'WON'T BE POSSIBLE' 
with Odd Mob & Goodboys May 9th! 
https://tiesto.lnk.to/wbp

MGMT: bo@id8mgmt.com

"Starry Eyed Surprise" w/ Mr. Belt & Wezol
https://lnk.to/StarEye

A weekly audio podcast hosted by Johnny Brennan, creator of The Jerky Boys. ﻿Every week, Johnny provides behind the scenes commentary on classic Jerky Boys bits.

September 70 are a duo from Dundee, Scotland comprising of Graeme Ogston (Spare Snare) and Paul Munro.

September 70 were formed shortly after ramshackle Dundee indie outfit The Hate Foundation dissolved. Graeme and Paul had been working closely together on a variety of projects for some years and with their combined love of cherry menthol tobacco, chicken tikka sandwiches, Polish cafes, charity shop crate digging and good old funky music they both made September 70 a force that could not be denied existence. 

The first incarnation of September 70 was called Taxi Driver or Taxista! under which they recorded the Taxista Suite. This was an unusual lo-fi mix of soundtrack style music of a 70’s nature inspired by such diverse influences such as Jean-Claude Vannier, the big brassy balls out easy listening funkathons of artists such as Keith Mansfield, Alan Moorhouse & Alan Hawkshaw, the psychedelic latin soul of Pucho & The Latin Soul Brothers, the sunshine pop of Curt Boettcher with some Lalo Schiffrin thrown in for good measure. 

The Taxista Suite was effectively a soundtrack album for a movie that was never made, although some of the tracks ended up on the soundtracks for 2 low budget short movies (A Long Time Coming, The Carpet Junkie), both of which were shown on the big screen. Originally it had been penned for a ridiculous script that Graeme and Paul were writing about a Kung Fu cat and a bitter jaded detective called John Mandingo, but they never quite got round to filming it. 

The recording itself was achieved on a dodgy old 4 track in Paul’s dingy old bed-sit, so the production values were not the greatest. All of the sampling was done on an Amiga 500 using TechnoSound Turbo and the drums that weren’t sampled were programmed on an Alesis HR-16 drum machine. Recording and production values aside the Taxista Suite is considered by the band to be a diamond in the rough. 



New album 'Spirit' featuring "Where's The Revolution" available now.

Uranium - Eugene & L*o*J
https://ffm.to/uranium
OUT NOW!

Fresh Blood: @frshblood
Demo / Submissions: demo@buygore.com
Merch: https://buygore.com

Give us back the 80's!
Members: 
Gregor Kacin - Vocals
Jan Pivk - Synthesizers
Rok Kovačič - Electric drums

Winner of the Queen Elisabeth (2009) and Yehudi Menuhin Competitions (2008), Ray Chen is among the most compelling young violinists today.   “Ray has proven himself to be a very pure musician with great qualities such as a beautiful youthful tone, vitality and lightness.   He has all the skills of a truly musical interpreter,” said the great Maxim Vengerov.
Ray has released two critically acclaimed albums on Sony: a recital program “Virtuoso” of works by Bach, Tartini, Franck, and Wieniawski, and the Mendelssohn and Tchaikovsky concertos with Swedish Radio Orchestra and Daniel Harding.   Following the success of these recordings, Ray was profiled by The Strad and Gramophone magazines as “the one to watch”.   “Virtuoso” was distinguished with the prestigious ECHO Klassik award.   He is currently working on his third, all-Mozart album with Christoph Eschenbach and the Schleswig-Holstein Festival Orchestra, slated for release later this year.
Ray continues to win the admiration of fans and fellow musicians worldwide.   In 2012, he became the youngest soloist ever to perform in the televised Nobel Prize Concert for the Nobel Laureates and the Swedish Royal Family.   His Carnegie Hall debut with the Royal Stockholm Philharmonic and Sakari Oramo, as well as his sold-out Musikverein concert with the Gewandhaus Orchestra and Riccardo Chailly were met with standing ovations.   Since the 2012- 13 season, Ray has been invited to join Konzerthaus Dortmund's series “Junge Wilde,” which presents young and groundbreaking artists in Germany.   Later this season, Ray will make his San Francisco recital debut at the SF Jazz Center. He also looks forward to his upcoming recital tour of Australia and his debuts with the Orchestre National de France and the London Philharmonic Orchestra.
Followed by over 500,000 people on SoundCloud, Ray Chen looks to expand the classical music audience by increasing its appeal to the young generation via all available social media platforms.   He is the first ever classical musician to be invited to write a regular blog about his life as a touring soloist for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max).   In his unstinting efforts to break down barriers between classical music, fashion and pop culture, he is supported by Giorgio Armani and was recently featured in Vogue magazine.
Born in Taiwan and raised in Australia, Ray was accepted to the Curtis Institute of Music at age 15, where he studied with Aaron Rosand and was supported by Young Concert Artists.   He plays the 1702 "Lord Newlands" Stradivarius violin on loan from the Nippon Music Foundation.

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