DJ / PRODUCER (AKA DANCE SYSTEM)
All Inquiries: l.vis1990@gmail.com

“Faust’s dexterity with the modern disco sound makes him one of the genre’s leading voices.  He proves that making crowds dance is not just his job, but a life goal.” 
(HarderBloggerFaster)

DJ and producer Justin Faust has been a well-known part of the international dance music scene for more than ten years. Based in Munich, but closely associated with the Portuguese DISCOTEXAS label (Moullinex, Xinobi and others) and New York’s legendary Nervous Records, his style is as diverse as the people he works with, having releases and remixes show influences from Nu Disco, House, Funk and beyond. Apart from numerous original releases like his 2014 album “Spellbound”, he has crafted many popular remixes for the likes of Childish Gambino, Treasure Fingers, Goldroom, Moullinex or The Knocks, not to be outdone by classic earlier reworks of Missy Elliot, Justin Timberlake, Daft Punk, Ariana Grande and Janet. What followed were extensive DJ gigs and tours as headliner, playing at parties across Europe, the US, South America and Asia as well as appearances on Annie Mac's BBC1 radio show, a feature in the critically acclaimed TV show "The Leftovers" and collaborations with legends like Mats Bjorklund, who has recorded with Boney M. and Giorgio Moroder.

MANAGEMENT AND REMIX ENQUIRIES - info@justinrobertson.co.uk
 
DJ BOOKINGS - caroline@klsbookings.com

Song-writer, creator of cosmic disco dub, Balearic love and bespoke techno.

Booking / Contact / Publishing : dgrellier@gmail.com
DJ SET / LIVE

Music addict. Eclectic taste. Always jiving.

Remixes/Contact lemmyashton <@> gmail.com

MANAGEMENT- nick@machine-music.com
DJ BOOKINGS- martje@decked-out.co.uk

THE DEADSTOCK 33'S
  ‘A kind of rural backwater psychedelia’ is how the Deadstock 33 describe themselves. From the restless and productive mind of Justin Robertson, it’s as good an entry point as any to a world both bewitching and new.
  A year in the making, Deadstock 33’s debut album takes a real breadth of sounds and influences weaving them together into a live sound that sees  Justin heading off into uncharted sonic waters.
   Justin Robertson is no stranger to live music having played tours and festival with his band Lionrock and pop art renegades Thee Earls. With Deadstock 33 however he’s turned  the club elements that he’s best known for into a dynamic sound steeped in a stranger, timeless vibe - like Arthur Russell producing the fractured fragility of third album Big Star.
  Over ten tracks the result is a record of hopped-up murder ballads with a slightly Balearic feel that crosses swords with slow motion grooves that forge a link between the acid of both San Francisco’s Haight-Ashbury and Chicago’s Trax. 
  “I’ve met a lot of people over the years touring with bands,” explains Justin. “And I’ve been making music long enough to put aside any notion of genre or fashion. The Deadstock 33's has been in my head for a long time but only ever in the abstract until now. Working on this album has transformed the way I write and given me the opportunity to head off into jaunty Balearic pop as well some darker musical spaces. I’m really pleased with whats been achieved so far.”
  Lyrically the Deadstock 33's explores a similarly unique territory. From tales of the to MPs frolicking on Hampstead Heath,to a church going couple who spend  their sunday's despatching parishioners in the woods, it’s the dark stuff make no mistake,but There are also chinks of light in the dark; with life affirming psychedelic pop and good time acid disco stirred into the blend.  What unites all the songs however is an urge to get under the skin of society and shine a flashlight on what is found, turning the evidence back into a remarkable musical document that mirrors our weird wide world.
  

Duke Dumont is a contemporary electronic music powerhouse. Deeply committed to creating high quality music imbued with emotional depth, Dumont is versatile, extremely adept and hard working. His illustrious career has taken him on tour around the world, many times over, and placed him in the top tier of electronic music artists of his ilk.

Since 2007 Duke Dumont has channeled his deep love for electronic music into a variety of acclaimed releases, moving through pumping electro and vibrant techno to conquer the UK charts with “Need U 100%.” His early releases on Tiga’s Turbo Recordings helped establish his reputation for producing high quality club music that moves the dance floor, physically and emotionally. By 2012 he’d produced two career-defining EPs - For Club Use, Vol 1 and For Club Use, Vol 2. Tracks like “The Giver” cemented Dumont’s rep for catchy hooks, precision arrangement and powerful emotion. A year later he hit the No.1 spot in the UK charts with “Need U (100%) (featuring A*M*E),” demonstrating his ability to merge classic house motifs with first-rate songwriting.

“Need U (100%)” was followed with another UK No.1 “I Got U,” both songs achieving platinum sales. Between 2013 and 2020 he hit the Billboard Dance Chart No.1 with seven singles, including "The Power,” “Won’t Look Back” and “Ocean Drive.” With each release Duke Dumont stayed true to his club roots, achieving widespread success.

http://comtruise.com

European Booking:
kalle@pitchandsmith.com

US Booking:
omallon@paradigmagency.com

General Inquiries:
matt@gallerie.us

Legal Inquiries:
matt@rmbllp.com

Lo-fi / Mid-fi / Sci-fi
Lush noise 32bit synthwave pop.

Jon Vangorph is following