Just bought vinyls 5&6! ╰(*°▽°*)╯

Estecki has never really clung to one genre and medium - if the music flows, it flows with her groove. Lover of 90's sound, sampling, all sorts of deep structures in the selection and 'snooping' of all kinds - from dusty record crates to bandcamp excursions into the unknown. For several years he has been active again behind the decks, a DJ, promoter, the other face of the Black Crane label, who runs with Istota. He is a member of the DrumObsession and Sinewave Sounds collectives.
*Digital Mix*
Links :
https://soundcloud.com/stc-6
https://www.facebook.com/stcoffee1
https://www.facebook.com/drumobsession
TL:
1. Pimp Daddy Nash - O.M.I.S (E-Z Rollers Remix) | SSR 
2. A Touch Of Jazz - Respected Not Accepted | Precious Material
3. Jammin' Unit – Totally Unintelligent (Plug Remix) | Rising High Records
4. J.L.M. Productions - Can't Understand | Reinforced Records
5. Subject 13 - Mystical Flyte | Vibez Recordings
6. Studio Pressure - Fusion | Photek
7. Tertius - Sky High | Renegade Recordings
8. Omni Trio - Twin Town Karaoke (Guardians of Dalliance Remix) | Audio Couture
9. Aquasky- K-Rocks | Passenger
10. Hidden Agenda - Get Carter | Metalheadz
11. Ballistic Brothers - Come On (Simon Templar Remix) | Junior Boy's Own
12. Suburban Architecture - The Believer | Suburban Architecture 
13. Blame & Justice - Essence (The Jazz Testament) | Moving Shadow

Wax & Jazz Podcast vol. 7 - STC

EXIT SPEED w. Tamen - 3 July 2025

Next Okbron's 12'' will be presented by Scottish producers KMC & Future Engineers, who collaborated on several tracks in 90s era , two of which will finally be released. If it hadn't been for the preserved DATs, the release would probably never have happened. Artists talk in more detail about working on the tracks:

"At the time of writing these tracks we lived next door to each other. Back then, face to face collaboration was really the only way to work with other artists. This was of course a more hands on process and we were each able to bring our own skills and sound to the table.

1st Magnitude was written with 720 degrees in mind and was initially snapped up by Blame but then circumstances changed and unfortunately the release fell through. KMC wrote the bassline, off the back of his forward thinking bassline in Orbiting Probes. We knew that a driving bassline and deep, atmospheric music would be a winning combination of styles for the scene at the time.

Quasar was written specifically as the B side to 1st Magnitude and the aim was for it be intentionally something a bit diffferent. With the drums deriving from TMA-1 and the bassline injecting some future funk, the track delivered on what it set out to achieve. Although Quasar was not signed by any one at the time and went into the vaults until now.

Both tracks were written around the same time as another collaboration track, “Density” alongside fellow Scottish producer, Scarlet Lake. Density was the opening track of the KMC - Temple Records Mix. Unfortunately the DAT for Density was never kept and will remain unreleased.

Studio gear -
All the tracks were written using Akai Samplers. The drums derived from the Future Engineers track - Fragments that was released on Temple Music. The bass sound in 1st Magnitude was a one shot sample. Most of the musical elements and the bass sound for Quasar came from the JV-1080/2080. The ethereal strings and some effects came from the Korg Trinity.

This period of creativity marked the end of the collaborations between KMC and Future Engineers and KMC stepped away from the music scene to persue other endeavours. This relationship has been reformed over the years and the talk of new music again together is in the pipeline…" (c) KMC & Future Engineers

Pre-order 12'' https://okbron.bandcamp.com/album/kmc-future-1st-magnitude-quasar

KMC & Future Engineers - Quasar (OKBR066 Vinyl)

DROOGS017 makes its return with a 12" courtesy of Quartz in the form of a razor-sharp two-tracker, showcasing his trademark precision and stripped-back engineering.

The A-side, “Duplicity,” is a masterclass in minimalism cold, skeletal, and immersive, driven by tight basslines and subtle rhythmic shifts. Quartz proves that less truly can hit harder.

On the flip, “Black Prism” a collaboration with Overlook dives into raw ’90s techstep territory. Choppy breaks and haunting stabs build relentless pressure before giving way to a surprisingly blissful finale.

Quartz continues to cement his reputation as one of drum & bass’s most distinctive modern voices.

