative tracks.




∞ tales from the plush grotto™ 4

Project 573.

“A recording from pe:rsona in France, one of the most memorable sets of the summer for me!! 

I felt a connection to this crowd in particular and that’s not something that happens often. A lot of this is down to the people behind this festival, the pe:rsona/Positive Education crew are very intentional with what they do, they champion and support a lot of artists who aren’t necessarily ‘big names’. I think this cultivates a crowd that trusts in their curation, they’ve fostered this really special energy. 

I played on Friday night between two live sets, Christian Coiffure and Renslink. They are two incredible acts to be sandwiched in-between which inspired the set to evolve the way it did. 

Big big love to the crew and to everyone who danced with me ❤️”
- @emma-jane-g

Photo: Raphael Chene & Carla Lubrano Di Sbaraglione
Mastering: Devoye Folkes

subglow/Live 6: EMA @ pe:rsona '25

Miami
1/2 Crespi Drum Syndicate
@impactorecs | @omnidisc | @inciensorecs

Jonny From Space @ Nowadays

Jonny From Space

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