Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Well, this is gonna be frisky: Go-getting musical globetrotter Eule aka Eulenhaupt meets his DJ colleague Molle aka Mollenhauer, the cheerful dude from Mecklenburg with his special passion for groove. The result of this encounter clearly bears the hallmarks of the two of them and therefore is similar varied and entertaining like the gentlemen themselves. A rich bass makes the head nodding right from the beginning of Candyshock, driving offbeat chords reinforce this effect even more. The percussive composition signalizes a massive departure even before the break, the track finally takes off completely with some playful-euphoric wind instruments. Candydrop starts in a similar mood but this one leads into dubby depths with harmonic keyboard orchestration afterwards. On the B-side Candyshock is re-interpreted by Mollenhauer’s Alter Ego Mollono.Bass. He again adds a mighty portion thrust, dubby sounds and a dreamy oriental vocal hovers between the quotations from the original. Last but not least Eulenhaupt and Mollenhauer rearranged the song Candyshop from the bouncy jazz-folk-crossover combo Fatima Spar and deliver a song-styled composition with friendly accordion sounds and a superb smoky female vocal. As one can hear pretty distinct, not only the name of this title was an important source of inspiration for the available record. Music from Acker for the acre or the cosy freak-out in the club of trust!

I've been a DJ for a while. I kind of like it.

Jorg Massen is following