Spring 2025

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered using Logic. 
Guitars played: Taylor 714CE in DADGAD Tuning
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.

Acoustic guitar instrumental.

Reunion

Pete- Lead and rhythm guitars,Vocals
Paul- Rhythm guitars,Drums
Special guest, Mark Deber- Bass Guitar

Left Outside Alone [Single]

Surrender

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

"Quiver" by Lola Demo is another dark, edgy anthem, disguised in a melodic weave of guitars and bass that dives deep into the psyche of  someone caught in the web of a toxic, all-consuming relationship. The song pulses with a moody, hypnotic energy, driven by a throbbing bass line that feels like the heartbeat of emotional turmoil. The lyrics paint a picture of mental spirals and unrest, with the repeated line "you are in my head" serving as a haunting mantra, echoing the sense of being trapped in an inescapable loop.
The verses are raw and confrontational, capturing the unsettling tension between reality and illusion. Lines like "don’t know if they are dead or alive" and "must be something I was fed" suggest a deep suspicion, as if Lola Demo is questioning everything she’s been told and everything she feels. The eerie disillusionment grows with each beat, the bass line amplifying the slow descent into a mind that's been tampered with.
In the chorus, Lola Demo brings in her unmistakable harmonies, something she has purposefully avoided in her recent tracks, but here they come full forward. The chorus hits with a heavy dose of melancholy and melody. The repetition of "so unlucky, unlucky, unlucky" paired with "quiver, I shiver, I try not to let it show" gives the song a visceral edge, as if she’s trying to shake off the cold grip of a haunting memory but can’t quite break free. Lola Demo’s harmonies amplify the emotional intensity, adding layers of depth and complexity to the haunting atmosphere of the song.
As the track builds, the intensity ramps up, with the explosive line "30 seconds to explode" signaling a breaking point—a moment where everything threatens to come undone. It’s raw, it’s vulnerable, but it’s also defiant, with the relentless bass line pushing the song forward even in the face of collapse.
"Quiver" - Is this a raw, autobiographical reflection of Lola Demo's own emotional turmoil, or is it a dark narrative about someone else entirely? Either way, it’s cool, and unapologetically real.
MAGDA KOSKA

September 10th 2024

quiver

[Verse 1]

Walking through memories
Under those stars you used to know
Whiskey kisses, love burning low
You can't hide from it, darlin'
Those embers still glow

[Verse 2]

Heartstrings playin' guilty pain
Thoughts of her, like drivin' rain
Ghost lovers of the past
Secondhand smoke
It clings, it lasts

[Bridge]

An old flame 
You stirred up again 
Like a Hurricane 
Let's give her a real name
Secondhand Smoke  
She's just secondhand smoke (smoke)


[Chorus]

Secondhand Smoke 
From a fire you’ve been 
tending all night 
It’s something you can’t deny
So don’t even try 
Secondhand Smoke


She's just secondhand smoke
From a fire you’ve been 
tending all night 
It’s something you can’t deny
So don’t even try 
Secondhand Smoke
She's just secondhand smoke


Why play with smoke when you can play with fire?
 Baby why?


[Verse 3]

 I'm haunted by her face
Like a melody that time can't erase
Her silhouette dances, in the moonlight's glow
Secondhand smoke
don't wanna let go
Secondhand smoke
 don't wanna let go.



{Verse 4]

I'm the fire you been tending all night
It's something you can't deny
So don't even try 
Secondhand smoke
It's just secondhand smoke

Why play with smoke when you can play with fire?






Secondhand Smoke

WILD ORCHIDS. LIVE Impromptu, Spontaneous, Recording on Chris's Mobile in Robyn's kitchen.  NO effects. No mixing. ROBYN YOULTEN -Vocals and 6 String acoustic Guitar. CHRIS SCHERI - Flute.  TRIBUTE to Marianne Faithful

Tribute to Marianne Faithful

This is a country and Western song based on the folklore mystical image of the 7th Son of a 7th Son. In my song he is a bounty hunter working for the Dark One, his job is to collect the souls of the Wicked and bad people of this earth. There is no hiding from him, he is after your soul and discards the Skin. He must be very busy at the moment in this world we live in. 

the Bass and drums are driving this one with a beat designed to make you feel like you are riding a horse through the night running from the 7th son of the 7th Son , hope you like it . 
Written, performed , engineered and produced by: Johnny Mc Farlane

The 7th Son of a 7th Son

Hello… thanks for dropping by. This song is a loud, electric-slide song. It has overdriven slide, some homemade (learning how to:no drum kit) percussion, a vocal harmony and gravely vocals. I am happy I am able to do this at all, at 68 years of age… especially singing, which greatly wanes with age. (I really just started to sing within the last decade or so.) Traveling On… may be seen as a metaphor, or not, it doesn’t really matter. It might signify personal change or a movement toward and/or away from something. There is a hint of recognition, insofar as the unwavering essence of who we are… There is a suggestion of working toward peace. Again, this could be seen as metaphorical, in a sense of personal introspection. What do we espouse, condone and accept in this life for ourselves and society? Do you want to ‘Travel On’? Thanks for hanging out, Mark

Traveling On

lost in the morning light
safe from the madness that binds the night
I'll be the good man enlightened, abated, anodyne

I travel naked with a mind left to the wind
you won't believe that this is all that is needed to begin
caught inside the wasted life you never know that you're bleeding

I hear the voice  of higher mind
all the rusted wires untied
I'll be the good man invited, elated, held in line

I leave a message to myself just to remind
there is no reason to be learning how to be unsatisfied
or be lonely

why does it seem so hard to find
why can't it last forever

I'm watching the birds go by my window
my heart is believing fire
and all will reveal in time

Play on Spotify

Begin

THS01 - Tommy Woodsmoke - See you in the dawn

I am not a musician but music plays a very important role in my creative life! I am an artist/designer and music is my companion and my muse in the long hours I spend working in my studio! 
I am immensely impressed and grateful for all the talented and inspiring musicians whose work graces this Cloud, and I will always re-post sounds that I love (and will listen to again) - knowing that others will enjoy them!
I feel slightly embarrassed and quite humbled when I receive such graceful messages of thanks from artists whose work I have re-posted - after-all, I am the one who is so inspired by the discovery of your brilliant music!!!
So thank YOU!!!
Jools :)
P.S. If you want to see where the music takes me there is a link to my Portfolio site on Behance below!!! 
NEW!! - Thanks for all the great feed-back on my work! I shall be re-launching with a website (shop & archive) ‘KULT-JE’ in the not too distant future! Meanwhile, examples of past and current work are featured on my Instagram (@joolselphick)
Since my heart op in Jan2021, I have had to deal with taking quite a lot of meds which have interrupted my design work - that and moving to Germany in 2020 - and back in 2021 (due to Covid my business plans stalled!) - SO, slowly getting it together…. hang tight!😊

I have an archive of my work to date on Instagram - @joolselphick

Spring 2025

Julie Elphick