Herz und Blut zur Musik!
Klarer und satter Sound mit ordentlichen Druck!

Bookinganfragen:
mirko@dusteddecks.de

Danke für jeden Support! 

Referenzen:
HELL FESTIVAL 2017/2018/2019
Helene Beach Festival 2018/2019
Heidewitzka Festival 2018/2019 Hildburghausen
Fantasy Beach 2018/2019 Alperstedter See
See You Festival 2019 Naunhofer See
FAZZE Festival Leipzig-Altenburg Airport
Wartberg Summer Camp 2020
BEAT Festival Wittenberg
EMPIRE Festival Remontehalle Großenhain
Sky Partyzone Halle
MDR Sputnik Festwiese Oschatz
Club Nimm Mich Staßfurt
Mirage Ballenstedt
Altes Ziehwerk Delitzsch
Crazy Halle
Flash Club Osterburg
Alte Brauerei Dessau
N*DORPHINCLUB Chemnitz
Kulturzentrum Wernshausen
Glashaus Worbis
Parkfest Schweta
VOID + Killi Berlin
Kulturzentrum Meißen
Haseltalhalle Steinbach- Hallenberg
Kulturzentrum Einhausen
Miami Stendal
Eventwerk Dresden
130 BPM Kassel
Mbia - Club Berlin
Funtasy Club Cottbus
Club 360 Grad Bezdorf
Flash City Club Halle
Alte Weberei Nordhausen
Factory Magdeburg
Wandelhof Schwarzheide
Lindenhalle Niederoschel
Alte Parteischule Erfurt
Werk ohne Namen Sömmerda
Ballhaus Aschersleben
ARM Kassel
Alte Hopfendarre Emersleben
Kraftwerk Dresden
Cube Club Bad Frankenhausen
Blackbox Eisleben
Halli Galli Kleinpelsen
E-Werk Reichenbach
Alte Zuckerfabrik Laucha
MZH Schmalkalden
ROXX Club Eisenhüttenstadt
Villa am Paradies Jena
Club Sugar Sonneberg
Alte Stube Kirchmöser
Club Rele Zella-Mehlis
Thüringenhalle Erfurt
Reithalle Straße E Dresden
Waschhaus Potsdam
Musikpark Erfurt
H1 Soundkeller Dessau
Metropolis Halle Filmpark Babelsberg
Ex Schlachthaus Wolfsburg
Sky Club Leipzig
Club Bellevue Lübben
Kamea Frankfurt-Oder
Lindenpark Potsdam
Pressewerk Bad Salzungen
Panoptikum Kassel
Club Velvet Wittenberg
Kastanienallee Eilenburg
Klub Kulturfabrik Dessau
MLK Blankenburg
Tiefgang Hannover
Trash Gera
Eventwerk Wurzen
Eventhalle Hildburghausen
Cocejn Mühlhausen
E-Werk Oschatz
Eastclub Bischofswerda
K7 Stendal
Uhrenwerk Weimar
Werk ohne Namen Sömmerda
Club Seilerstraße Zwickau
Club Sugar Sonneberg
E-Funken Niederlehme
ALWO Altenburg
Club Alter Speicher Baruth/Mark
Kirschfest Rastenberg
Freilichtbühne Sosa
Osthafen Berlin
Boothaus Köln
Tiefdruckgebiet Kornhain
Klubhaus Ludwigsfelde
L2 Club Görlitz
Miro Gera
Tunnel Kirchheim
Club From Hell Erfurt
Weekend Wolfsburg
Altes Pumpenhaus Dresden
Freilichtbühne Piesteritz

Referenzen 

Charles Bronson - Halle
Centrum Club - Erfurt 
Stadtgarten - Erfurt
Elipamanoke - Leipzig 
Medival Festival - Eisenach
Electronic Green - Geisa
Wilde Hilde - Erfurt
Trash - Gera
Club Night - Eisenach (Resident)
Spitz - Eisenach (Resident)
Blow Up Festival - Leipzig, Eisenach & Erfurt
Zwiesel - Erfurt
Zapata Bar - Jena 
Sky Club - Leipzig 
Nachtcafe- Leipzig


booking
Patrickschulzdj@gmail.com 

One of Germany’s leading house music lights, Boris Dlugosch’s chameleon-like approach has helped him to amass an incredibly enviable catalogue of grooves that continues to grow every year.

Releasing on illustrious labels like Gerd Janson's RUNNING BACK,  Classic Music, Defected, Suara, Toolroom Records and Poker Flat Recordings in recent times, Dlugosch’s chunky basslines, crisp percussion and earworm melodies have found their way to all corners of the house music scene. His successful working relationship with Purple Disco Machine yielded L.O.V.E. and Set It Out, which both hit the #1 spot on Traxsource and the Top 5 on Beatport, as did Peppermint Jam’s 20th anniversary remix package of his classic Keep Pushin’.

Keep Pushin’ was the track that broke him through onto the global house scene in the mid-’90s in a big way. Germany wasn’t exactly a hotbed of house music talent at the time—making him somewhat of a rarity—and it soon became clear with further anthems like Hold Your Head Up High that he was a producer with a serious sense of musicality as well as dancefloor prowess. After this series of club smashes, the big-name remixes started to roll in: Aaliyah, Mary J Blige, Adeva, Randy Crawford… and then came that remix for Moloko’s Sing It Back, a huge crossover track that became the official radio version and hit #4 in the UK Singles Chart. Next came reworks for Daft Punk, Basement Jaxx, Jamiroquai, Mariah Carey, Moby…

Eventually growing wearisome of the declining funky house / garage sounds of the era, Dlugosch discovered a new-found love for the French electro scene in the mid-noughties, releasing Bangkok on Erol Alkan’s Phantasy Sound imprint and Cycle on Lektroluv Records (complete with a remix from Etienne De Crecy), with the likes of 2manydjs, Boys Noize and Laurent Garnier all throwing their weight behind his updated sound.

After the electro scene became saturated and the times progressed once again, he metamorphosed into the producer we know him as today, taking a modern approach to classic house music that draws on multiple influences. “I constantly check for new tracks and absorb what’s out there” he says of his hunger for new sounds and styles. “We all change constantly!” he adds of his—and indeed others’—evolution over the years. “I don’t want anyone to pigeonhole me”. And nor should they. When you have as much musical talent as Dlugosch, it’s criminal to keep making the same sounds over and over again.

A Boiler Room Berlin set in 2013 introduced him to a new generation of house music lovers, and his regular In The Mix uploads on SoundCloud give a good idea of what can be heard in his rocking club and festival sets. Upfront house meets garagey classics and disco cut-ups, dashes of electro, acid and deep melodic moments to give a well-rounded selection that perfectly marries house music’s past, present and future. 

He is also an erstwhile label owner, having set up Golden City Sounds in 2013 with Digitalism’s Isi and HEY TODAY!’s Raik Fargo—but the imprint is currently dormant. He’s eyeing up the possibilities of launching a new label, but only when it feels right and makes sense on a creative level. We live in hope.

A true legend who continues delivering the goods today, Boris Dlugosch is one of house music’s real treasures.

Jonnyhaertel is following