New album Sad featuring "Promises" is out now 🖤

See us on tour in Europe with All Time Low in 2026!

𝙆𝙤𝙤𝙡-𝘼𝙞𝙙 𝙤𝙪𝙩 𝙚𝙫𝙚𝙧𝙮𝙬𝙝𝙚𝙧𝙚 𝙣𝙤𝙬 🍇🧃
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Exposing a glimpse of a darker side on their addictive third album Bad Habits, Michigan quintet Every Avenue has emerged with their strongest album to date. Debuting at #63 on Billboard Top 200, the full-length sees the band embracing their demons and giving their brand of euphoric pop rock a new edge.

Forming in 2003, Every Avenue's debut full-length Shh...Just Go With It peaked at #27 on the Billboard Heatseeker's Chart on release. Plays on Yahoo and AOL Radio, MTV The Real World/Road Rules Challenge, and winning MTVU's The Freshmen set the stage for their acclaimed 2009 album Picture Perfect.  The album debuted at #1 on the New Alternative Artist Chart.  The band's second full-length spawned hit single "Tell Me I'm A Wreck", which rode high on the Sirius Hits 1 charts in fall 2010, and the music video was named Kerrang! TV's Video Of The Week in the UK.  The band spent a full summer on Vans Warped Tour 2011, followed by a direct support on Yellowcard's fall tour.


If you don't know by now you'll never know.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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