🎵 life hip hop 🎵
🎵 pishro 🎵
🎵 danyal 🎵


🌴 Mala Junta Resident (Berlin)
🏔️ .TAG Resident (Chengdu)

Booking: liz@triangleagency.com
Americas: joe@surefireagency.com
Asia: ellen@qiao.asia

[2010-2016] Music to continue what is lost. /// &#13; &#13;
Moon was full here every night. Federleicht was the heimat of belgium ambient artist 'Herbstlaub' who also worked  under the monikers 'die Nachtstunde' and 'This is where we Sleep' (collab). Herbstlaub is more instrumentally rooted and sounds more ambient while die Nachtstunde has explicitly more beats, minimal and dub influences. &#13;
FDL.BE was intended as a platform to release this varied work on and as a central reference point to get in touch with these various releases.&#13;
Most releases are limited, but mostly you can download them for free: <a href="http://www.federleicht.be" rel="nofollow" target="_blank">www.federleicht.be</a>&#13;
&#13;&#13;
2016
Herbstlaub - This is soon too late 
Herbstlaub - Seems Like Time To Remember, Seems Like The Moment To Forget

2015&#13;
Herbstlaub - New Insights From Forgotten Clouds, New Hints From Forgotten Memories.

2014&#13;
Herbstlaub - Hauch 12"&#13;
Die Nachtstunde - Flüstern macht gemeinsam&#13;&#13;

2013&#13;
Herbstlaub - Our Love Was Only Half Forgotten&#13;
Die Nachtstunde - Dreifarbenwelt (Entropy Records, EL.018)&#13;
&#13;
2012&#13;
Herbstlaub - Streets Aren't For Dreaming Youth&#13;
Herbstlaub - Remnants [Entropy Records]&#13;
Herbstlaub - This Grace Is Only Reaching Out To Surrender &#13;
&#13;
Other Heights - As We Are [remix]&#13;
Herbstlaub - Oostmalle Airport [ASIP008] &#13;
&#13;
&#13;
2011 &#13;
Herbstlaub - Per Sonare [Other Heights]&#13;
Herbstlaub - Zwischenwelt&#13;
die Nachtstunde - Klangwandler&#13;
Herbstlaub - Dämmerleben&#13;
&#13;
2010&#13;
Herbstlaub - Sonnewende&#13;
&#13;
&#13;
Thank you.

Clothilde and her machines have an intimate relationship. Built from scratch by her partner Zé Diogo these modular machines have their own identity and authenticity. Clothilde approaches them as equals and that resonates in the music she creates. She or they, because at some point you can’t really differentiate one from another. That’s the beauty of Clothilde’s music, she has a unique empathy with the machines/instruments she uses, and that relationship expresses itself in every moment. This creates music impossible to predict, not necessarily related to improvisation, randomness or chaos theory, but to the unknown dialogue between humans and machines. It is a primal sense of electronic music, but one that engages the listener into a constant idea of world building. Marvellous and intense. Releases like “Twitcher” (Labareda, 2018) and “Os Princípios do Novo Homem” (Holuzam, 2021) show how pure, transparent and organic Clothilde’s sound is.

José Pedro Pereira is following