sublime choice of music ... in just the right construct

Can i please a list of this soundtrack? or at least this song!!!! i didnt stop listeningto this treack the whole week! i  am not kidding at all....i really miss the parties in KL!!! u were the bomb, u completely changed the taaste of my music love!

Utrecht born and raised Jesse Jacob provides us with the latest installment of our PIVCAST series, following his very successful 'Push It' EP that released on PIV in the beginning of 2023.

@jesse-jacobmusic

PIVCAST 059 - Jesse Jacob

Here is the recording of Alam & JonnyVicious’ follow up to the previous back2back @ Kuna Rooftop. This one was held on 22 July 2023, check it out!

Kuna Rooftop

Alam B2B JonnyVicious @ Kuna Rooftop, July 2023

panic attack

TASCAM DR-40

Live At Power House (DJ Pete, Finn Johannsen)

Introducing ‘BuzzCutz’ — a fresh new edits series from the Dunmore Brothers. Every six weeks, we’re dropping a brand-new edit as a free download on our SoundCloud. To kick things off, we're serving up a slick rework of Little Simz & Obongjayar’s "Point & Kill."

Follow along for more exclusive drops — this one's just the beginning.

Free Download

CUTZ001 - Point And Kill (Dunmore Brothers Edit) - Little Simz, Obongjayar [FREE DOWNLOAD]

A collection of tracks I've been digging lately, including a few that have featured in my sets at Savage Hanoi (03/10) and Headquarters Singapore (19/10). Tunes by GIDEÖN, The Emperor Machine, Nate SU, Polygonia, Prince Palmer, Theus Mago, Romain FX, Iñigo Vontier, B(if)tek & Bored Lord among others <3

phơi phới ở nhà mới

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: www.gofundme.com/f/help-refuge-wo…-community-radio

Love On The Rocks - Paul Wolsch - 23 Jun 2025

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

this could be/ this could work. this is 

they got lost ; 
amongst millions of galaxies ; 
a string of stars led them closer to something ; 
something perpetual ; 
something personified ; 

they landed ; 
they walked ; 
they saw ; 
they wondered ; 
they found ; 
immensely overlooking a diorama of insignificance ; 
they conjured and joined forces with a force unlike any they had known off ; 
they were young you see ; 
they groped the very existence of sound as if it was something that could be synonymous to magic ; also unknown
heightened drums. love. unknown. 

they were intrigued ; 


they took ; 
they imagined ; 
they asked ; 
synths of dark solid insignificance ; 
they traveled.  

lost. time was lost. 
it was so lost. 
how much more lost could time be. 

they showered them with sounds of continuous findings. 
galloping through asteroids and dysfunctional disco triumph. 

they knew they were right all along, that most of what was shown was positively inebriated inertia ; 

they ever so slowly tracked back, one synth at a time, they were tired of the ignorance ; 

they dispersed of them through a shaft not so wide ; 

they heard laughs of sadness fly through the energy that was almost 6 layers thick ; 

and then the drums, the drums disappeared and the synths rolled in, goodbye my lover, goodbye my friend. Sam Smith is ruining hisself.

MIXTAPES

JonnyVicious | Stanley's Overture

part 2 take's it down lower bass to the bone 

AFTER THE AFTER SELECTION pt 2

JonnyVicious, a young and mischievous disc jockey who credits his musical intelligence to everything he’s heard since the age of zygote. 
A creature that evolved in an environment led by the foundation of curiosity and laughter. Intuitive and diverse, he enjoys mixing in sounds of far and wide, adding in the bells of religious controversy and food. 
He lives, breathes, and has been enslaved by the rhythmic power of making rooms full of earthlings move spastically. 
He is one with earth and earth is one with him.



CONTACT  ME : 
jbaztian@icloud.com

JonnyVicious | Stanley's Overture

JonnyVicious

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Filipe Pilipo

Filipe Pilipo

Filipe Pilipo

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