We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Floyd - Drumcode - DC136

From 2022.
1 WIP every day for 1 year starting NOV1ST 2025, ending NOV1ST 2026

MOUSE 5 (14/11/25)

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud. (Thomas Schumacher, November 2015)

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/ThomasSchumacherOfficial
https://www.facebook.com/victorruizofficial


Thomas Schumacher & Victor Ruiz - Satellite

Thomas Schumacher & Victor Ruiz - Apollo

<p>It&#8217;s time for Sasha Carassi&#8217;s &#8220;Echoes&#8221; from a few months ago to receive remix treatment, and Skober&#8217;s interpretation is up first and focuses on the melodic elements of the Original but cleverly adds moody synths which add to the overall epicness of the affair, especially in the grandiose breakdown. Layton Giordani is up next with his trademarked shadowy sound and impeccable arrangement, offering yet another angle of attack. Last but not least are Loco &amp; Jam dubbing things out with bursts of references to the original in key moments, while maintaining a rocksteady vibe sprinkled with discordant stabs.</p>

Sasha Carassi - Echoes (Layton Giordani Remix)

Senso boss Oliver Huntemann first released the original version of Magnet in 2011 as a part of his Paranoia LP on Ideal Audio. A few years later, Brazil’s leading underground techno light Victor Ruiz reworked the track into an unofficial bootleg, which since had been rinsed by Ruiz, Huntemann and a slew of top DJs around the world. Such was its effect on the dance-floor, it’s now finally receiving an official release via Senso in a slightly updated version. The track itself is a lesson in tough, driving techno - unrelenting in its mission, yet infused with layers of subtlety and deeply funky beeps, squelches and effects. It’s a machine-funk monster, and it’s easy to see why the bootleg clocked up over 225,000 listens on Soundcloud.

Tracklist: 01. Magnet (Victor Ruiz Remix)
Releasedate: 13.05.2016 
Label: Senso Sounds 
Cat. Nr. : senso016 

GET IT HERE

Oliver Huntemann - Magnet (Victor Ruiz Remix)

Pan-Pot – Solace EP [SNDST023]

Digital: http://btprt.dj/2g3wt8O
Vinyl: http://bit.ly/2f8DTon

1: Pan-Pot – Solace
2: Pan-Pot – Consequence
3: Pan-Pot – Lose Yourself
4: Pan-Pot – Lose Yourself (Marcel Fengler Remix) [digital only]

After nearly a year since their sophomore album 'The Other', Pan-Pot return home to Second State with a stunning EP showcasing the duos proficiency for composing dynamic, cutting-edge Techno.
Over the span of three tracks, 'Solace' EP navigates through a trifecta of distinct styles that unquestionably bear the mark of Pan-Pot's masterstroke. Kicking it off at a breakneck pace is the title track 'Solace' with rapid fire low end and intense tones laying the bedrock for a wildly uplifting presentation of keys creating the ideal balance between opposing forces.
Up next is 'Consequence' which see the duo team up with Martin Eyerer for a newly styled trip down memory lane. By pairing key elements of the sounds of early Pan-Pot and contemporary production, the trio have succeeded in conceiving a fever inducing, big room hit.
Rounding out the EP is 'Lose Yourself' and it is by far the most grandiose of the trilogy. Lush pads and soaring sonic stairs build toward a zenith as the ceaseless chant of "lose yourself" escorts the traveller through an elated dream.
To top it all off, Pan-Pot personally enlisted the expertise of IMF's label boss, the mighty Marcel Fengler. With an astute awareness, Fengler weaves the original artifacts of ‘Lose Yourself' into a truly unique orchestration of rugged percussion and euphoric abstraction.
Although it's been a year since we last saw Pan-Pot on Second State, once you experience 'Solace', we think you'll agree, it's good to have the bosses back home.

@pan-pot
@secondstateaudio

Solace EP

Solace

Pan-Pot - Solace

Joris Voorn returns with another sterling release on his Green label. I Ran The Zoo is a lesson in stripped-back contrast and subtlety, with an acidic groove bleeping away over driving percussion and delicate atmospherics in its Digital Version, the tension growing with every thud of the kick drum. A dizzying breakdown raises the bar with snare rolls and dramatic pads, with the wide-open space therein soon sucked back into the void when the beat drops back in.

Meanwhile the special Analog Version harks back to Joris’ techno sound of old. The throbbing kick and bass and acid blips are set against rising, white-noise drenched synth swells and simple percussion to create something moody and tough yet teasingly pared back.

These two heads-down mixes make this release a stark contrast to some of his more melodic, riff-fuelled releases of late, once again demonstrating Joris' endless versatility and shape-shifting abilities.

GR30

I Ran The Zoo

I Ran The Zoo (Digital Version)

Over a 15-year period Truesoul has set the standard for engaging and effective club music, drawing in fans from across the techno spectrum. A relentless dedication to quality means it’s logistically impossible for Adam Beyer to release music from all the impressive artists who send him tracks each year for Truesoul. This EP showcases four such outstanding cuts, all of which have been tried and tested in Beyer’s sets in recent months. Indeed, anyone who witnessed his deliciously groove-ridden daytime set at Sonus Festival in August (or listened via episode DCR370), would have already been treated to an unofficial preview of the release. 

Belgian’s Ramon Tapia kicks the EP off in superb style with ‘Hexagon’, an energetic slice of techno that builds towards a pumping finish. Fast rising Manchester duo OC & Verde team up with Italian producer Veerus for ‘Naaki’, the track highlighted by a rousing call-to-arms vocal that saw it go down a storm during Beyer’s annual gig on the Amnesia Terrace for Cocoon in Ibiza. The beautiful vocal-led ‘Take My Life’ follows courtesy of Spaniard Marc Marzenit, adding an extra dimension to the release, while still having enough percussive fizz to keep the dancefloor moving. Southampton’s Ronnie Spiteri is another emerging talent to create waves in 2017 and he delivers the knockout blow with ‘Sugar Lips’, a chunky soul-infused offering that’ll be effective in house and techno sets alike.

Ramon Tapia - Hexagon - Truesoul - TRUE12102

Dubfire - Rejekt

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

The digital version also features a bonus track; 'A Further Existence'.

Biomorph

Enrico Sangiuliano - Cosmic Ratio - Drumcode - DC190 [II - Cosmic Forces]

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin