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'LIL HERB' OUT NOW ⏳: gherbo.lnk.to/LilHerb

BOOKINGS: Jacqueline.ReynoldsDrumm@caa.com

“It's like finding your roots, getting in touch with your old self and that hunger you had when you first started, the energy that made the world fall in love with Lil Herb,” says G Herbo of his new project, Lil Herb. Named after the moniker he broke through with 15 years ago, it’s both an album and a time machine. After helping invent and globalize Chicago drill, launching the Swervin Through Stress nonprofit, and scoring his biggest hit “Went Legit” off his 2024 mixtape Greatest Rapper Alive (13M direct-to-fan streams), Herbo is now reaching back and looking forward. He recorded 100 songs over a year, revisited old favorites, and returned to Chicago studios with his day-ones. The result blends soulful No I.D.-crafted hip hop, menacing drill, and a rare Wyclef Jean feature—plus a reunion with the late Juice WRLD.  “I'm at the finish line… I'm in full control of my destiny now. I've finished the marathon I started when I was 16, when I was Lil Herb.”

Official City Girls. Booking - Info@CityGirlsBooking.com

Hailed by Rolling Stone as being “the hottest duo in rap,” the City Girls has successfully claimed their stake as being the most notorious power players in female Hip Hop. Yung Miami (Caresha Romeka Brownlee) and JT (Jatavia Shakara Johnson), known for being authentic, uncensored and unapologetic, took the world by storm with their first two projects Period and Girl Code, followed by their contribution on Drake’s number one pop hit “In My Feelings.” The first ladies of Quality Control Music, Yung Miami and JT’s knack for storytelling mixed with their infectious personalities are responsible for empowering a cult following of women who not only have something to say but aren’t afraid to say it. 

City Girls’ presence and ascent, as their lyrics suggest, are attributable to their resilience, pride and just a little bit of finesse. From “Take Yo Man,” “Pussy Talk,” multiplatinum and gold-selling single “Twerkulator,” their recent release “Top Notch,” and their latest release “Good Love ft Usher,” there’s no shortage of bravado, pleasures (both carnal and material), or pursuit of opportunities in their songs, which brim with a buoyant nonchalance, as if begging for someone to challenge them. This ownership over who they are—without shame or pause—that oozes from their music, carrying the proud, sex-positive hustler’s DNA of the Florida rap that preceded them.

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