Preorder

DROOGS017 : Quartz - A. Duplicity / Quartz & Overlook AA. Black Prism

Sickrose Mix 005 featuring T-sunâ. Expect tribal percussion colliding with halftime dnb.
T-sunâ's Soundcloud: https://soundcloud.com/tsuna_osake

T-sunâ

1. Krugah - New Time Bangarang - Self-release/Bandcamp
2. BC Rydah - Murderous Ting - Yeska Beatz
3. Opius - Trust The Process - Ballpark Recordings
4. BC Rydah - Reason To Kill - Yeska Beatz
5. Krugah - You 2 Me - Self-release/Bandcamp
6. Fundamentals - Break Free - Unreleased
7. Fundamentals - Bring It Back - Unreleased
8. Opius - Tight Grace - Rigatoni
9. Jordan Williams - Spring Cafe (Krugah Fall Came Too Soon Remix) - Rigatoni
10. R Hawk - I Wanna Rock (Krugah's Funky Entendre Remix) - XPresha Records
11. BC Rydah - Lik Up Di Place - Yeska Beatz
12. Opius - Version Live - Ballpark Recordings
13. Opius - Untold - Ballpark Recordings
14. Quaad & Fundamentals - Underground Sound - Unreleased
15. BC Rydah - Dawn's Calling - Rigatoni
16. Krugah - Choppa Skank - Self-release/Bandcamp
17. Fundamentals - Moody Flutes - Rigatoni
18. BC Rydah - Ganjahman - Yeska Beatz


Atmospheric Jazz 54 (All Opius/BC Rydah/Krugah/Fundamentals) mixed by Jordan Williams

Stream one of the track from Eigengrau little album

Eigengrau *Stream*

Extremely Heavy Bass

If you like, buy some music ;)

https://soundcloud.com/pugilistmusic
https://soundcloud.com/tamen
https://soundcloud.com/podimension

https://tamen.bandcamp.com/music
https://pugilist.bandcamp.com/music
https://kineticvision.bandcamp.com/music

[0:00:00]  PUGILIST & TAMEN - Adversity  [Trule, 2020]
[0:02:00]  PUGILIST - Encrypted  [Whities, 2019]
[0:04:24]  PUGILIST & TAMEN - Time Becomes A Loop  [Repertoire, 2021]
[0:07:12]  PUGILIST & TAMEN - Conquer  [Samurai Music, 2025]
[0:10:20]  POD & TAMEN - Ino  [Straight Up Breakbeat, 2024]
[0:13:49]  PUGILIST - Glow Up  [Ruff Kutz, 2024]
[0:16:55]  PUGILIST & TAMEN - 2 Tone  [TempoCore, 2022]
[0:19:57]  PUGILIST - Septic  [Artikal Music, 2017]
[0:22:35]  POD & TAMEN - Lek  [Echo Chamber Sound, 2025]
[0:25:14]  PUGILIST & TAMEN - Mise  [Samurai Music, 2025]
[0:29:22]  PUGILIST & TAMEN - Sooth  [Rupture, 2023]
[0:31:38]  POD & TAMEN - Subvert  [Straight Up Breakbeat, 2024]
[0:34:38]  PUGILIST & TAMEN - Samadhi  [Repertoire, 2021]
[0:37:39]  PUGILIST & TAMEN - Scatter  [TempoCore, 2022]
[0:40:40]  PUGILIST & TAMEN - Anda  [Rupture, 2023]
[0:42:55]  POD & TAMEN - Paradigm  [Straight Up Breakbeat, 2024]
[0:45:45]  PUGILIST & TAMEN - Synaesthesia  [Dext Recordings, 2023]
[0:48:48]  POD & TAMEN - Uma  [Straight Up Breakbeat, 2024]
[0:51:30]  PUGILIST & TAMEN - Source  [Ruff Kutz, 2025]
[0:56:19]  POD - Termite  [Western Lore, 2023]

Mixed @ Mission Control II / Sept 2025

DnB 25.09 - Pugilist, Tamen & POD

When the fracture split the vacuum, the chrono-compass snapped to 174.
Courier-pilot Saint VII tightened the straps and slid into the seam of the cosmos. Inside, space moved like a staircase: every two beats a new level, every third an ironic wink from fate. Bass wasn’t sound but ore—mined with a swing-pick, packed into crates by layers, tagged with sharp breaks in the pattern so the route wouldn’t be lost.

On the far side waited the black market of gravity. They didn’t sell fuel there, only knots of rhythm: quick punches, toothy wobbles, strobe-lit syncopes—fresh, predatory, a little cocky. Saint VII slices time into slivers, flips the riff mid-flight, throws right-angle turns that leave the time inspectors grabbing a silent bar instead of evidence.

Landing: the platform of the dance floor. Containers open—and orange impulses surge out.
A short hit—“here,” a reply—“there,” the mocking sub clings to ribs and marches the room up a ladder of breaks—every eight bars a new turn, closer, rougher, bolder. Hands rise, air trembles, and time—embarrassed—pulls a reload: the same motif, louder and straighter to the chest.

Galactic Fracture is contraband geometry of rhythm: a raider’s log that brings back not fear from the cracks, but the urge to jump. Every track is a new step, every break a portal, every pause a sight line.
DEEPNAS logged the signal. Saint VII returned intact—so we can dive back into the rift.

Saint VII - Current Value

Original: Calibre & High Contrast – Mr. Majestic

Mistwist - Mr. Majestic (Jump up version)

Rigatoni, the record label was created in 2021 by Jordan Williams.  We like to play breaks, dnb, and jungle with a focus on the dark and jazzy side of things.

Atmospheric Jazz 54 (All Opius/BC Rydah/Krugah/Fundamentals) mixed by Jordan Williams

Rigatoni

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